It Conquered the World

Sci-fi about a creature from Venus coming to Earth. A scientist (Lee van Cleef) gets in touch with it through some machine. He believes the creature wants to bring peace and helps guide it to Earth. Naturally the creature wants to possess and conquer...

Infamous Roger Corman movie which has one of the silliest aliens ever filmed. It's also pretty stupid, dull in spots and laughable. But the acting is actually good (Peter Graves and Beverly Garland especially) and I DO find the alien at the end just...unbelievable. Also it does have two instances of over the top violence (for its time)--a man is set on fire and the thing gets its eye poked out (this is cut from some non-cable prints).

Not good but 100 times better than its remake "Zontar the Thing from Venus". And Garland and Graves ARE good. I give it a 5.

"IT conquered the world," said Beverly Garland when she first time saw the prop of the monster on the set and then kicked it over. Yep, that's how ridiculous the monster looked, and the mysterious "It" doesn't look any good on screen either.

'It Conquered the World' is typical Corman's cheese fest at its finest, and great example how great of an actors Beverly Garland, Lee Van Cleef and Peter Graves actually were - they had to be in the top of their game to play through that pile of cheese with such a serious faces without looking ridiculous. The film has nice interesting premise - a disillusioned and naive scientist Tom Anderson (Van Cleef) helps an alien from Venus arrive to Earth and gain control. Chaos brakes loose when brains of some authoritative figures are taken over by hostile alien and rest of the people are taken 'under protective custody'. Scientist's wife (Beverly Garland) and his best friend (Peter Graves) are trying to talk sense into the mad scientist, while 'It' slowly gains more control over humans, until the fiend (who looks more like ice cream cone) is taken out heroic actions in real Corman's style. The film nicely plays with some interesting ideas, but never getting them properly developed or getting any full use out of them. Well - it is a Roger Corman movie, what else one can expect from his style of rushed production. The film is still highly entertaining, and Beverly Garland's powerful performance (did I really just said something like that about Corman's movie) has a lot to do with that. Peter Graves' Dr. Nelson's final overblown monologue about human nature over the montage of dead bodies dramatically over serious but somewhat eerie ending to this campy monster film.

Another fun exploitation flick, but with little bit substance (not well developed script, but rather on idea bases) under the covers of (extremely) cheap special effects and cheesy dialogues. In that department, 'It Conquered the World' surpasses most of modern big budgeted, glossy science-fiction extravaganzas with polished special effects.

A lot of people slam Roger Corman and try and act like every movie he made was worthless schlock, but while he definitely did make a few stinkers in his long career, the truth is that he was involved with more good than bad movies, either as a director or a producer. In fact, some of the movies he directed were better than just "good" e.g. 'The Trip' and 'Bloody Mama'. His early reputation mainly rests on his quickie monster movies, and 'It Conquered The World' is one of the most entertaining. So okay, it a low budget movie (and I mean LOW), it's very naive and the special effects are poor. The Venusian monster and the flying bat things will probably inspire fits of giggles in most people, but despite all that the movie has lots of energy and it hooks you straight in. It's also helped enormously by having an above average cast. The two leads are Peter Graves and Lee Van Cleef. Graves later became immortal on TV as Mr. Phelps in 'Mission: Impossible', and Van Cleef became a Western icon via his work in movies such as 'The Good, The Bad And The Ugly' and 'Death Rides A Horse'. Van Cleef gives an intense performance as a scientist obsessed with communication with aliens. Graves is his more level headed colleague. When Van Cleef intercepts messages from an extraterrestrial that only he can hear, his wife (Beverly Garland) and Graves think he is cracking up. He co-operates with the alien, helping it to try and take over the world. Garland is best known to most people for her later work on TV (e.g.'My Three Sons'), but boy is she sexy here! Hubba! Hubba! Being a Corman movie we shouldn't be surprised to see Dick Miller in the supporting cast. He plays a soldier, as does Jonathan Haze (Seymour in 'Little Shop Of Horrors) 'It Conquered The World' isn't up to the standards of such 1950s SF classics as 'The Incredible Shrinking Man' or 'Invasion Of The Body Snatchers', but it's lots of fun, and I recommend it to anyone who enjoys b-grade movies from this period.

I have always found Lee Van Cleef to seem to be a very limited actor. Of course, that is because of the roles he found himself having to play. There was not much he had to do in the spaghetti westerns except stand around and look blankly sinister. Then some years ago I found a copy of this film. I remember seeing it in the 1950s but had forgotten the cast. I remember thinking the film silly back then. Now as I have ripened into maturity ("A full grown nut" as Ralph Kramden said to Ed Norton)- or maybe I have just gotten ripe- I find I really enjoy this film. A good monster film is never about the monster. The film is about the people dealing with each other and the monster in that order. It Conquered The World fits that rule. The special effects simply do not exist. The alien is totally absurd in its appearance. However, I can ignore all that because of the acting and the plot involving the characters. I found Lee Van Cleef especially effective in this role and I enjoy watching him bring his character to life. He is struggling with his decision to assist an alien from Venus come to Earth to save us all from our jejune frivolities which inhibit human progress. He wants things to be better for people and thinks he has found a way through this alien being. He has his doubts and Lee is well able to act this conflict of doubt to our great satisfaction. Peter Graves is an actor you can count on to give a good performance even when he is not inspired. Dittos for the rest of the cast. In short, if you can ignore the cheap sets, absurd special effects, uninspired means of corner cutting due to lack of budget, and just enjoy the acting- a weakness for the lesser of the 1950s genre helps, too- I would recommend this film with the stated qualifications.

In spite of the ridiculous, cucumber alien monster (which is fortunatedly kept off-screen through most of the film) this is actually an intelligent science-fiction thriller that's very much in an OUTER LIMITS vein.

Misanthropic scientist Lee Van Cleef makes contact with a being from Venus who promises to save mankind from his own self-destruction. Cleef paves the way for the alien to come to Earth, where it hides out in a hot springs cave outside of a small, remote Southern Californian town. Upon arriving, the being (or should I say invader) proves to have sinister plans of its own.

This early Corman quickie is quite good as long as you're not evaluating it based by today's high-tech standards. It's naive and unsportmanslike to condemn a film just because it was made decades before CGI was even invented.

The film has a certain disquieting mood about it. The remote setting adds to the sense of paranoia and isolation, and though the plot is sometimes critizied as being awkward, that tells me that the critic may be a short attention span member. You need to put some brainwork into your film viewing if you wish to gain any savory qualities from it. Whining because a planet isn't exploding every other minute is very superficial, and true science-fiction isn't for the shallow non-thinker who only has instant, immediate gratification on his non-mind.

A subtle sense of terror builds throughout (similar to INVASION OF THE BODY SNATCHERS) as nearly the entire cast meet unspeakable fates. The story carrys a pertinent cautionary message: Blind devotion to a utopian ideal can lead to the worst kind of disillusionment and tragedy. History has taught us that many times over. Science-fiction is meant to be provocative and not just shallow, forgettable entertainment.

Sure, if this film had a higher budget, and perhaps a little more script polishing, it could have been one of the top fifties science-fiction films. As it is, it's interesting with intriguing possibilities, and as long as YOU haven't been taken over by high-tech effects and sales hype, you may find it worth taking a look at.