The Gamma People

Set in the mythical 'Democracy of Gudavia and shot in what looks the Tyrol (the locals serving as extras background just stand around and gawp), the dialogue is obviously post-synced and it has a noisy score by George Melachrino.

Paul Douglas and Leslie Phillips make a highly unlikely team in this cross between Hitchcock's 'The Lady Vanishes' and Losey's 'The Damned' as a pair holidaying newspapermen who uncover a dastardly scheme to genetically engineer a new master race.

You know you're in trouble when the project is in the hands of our old friend Walter Rilla, but Eva Bartok looks most fetching in short hair and a satin boiler suit with a Nehru collar.

An American reporter (Paul Douglas) and his very British photographer (Leslie Phillips) end up in the quasi communist state of Gudavia, which seems to consist of one village, where a mad scientist is using gamma rays to alter children's minds - some become geniuses, others become feral under the professor's control.

What a very odd, quirky film this is, unashamably mixing sci-fi horror with straight comedy with the latter taking up most of the first half of the film, before it all get quite grim and serious. There is a clear intent to look at the various and eccentric traits of Americans and British and to have the west free the world of the evils of communism and oddly this mixed bag just about works if you manage your expectations accordingly. Kitsch.

Due to a train mishap, two reporters (Paul Douglas and Leslie Phillips) find themselves in the tiny country of Gudavia. At first imprisoned as spies, then released, the pair find it very difficult to actually leave the country.

Noticing some odd behavior among the townspeople, they are tipped off about a certain Dr. Boronski (Walter Rilla) and the possibility that he could be meddling with nature in order to create a master race. This could explain the stiff, militaristic children running around!

THE GAMMA PEOPLE is a solid, astute political thriller with science fiction and comedy / satire added as well. It's wonderful how the reporters stir up trouble for the government and its nefarious plans! A rare, enjoyable film about freedom of the press in action, resulting in an open rebellion against oppression. The explosive finale is perfect!...

Now here's a real oddity. Made before the British scifi/horror boom of the late 50s, this eccentric film mixes gruesome scientific experiments with farcical comedy, set in a fictitious Iron Curtain state. And one of the stars, playing a straight role, is Leslie Phillips. So is it any good? Well the clash of styles is somewhat disconcerting, but the film is attractively photographed and the action and horror scenes well staged. Some talented personnel worked on it ; the likes of Ted Moore and John Box, plus John Gilling who went on to do some good Hammer horrors. "The Gamma People" isn't quite in that league but still merits a viewing.

This one will leave your head spinning like an Ed Wood film. It is a surreal stew of so many styles and symbolism that a reference point is reticent.

Ten years after WWII the fascist fear was forever present. Here we have science-fiction mind control based on factual events that instill a real life horror and remembrance of a not too long ago plague of pathology.

Hitler youth, enslavement encampment, and a mad scientist are at work here along with foreign journalists and feather headed throwbacks in this offbeat and mind-boggling concoction that almost but doesn't quite work.

The movie also, for some reason, throws in a bit of slapstick humor and coy dialog that got lost on its way to some other film and found its way into this sometimes sombre scenario of tortured children and monstrous and zombified men who were victims of the villains.

The result is a jigsaw made up of pieces from different puzzles. Interesting and never dull, but occasionally so twisted and ill fitting that one is left with a jaw dropping experience that will have you shaking your head, and that just might be the effect of that mind-melting gamma ray gun.