Glory

Just a fun film-Especially for people who love the Horse Racing Game and it's history. A lot of good one liners and humor from Walter badgering with the other old timer (lady). I would love to own this movie. A lot of history will be lost if this film is not made available to the general public. Where is The Classic Movie Channel when you need them? A lot was accomplished in this tight budget movie. The film footage of the actual Kentucky Derby for the year is enough in itself to justify releasing it on video. People love these types of movies, Look at Dreamer, and of course the very well Done Seabiscuit. What a nice addition it would be for the JOckey Club or other Race related industry.

A perfectly dreadful film that was poorly directed especially in the comedy sequences where in the Director Butler's idea of comedy is to have his actors gesture wildly and contort themselves making the audience more nauseous than merry. Margaret O'Brien was a complete horror..I suppose some found her cute when she was small,I always found her contrived and cold..lite years away from Shirley Temple! Here she proves herself to be the consummate amateur constantly looking at the camera with the glazed look of an anvil hitting her over the head! The songs that she is armed with are certainly musical bombs altho I will admit that she has a passable voice.. I would recommend this film for friends to assist you in laughing at it's unintentional humor and throw old shoes at the screen..Pity that this was Charolette Greenwood's last performance,but not even this great lady can save this train wreck with hooves.

I was born in Louisville, on Derby Day, in the year of the Horse. I grew up in horse farm country (Lexington), and I used to work in the horse race business (as a Video Engineer).

I enjoy this film, immensely, because there are not many great horse race films (Seabiscuit, was a near-classic). I really enjoy the location shots, the horse barn, the race tracks, the close-ups of the magnificent horses.

The acting is not great, despite some excellent character actors. The verisimilitude of horse racing, is however, spot-on. The writers obviously did their homework. Seeing the color photography of Keeneland, and Churchill Downs, in the 1950's is always a treat.

There have only been three (3) fillies, to win the Kentucky Derby: Regret, Genuine Risk, and Winning Colors. So, the title horse has to be a filly! The horse race crowd, loves an underdog, look at the enthusiasm for Mine That Bird, who was a 50-1 shot in the 2009 Derby.

Long live the races!!

We were all pulling for Maggie O'Brien back then. She had been a child star in the early 40s and we all fell in love with her. So, when he was a teen ager and made this film at 17, we wanted her to make it. Alas, it wasn't in the cards. Even the great character actors Walter Brennan, Charlotte Greenwood and Sasha Kinsky couldn't add to a racehorse story that stirred about as much excitement as watching a dog scratch fleas. She played the guitar, looked cute and tried to be charming but that's a far as it went.

Her age mate, Jane Fonda, was waiting in the wings and would take off. Both Margret O'Brien and Jane Fonda were born the same year but Jane had the talent and Maggie couldn't market hers.

Such are the blessings of the muses. If this film rolls around sometime on the late show-- there's no video or DVD at this writing-- give it a look-see. Maggie was cute and talented. It's worth seeing.

I sat through Glory was because Hot Toasty Rag was honoring Margaret O'Brien as Star of the Week, and this was the only movie I could get my hands on to see her acting talents as a young woman. The one nice thing I'll say about this movie is that there's nothing wrong with Margaret, and I would have loved to see more of her adult acting. Now for the not-too-nice stuff:

Nineteen-year-old Margaret plays a tomboy who lives and breathes horses. Her grandmother, Charlotte Greenwood, does nothing besides reprise her role as Aunt Eller in Oklahoma! and engage in irritating screaming contests with Walter Brennan. I can only imagine how tired Walter was of playing the grumpy, old hick, so why didn't he turn this movie down? Since Charlotte Greenwood had already been in Oklahoma!, why didn't she turn this movie down? If everyone involved protested and refused to make this movie, there would be no movie to criticize, and no one's feelings would be hurt from reading such terrible criticism. As it stands, people did show up to work, Glory did get made, and everyone who's ever seen it has panned it.