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While "War of the Worlds" is probably the most heralded of the 1950s alien invasion films, this one is a lot more fun. There are none of the heavy-anded quasi-religious sub-texts that weighed down WOTW. There are no pretensions of any kind. "Earth" gets right down to the business at hand...aliens coming to Earth with the sole purpose of kicking our asses. Throw in the always fun Harryhausen effects, in which real life monuments are destroyed (later incorporated in the equally dumb and equally fun "ID4"), and what's not to like?

This is a great example of 1950's sci-fi movies and the flying saucer scare craze that was sweeping the nation and of course parallels the cold war threat and the resilience and ingenuity of American science and military might. Retired Major Donald E. Keyhoe was the author of a series of non-fiction books of the era outlining his belief in the reality of flying saucers and this film draws from his book Flying Saucers From Outer Space. Veteran monster movie writer Curt Siodmak adapted a story based on the book for this film and veteran monster movie screenwriter George Worthing Yates wrote the screenplay. Special effects legend Ray Harryhausen supervised the effects and Josh Westmoreland, a sound veteran of westerns and monster movies, provided the sound. B-movie director Fred F. Sears and B-movie cinematographer Fred Jackman Jr. put it all together on the screen. In what would be a foreboding of things to come on 9/11 American monuments are under attack and destroyed. Aliens from a dying planet come to earth to claim it as their own but earth fights back. Hugh Marlow and Joan Taylor star. It's campy but it's still a good flick and a good representative of it's era and genre and I would give it an 8.0 out of 10.

Ray Harryhausen developed the flying saucers for this film, and they are worth seeing to be sure. The story is about how a space creature has contacted a professor on Earth, played nicely by Hugh Marlowe, and wants him to talk to his leaders. When there is a communication problem, the aliens destroy a rocket base. In short time, the aliens let the Earth and its people know that their intent is to take over the planet. Marlowe, working in conjunction with the military, develops a machine which renders the space ships incapable of straight flight. The film is a prime example of what good science fiction is all about. It has tension, extraterrestrials, fast pacing, and good special effects for its day. This film is very suspenseful and well worth a look.

Above-average sci-fi which I had missed on its solitary TV broadcast years ago and one that I had been eyeing as a possible DVD purchase for what seems like forever; I'm overjoyed, therefore, that I managed to get my hands on it at long last.

The film is basically an amalgam of THE DAY THE EARTH STOOD STILL (1951) – with Hugh Marlowe convincingly making the leap from despicable villain to intelligent hero here – and WAR OF THE WORLDS (1953): even if its outlook is a naïve one (while also displaying something of an obsession with technology) and the plot rather contrived, it is nonetheless generally absorbing and tremendously entertaining along the way. The special effects (by Ray Harryhausen) must have looked spectacular back then but come off as pretty shaky nowadays; still, this takes nothing away from his achievement and doesn't affect one's enjoyment – or involvement – in the film in any way (the design of the aliens' metallic suits and the briefly glimpsed creatures themselves is also quite impressive).

This is actually the first black-and-white Harryhausen film I've watched, and also the only one which doesn't have to do with prehistoric or mythological monsters of some kind; as such, it's not as juvenile as his other work and makes me look forward to the effects wizard's other sci-fi outings – IT CAME FROM BENEATH THE SEA (1955), TWENTY MILLION MILES TO EARTH (1957) and FIRST MEN IN THE MOON (1964). The Columbia DVD includes, among other things, an engaging 9-minute featurette on the making of EARTH VS. THE FLYING SAUCERS where Harryhausen is interviewed by genre enthusiast Joe Dante (who recalls first watching the film on a double-bill with the obscure THE 27TH DAY [1956]).

As has been pointed out by most reviewers on IMDb, this film has all the perceived elements of cold war-period American cinema. However, what also should be considered is the influence it has had on contemporary SF movies and TV.

Hugh Marlowe, Joan Taylor and, especially, Morris Ankrum are well-known B-movie actors: they appeared in everything from Westerns to SF, with lots of stops in between. Thus, this film (complete with all the other stalwarts of '50s and '60s "Bs" who appear therein) can be seen as a progenitor of later low-budget productions which rely on a cheap yet capable cast.

At the time it was released (1956), Ray Harryhausen was proving his expertise with stop-motion special effects, later to be given much larger budgets in '60s colour productions. "Gumby" and similar TV items owe much to this man, as does Aardman Productions and, possibly, Dreamworks.

It has already been indicated (by others) that "Mars Attacks" owes its saucers to this film. So, too, "ID4" has a debt, as does "Dr Who"! (Specifically the outfits worn by the aliens - that leaden 'dome' on top of their environment suits belongs to a famous adversary of the good doctor - check out a couple of Tom Baker serials!) Be that as it may, Fred F. Sears does an acceptable job as director; Curt Siodmak supplies a clever screenplay based on Don Keyhoe's book (Keyhoe also wrote 'non-fiction' accounts of UFOs); and some of the dialogue is definitely quotable! IMDb has some ripper examples.

Watch it and enjoy it. Strip some of our contemporary SF of CGI and they really do lack substance in comparison with this entertaining and funny movie. OK. You won't gasp and ooooh. If you have a love of '50s B-movies however, this one is a 'corker'!