Die erste Kugel trifft

"The Fastest Gun Alive" is not one of those that come easily to your mind when you think about westerns. No one could say this a classic or even a great movie in the genre.

However, if you analyze this film you can't find major flaws or weaknesses in it. In fact, "The Fast Gun Alive" has an original plot with more than one real good moments, an acceptable direction and development, interesting characters, a very good casting and a tense surprising and much original ending.

Glenn Ford is most convincing as the man of the title that has to face a dangerous situation that his own search for respect and insecurity brings against him. Broderick Crawford renders a real good performance as the gunfighter who has to constantly prove to himself that he is the best and second to no one. Jeanne Crain plays Ford's wife, the woman that suffers because of his husband's insatisfactions with his life. Noah Beery, Jr. and John Dennher credit the supporting cast as Crawford's sidekicks.

I have to say I found this film interesting and enjoyable; most recommendable for western fans.

Glenn Ford gives one of the best performances of his career as George Temple, a quiet, softly-spoken man who is hiding a secret that is slowly tearing him - and his marriage - apart. The screenplay, co-written by Frank Gilroy and director Russell Rouse, tends to spoon feed the audience it's psychology, but it also unfolds in measured doses that slowly ratchet up the tension to good effect. A musical number by Russ Tamblyn is a major misstep which is there for no other reason than to provide a new young talent with some exposure. It certainly adds nothing to the plot.

Broderick Crawford is great as the criminal leader with a psychopathic ego who must continually show that he is the fastest gun around and Glenn Ford is super as the introverted shy storekeeper with a lightning fast draw. Supporting cast adds good depth and character. The blind man near the start of the movie who states that "no matter how fast you are there's always somebody faster" foretells the moral of the story. Highly recommend that this movie be seen by all fans of westerns.

In the small western town of Cross Creek, shy, antisocial shopkeeper Glenn Ford is hiding a secret past. Selling dresses and candy all day proves to be a bore, which leads Ford to some showing off in front of the saloon with gun feats that amaze the locals; unfortunately for Ford, lightning-fast gunslinger and bank robber Broderick Crawford (!) is just outside of town and soon learns of Ford's prowess. Quick, compact western is marvelously well-done, with beautiful cinematography by George Folsey and a tight script (by Frank D. Gilroy, based on his short story, and director Russell Rouse) underlined with a touch of sardonic humor. Crawford, looking like Fred Flintstone in a cowboy hat, is raffish and wily as the brutish villain, though fast-on-the-draw seems a bit of a stretch. Still, the movie is written in such a way that we don't want to quibble, and Ford's unhappy nervousness is something we can relate to (he has some charming moments as well, such as when he compliments wife Jeanne Crain on her earrings). Russ Tamblyn has a lively dancing sequence where he struts his stuff on shovels, and the finale--while probably not realistic--is certainly a crowd-pleaser. *** from ****

Directed with poise and aplomb by Russell Rouse (an illustrious unknown to me), with very good B&W photography, and terrific performances by Glenn Ford, Broderick Crawford and John Dehner, what I particularly like about this movie is its script (apart from a dancing number featuring Russ Tamblyn that has no connection whatsoever with anything else in the film).

THE FASTEST GUN ALIVE is built upon an unusual premise: Crawford wants at all costs to be the fastest gun alive, but Ford knows he is it - even though he has not killed a man yet.

The sequence in the church where people initially do not want Ford to go out and meet Crawford because they value his life, then want him to do it because Crawford orders the town's shops doused with kerosene, comes across as remarkably human and true.

There are sound moral values to this film, excellent cinematography, and believable characters. 8/10