Füge eine Handlung in deiner Sprache hinzuAn airline pilot believes he's a pilot who was killed during WW I.An airline pilot believes he's a pilot who was killed during WW I.An airline pilot believes he's a pilot who was killed during WW I.
- Regie
- Drehbuch
- Hauptbesetzung
Bill Anders
- Weeks - Control Tower
- (Nicht genannt)
Madelon Baker
- Daisy - Maid
- (Nicht genannt)
James J. Casino
- Minor Role
- (Nicht genannt)
Charles J. Conrad
- Spectator
- (Nicht genannt)
Michael Dale
- Schenectady Biplane Pilot
- (Nicht genannt)
Beatrice Gray
- Spectator
- (Nicht genannt)
Earl Hansen
- Spectator
- (Nicht genannt)
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This shouldn't be very good. It's a B movie about a pilot who suspects he's reincarnated. It feels like an extended episode of One Step Beyond. The whole movie is just people talking. The only action is the opening plane scenes and one of those is almost certainly footage from another film. Still, I found myself glued to the screen from beginning to end. It probably could have been 10 minutes shorter but, besides that, I don't really have any complaints.
It's easy to criticize this entry in 1950s' very brief and now forgotten "reincarnation" cycle. Most of the scenes simply consist of two or three people sitting around in standard studio-interior sets laying out the plot in straightforward expository dialog. These scenes progress with unimaginative efficiency from one plot-point to the next. The acting and the technical aspects of the production are never more than B-movie competent, and the flat ending is no more than John McIntyre delivering the kind of tie-up-the-loose-ends sort of speech which screenwriters are supposed to avoid.
And yet ... something about "I've Lived Before" merits a certain grudging admiration. Perhaps it's that unvarnished, minimalist quality which both limits and distinguishes it. In any case, those with a taste for the slightly off-beat may find this worth a look.
The opening two sequences, one set in 1918 France and one set in upstate New York in 1931 are unnecessary and get the movie off on the wrong foot, and there are the usual quirks which are now dated and provoke unwanted laughter such as the co-pilot smoking in the cockpit, the boyfriend sleeping on his fiancee's couch while she chastely retires to the bedroom, and Federal Airways optimistically billing itself as "The World's Safest Airline."
On the other hand, this provides a good showcase for Jock Mahoney, one of those beautiful men who doesn't seem to realize how beautiful he really is. It's both puzzling and unfortunate that he never became a star. Sadly, by the time he played the lead in two Tarzan movies, he was a bit past his prime as was the whole Tarzan genre. In this movie, he has only two fleeting bare-chest scenes contained inside a brief montage of medical examinations.
Fans of movies from the '30s and '40s will be pleased to see Ann Harding in a good supporting role, and the stewardess on the airplane is played by April Kent who later appeared as the female midget in "The Incredible Shrinking Man."
And yet ... something about "I've Lived Before" merits a certain grudging admiration. Perhaps it's that unvarnished, minimalist quality which both limits and distinguishes it. In any case, those with a taste for the slightly off-beat may find this worth a look.
The opening two sequences, one set in 1918 France and one set in upstate New York in 1931 are unnecessary and get the movie off on the wrong foot, and there are the usual quirks which are now dated and provoke unwanted laughter such as the co-pilot smoking in the cockpit, the boyfriend sleeping on his fiancee's couch while she chastely retires to the bedroom, and Federal Airways optimistically billing itself as "The World's Safest Airline."
On the other hand, this provides a good showcase for Jock Mahoney, one of those beautiful men who doesn't seem to realize how beautiful he really is. It's both puzzling and unfortunate that he never became a star. Sadly, by the time he played the lead in two Tarzan movies, he was a bit past his prime as was the whole Tarzan genre. In this movie, he has only two fleeting bare-chest scenes contained inside a brief montage of medical examinations.
Fans of movies from the '30s and '40s will be pleased to see Ann Harding in a good supporting role, and the stewardess on the airplane is played by April Kent who later appeared as the female midget in "The Incredible Shrinking Man."
It's not a good film, but it's an interesting subject. How they treat it could be discussed indeed, and it's not very well.
The story is this. A passenger airplane pilot sees an elderly lady as a passenger he has never seen before but recognizes her and gets confused for not being able to place her. In the confusion in charge of the plane he suddenly becomes another person and almost crashes the plane. When he wakes up at the hospital he still believes he is a crashed war pilot of world war one. Of course, this creates a problem, especially since he doesn't even recognize the girl he is going to marry.
The whole rest of the film is only discussions, so it gets monotonous, but Ann Harding as the elderly lady makes a fascinating performance - she commands every scene she appears in, and it's actually her case the whole story is about.
