Draußen wartet der Tod

The casting of Mature as the "savage" and Robert Preston (NOT Preston Foster!!) as the crazed cavalry officer made this one very appealing. The story, pushing the envelope for it's time, has our hero attempting to steal a married woman. James Whitmore has a nice supporting role, and take it from me-the BEST westerns came out of the 50s!

Robert Preston, not Preston Forster (alias Foster) does a fine job along with Victor Mature and James Whitemore in this "B" western filmed in color. It's fun to see the legendary Anne Bancroft in one of her first movies, before she returned to the stage in The Miracle Worker. Contrary to other opinions, if you are a real movie lover, The Last Frontier is well worth your time.

More of an army drama set in the West vs. a Western this has solid direction and some good actors. Victor Mature is hammy but Guy Madison gives a stronger performance here than was usual for him, relaxed and assured. Robert Preston is the cruel commander who is revealed early on as a soulless martinet. He is married to a soft and startlingly blond Anne Bancroft who is good but whose role is incidental. The film makes some veiled and some pointed references to early pioneers disregard for the ways not only of the Indians but of trappers and others who had easily coexisted with them destroying their way of life as valueless merely because it was not the settlers way.

Victor Mature plays Jed Cooper, a rough-and-tumble mountain man, ostensibly in need of a few social graces, who, along with his two companions, is hired on as a civilian guide at the local army installation, a fort on the edge of nowhere. He wants two things: a soldier's uniform, and commander Col. Frank Marsden's wife, Corinna (a blonde Anne Bancroft). She isn't altogether turned off. Her husband has been shuffled as far west as possible by the Army to escape his quaint reputation as the "butcher of Shiloh". A sizable native army, just beyond the fort, is waiting. Marsden dismisses them as stupid savages with no concept of military strategy, then falls into one of their bear traps.

"The Last Frontier" is about civilization and what it means to be civilized. Jed is an outsider and he wants to belong. For him, to be civilized is to wear a uniform and to attain domesticity. He grapples hard with this civilization thing and learns that there are some confounding complexities. Col. Marsden flaunts the veneer of civilization, but he's a rule-toting bully.

I've probably said too much already, but I love the dry, adult westerns of Anthony Mann. For all his tackling of a complex theme Mann doesn't forget the action scenes. The climactic Indian attack is exciting, with the dust that's whipped up providing a nice visual touch, and Jed's one-on-one fight with a Marsden flunkie is raw and brutal. The fort in this movie appears to be authentic and detailed, and we get to see its layout. Victor Mature's performance as a rough frontiersman is well realized and convincing, a far cry from the oiled-up Samson wrestling a stuffed lion in a certain Cecil B. De Mille soaper. A special nod to Guy Madison for his portrayal of a sane, all-round nice guy. This is hardly a "lesser" Mann picture. It's up there among his best.

Ordinarily, Anthony Mann made westerns with 'the big guys' - James Stewart, Gary Cooper, Henry Fonda . . . the A list cowboy stars. But in this B+ film, he tackled something notably different and had quite a bit of success with what turned out to be a truly one of a kind western. The main character, played by Victor Mature, is a trapper/ mountain man, and ordinarily they are romanticized in films - Robert Redford in Jeremiah Johnson, that sort of thing, where the hero is not in fact a typical mountain man but a clean cut heroic figure who hangs out with real mountain men. Not here. For once, a true mountain man - vulgar, crude, animalistic - is the central figure, and it's something to see, giving Mature one of his better later roles. The real acting chops are provided by Robert Preston, excellent as a self-absorbed Custer type cavalry commander, and James Whitmore, the poor man's Spencer Tracy, as another of those old timers who feel themselves trapped between ever more hostile Indians on the one side and the oncoming force of civilization on the other. Even more impressive is a very young Anne Bancroft as the officer's wife, who is initially repulsed by the very sight of Mature's grisly character, then finds her own veneer of civilization slipping away as she begins to realize, to her own shock, that she's attracted to him. Rarely if ever has a remote frontier fort been so accurately realized on screen, without the romantic allure that John Ford gave such a place in his masterful Fort Apache. The battle sequences are big scale and notably violent, and particularly impressive if you seen them in widescreen format. Good show, and underrated movie, all around.