Füge eine Handlung in deiner Sprache hinzuA disreputable Korean War veteran is suspected of murder.A disreputable Korean War veteran is suspected of murder.A disreputable Korean War veteran is suspected of murder.
- Regie
- Drehbuch
- Hauptbesetzung
Patricia Blair
- Christine 'Christy' Rowen
- (as Patricia Blake)
Robert Keys
- Detective Sgt. Hollander
- (as Robert Keyes)
Boyd 'Red' Morgan
- High School Guard
- (Nicht genannt)
- …
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... back in the middle of the last century. Maybe this one is not a timeless flick never to be forgotten. But hey, it is fun to watch it late night. It is charming to watch a noir movie. This comes from a time when there was no tv series... Or at least not like today... And I can see here what would become a teenage horror/slasher movie late, in the 80's. It is a fast paced thriller with two or three funny moments, not very complex, no remarkable characters... However, a good movie. What should I stop to watch tomorrow? Law and Order? I mean, I will, but eventually I will come back to the noir, crime cinema. Nice to get to know the history, the culture.
John Bromfield is Joe in "Crime Aganst Joe" a 1956 B film also featuring Julie London, Patricia Blair, Joyce Jameson, Alika Louis, Rhodes Reason and Henry Calvin.
Bromfield plays an artist who lives off of his mother (Frances Morris) and laments not being able to find the perfect woman. When a bar singer (Louis) winds up dead after he's left the bar dead drunk, his high school pin is found next to her body.
He then becomes a person of interest to the police. Joe has an alibi - he actually ran into a sleepwalker (Blair) and returned her to her home, but her father lies to the police about it. Joe is then arrested.
Joe's waitress friend Slacks (London) lies to the police about seeing the singer with someone else, and Joe is released. He's determined to find out the identity of the killer - someone from his high school class.
Supposedly the story was by Decla Dunning and the script was by Robert C. Dennis. I'd love to know which one was responsible for the sleepwalker bit and that whole subplot of the overly possessive father who discourages his daughter's dates - it's a riot. That plot line just sort of died out and wasn't fully resolved.
That business of the high school pin...well, this is a pretty flimsy film, and I figured it out fairly quickly. It's made very cheaply, too - the sound in all the interiors has an echo.
Julie London is slightly miscast as the waitress friend - if the singer hadn't gotten killed after just one song and a few lines, London would have been perfect for that role, and it would have given her a chance to be her usual glamorous self. The murdered singer, however, played by Alika Louis, is very attractive and a great type.
Blair as the poor repressed sleepwalker is very pretty in full makeup and perfectly coiffed hair as she sleepwalks in her nightgown. Bromfield's acting is loud and not very good or believable, but I liked Frances Morris, who played his mother.
Nice of her to support him, but from the looks of those canvasses, he wasn't going to be making much of a living painting.
Not very good.
Bromfield plays an artist who lives off of his mother (Frances Morris) and laments not being able to find the perfect woman. When a bar singer (Louis) winds up dead after he's left the bar dead drunk, his high school pin is found next to her body.
He then becomes a person of interest to the police. Joe has an alibi - he actually ran into a sleepwalker (Blair) and returned her to her home, but her father lies to the police about it. Joe is then arrested.
Joe's waitress friend Slacks (London) lies to the police about seeing the singer with someone else, and Joe is released. He's determined to find out the identity of the killer - someone from his high school class.
Supposedly the story was by Decla Dunning and the script was by Robert C. Dennis. I'd love to know which one was responsible for the sleepwalker bit and that whole subplot of the overly possessive father who discourages his daughter's dates - it's a riot. That plot line just sort of died out and wasn't fully resolved.
That business of the high school pin...well, this is a pretty flimsy film, and I figured it out fairly quickly. It's made very cheaply, too - the sound in all the interiors has an echo.
Julie London is slightly miscast as the waitress friend - if the singer hadn't gotten killed after just one song and a few lines, London would have been perfect for that role, and it would have given her a chance to be her usual glamorous self. The murdered singer, however, played by Alika Louis, is very attractive and a great type.
Blair as the poor repressed sleepwalker is very pretty in full makeup and perfectly coiffed hair as she sleepwalks in her nightgown. Bromfield's acting is loud and not very good or believable, but I liked Frances Morris, who played his mother.
Nice of her to support him, but from the looks of those canvasses, he wasn't going to be making much of a living painting.
Not very good.