It becomes something like a metaphysical detective story. The doctor's explanation of the phenomenon is that it's all about telepathy. All doubters are of course, like always, eventually proved stupid and wrong.
Phenomena like these occur, there are always doubters and deniers trying to explain them away, the insistent maniac who is too aware of the truth to be able to compromise with it is always proved right, sometimes not without martyrdom, but here the most important issue is left unanswered. Will the pilot ever again be admitted to fly? Many questions are discussed at length and answered, but this only important one is carelessly and irrationally neglected.
The story is this. A passenger airplane pilot sees an elderly lady as a passenger he has never seen before but recognizes her and gets confused for not being able to place her. In the confusion in charge of the plane he suddenly becomes another person and almost crashes the plane. When he wakes up at the hospital he still believes he is a crashed war pilot of world war one. Of course, this creates a problem, especially since he doesn't even recognize the girl he is going to marry.
The whole rest of the film is only discussions, so it gets monotonous, but Ann Harding as the elderly lady makes a fascinating performance - she commands every scene she appears in, and it's actually her case the whole story is about.
It becomes something like a metaphysical detective story. The doctor's explanation of the phenomenon is that it's all about telepathy. All doubters are of course, like always, eventually proved stupid and wrong.
Phenomena like these occur, there are always doubters and deniers trying to explain them away, the insistent maniac who is too aware of the truth to be able to compromise with it is always proved right, sometimes not without martyrdom, but here the most important issue is left unanswered. Will the pilot ever again be admitted to fly? Many questions are discussed at length and answered, but this only important one is carelessly and irrationally neglected.
This film was released during the short-lived "Bridey Murphy" reincarnation craze of the mid-1950s. As such, I expected it to be somewhat exploitative, but it actually turned out to be a serious, well-intentioned study of reincarnation that presented alternate viewpoints, explored psychological explanations, and told the story of someone whose reincarnation story appears to be true. Jock Mahoney, usually associated with western and jungle films, does a fine job as a pilot who has strange, unexpected flashes of memories and unexplained knowledge from the life of a World War I pilot who died in 1918. My teenaged daughter, who was working on the computer in the same room where I was watching this film, stopped her work a few minutes into the film, and soon after came over to the couch and watched the rest of the film, riveted. I should state that this is a low-budget B-movie and contains a lot of talky sequences and serious-minded soliloquies--the kind of things that are not too popular with today's jaded, ironic screenwriters-- but those who would enjoy a serious (although in some ways naive) examination of reincarnation on a b-movie level should find this film worth seeking out.
Made on a shoestring budget ,this movie was,at the time of its release , ahead of its time ,predating such works as "bid time return" "Audrey Rose" " fearless" and many more .Time warp was rarely used then ("portrait of Jennie" (1949) was a notable exception though)
An aging Ann Harding is the stand -out : she who was young in "Peter Ibbetson" (1935) ,a masterpiece of the fantasy genre , is ideally cast as this war fiancée who lost her sweetheart when his plane crashed in 1918.
The movie is shrouded in mystery ;clues are given to the viewer: a twelve-year -old drives a plane without having learned to do it ,the strange chemistry between the captain and his passenger ,the strange words the survivor utters when he regains consciousness .
The movie may be too talky for some, but it proves that a fantasy tale does not need a ton of special effects to impress the viewer ; it may be,according to your own sensitivity a Christian movie (soul is immortal) or a mystery science will later explain (the pychiatrist).
An aging Ann Harding is the stand -out : she who was young in "Peter Ibbetson" (1935) ,a masterpiece of the fantasy genre , is ideally cast as this war fiancée who lost her sweetheart when his plane crashed in 1918.
The movie is shrouded in mystery ;clues are given to the viewer: a twelve-year -old drives a plane without having learned to do it ,the strange chemistry between the captain and his passenger ,the strange words the survivor utters when he regains consciousness .
The movie may be too talky for some, but it proves that a fantasy tale does not need a ton of special effects to impress the viewer ; it may be,according to your own sensitivity a Christian movie (soul is immortal) or a mystery science will later explain (the pychiatrist).
Wusstest du schon
- WissenswertesThey may have gotten the runway heading wrong but they got April 29th, 1918 right. It was a Monday.
- PatzerAirport runway numbers are based on the direction and cannot go as high as 37.
- Zitate
John Bolan aka Lt. Peter Stevens: My name is John Bolan. I was the pilot on your flight to Chicago yesterday.
Mrs. Jane Stone: Oh yes, of course. I didn't recognize you at first without your uniform.
- VerbindungenReferenced in Agency - Botschaft des Bösen (1980)
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Details
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- Laufzeit
- 1 Std. 22 Min.(82 min)
- Farbe
- Seitenverhältnis
- 1.85 : 1
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