This is a strange offbeat little movie. At times it is dumb and clichéd 1950's police drama and at times it is philosophical and quite interesting.
In the second scene of the movie, we have Joyce Jameson running at full speed screaming that she's been attacked. It is quite jilting. Unfortunately, the rest of the movie never matches the energy of this scene.
The standout in the cast is Julie London. She is best known as a successful 1960's singer of sultry ballads, but she did do a number of acting gigs. Here she plays a car hop named "Slacks." She is in love with the lead character "Joe." However Joe shows only a passing interest in her, as she has dated his good friend "Red." Julie manages to make the character extremely sweet, nice and strong. She is the opposite of a Femme Fatale, a real Penelope standing by her man.
Rebecca Blair (from the television series "Daniel Boone")is the only other person in the cast I knew. She literally "sleepwalks" though her part, although she does have one good scene at the end as a troubled teenager confronting her overprotective "Dad." While the sum does not add up to much, some individual scenes are clever enough to make this "Wrong Man" genre piece worth watching. It was apparently filmed in five days, so don't go in expecting great production values. For those who like early Roger Corman movies, you'll probably enjoy the similar style.
In the second scene of the movie, we have Joyce Jameson running at full speed screaming that she's been attacked. It is quite jilting. Unfortunately, the rest of the movie never matches the energy of this scene.
The standout in the cast is Julie London. She is best known as a successful 1960's singer of sultry ballads, but she did do a number of acting gigs. Here she plays a car hop named "Slacks." She is in love with the lead character "Joe." However Joe shows only a passing interest in her, as she has dated his good friend "Red." Julie manages to make the character extremely sweet, nice and strong. She is the opposite of a Femme Fatale, a real Penelope standing by her man.
Rebecca Blair (from the television series "Daniel Boone")is the only other person in the cast I knew. She literally "sleepwalks" though her part, although she does have one good scene at the end as a troubled teenager confronting her overprotective "Dad." While the sum does not add up to much, some individual scenes are clever enough to make this "Wrong Man" genre piece worth watching. It was apparently filmed in five days, so don't go in expecting great production values. For those who like early Roger Corman movies, you'll probably enjoy the similar style.
Struggling artist, Joe Manning (John Bromfield) goes out on a drinking binge. His evening takes a bizarre turn when a sleepwalking woman (Patricia Blair) crosses his path.
From this point, Joe's luck changes, and he gets mixed up in a murder. With the cops on his trail, Joe sets out to prove his innocence and track down the real killer.
CRIME AGAINST JOE is an enjoyable crime drama / mystery. There are some nice twists and a satisfying finale. Bromfield is convincing in his desperate role.
Co-stars the incredibly beautiful, Julie London, years before her Dixie McCall days!...
From this point, Joe's luck changes, and he gets mixed up in a murder. With the cops on his trail, Joe sets out to prove his innocence and track down the real killer.
CRIME AGAINST JOE is an enjoyable crime drama / mystery. There are some nice twists and a satisfying finale. Bromfield is convincing in his desperate role.
Co-stars the incredibly beautiful, Julie London, years before her Dixie McCall days!...
Despite a very low production budget, and a no-name cast (except for the talented Julie London), Crime Against Joe pulls off a bit of an upset as an entertaining film. Although I figured out the killer after about fifteen minutes (and disregarded the enormous red herrings that followed), I was still entertained by the film and its dynamics of a small town, where everyone seems to know everyone else. A libertine mother of a supposed "artist" finds Joe living off of his mother. This is not a crime against humanity, but it does put Joe in a bad light. Slacks, played by London, works at a drive-in burger joint and goes out with Joe's best friend. A couple of late-night murders are committed and Joe is a prime suspect. See if you can figure out the killer quickly. It will surprise some folks.
Wusstest du schon
- WissenswertesShot in five days even though the original schedule called for seven.
- PatzerJoe is shown arriving at and leaving Pango Pango club in broad daylight, but the scenes preceding and following this sequence, together forming his drinking binge, take place in the middle of the night. The scene after leaving Pango Pango is revealed to take place at 2am, and it is later said he arrived at Pango Pango at midnight!
- Zitate
Joe Manning: Slacks, are you a nice girl, Slacks?
'Slacks' Bennett: Well, either way I wouldn't want it known.
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Epiasan ton Fantoma
- Drehorte
- Pago Pago Tiki Bar, 2201 N Oracle Road, Tucson, Arizona, USA(Pago Pago nightclub)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit
- 1 Std. 10 Min.(70 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1
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