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An unjustly neglected "kitchen sink" movie from the fifties, with fine performances by all and intriguing New York locations.

Bette Davis and Ernest Borgnine portray the very much working-class parents of a young woman who is about to get married, and just wants a quick ceremony with no reception. But the mother, guilty about "not giving her daughter anything" over the years, pushes for an expensive "catered affair" that her husband cannot afford, and would use money he planned to devote to buying a taxicab license.

Davis' brassy performance has received the most attention, but Borgnine's subtle, nuanced portrayal of the father is what really sustains this movie. Barry Fitzgerald provides comic relief as a "oirish" uncle. Altogether a charming and touching film that is very much a slice of life of NYC in the fifties. Like the other Chayefsky scripts of this era, it explores themes that would have been unpalatable or mawkish for any other writer.

This delightful production is full of life; a vignette which cuts deep to reveal the quiet despair, sullen defeat, and ultimate triumph of a marriage which had always looked back at its shameful beginning, but finally is freed to discover itself anew.

Davis' mastery of the Brooklyn tone and colloquialisms is uncanny. Her "Aggie" is real, and sympathetic, if not admirable. Her pain from the awakening knowledge of having only lived with, but not shared life with her daughter and husband touches us where it hurts. The fix of manipulating a "big" (but unaffordable) wedding for her daughter falls flat, forcing Aggie to grapple with the real issues of her life.

Her bachelor brother "Uncle Jack" (Barry Fitzgerald) is Aggie's counterpoint, full of Blarney, enjoying every moment to its fullest, as when he playfully informs delightful Mrs. Rafferty (his future bride) of her debt in their running game of Cannasta: $24,700.

Debbie Reynolds is lovely, earnest, in character and hard-hitting as Aggie's daughter Jane, sacrificing her own wishes, and torn between the conflicting needs of her mother and father.

Borgnine is the under-appreciated, self-sacrificing husband, giving up his long held dream of owning a taxicab if it would satisfy his wife, finally pleading his own case, and finding joy in his marriage.

A compelling story with excellent acting and staging.

The plot of "The Catered Affair" is extremely simple, and the action develops all around the plans for the wedding. It's the actors that make this little movie truly remarkable. Bette Davis is just great as Agnes, the mother who wants her daughter to have a grand wedding even if, doing this, compromises the family's finances and her husband's dream of buying his own cab. She is just amazing in portraying a simple and strong woman who ran the family through tough times and got used to a marriage of sacrifices and hard work. Her dreams, hopes and aspirations are all coming back in the occasion of her daughter's wedding. No matter what the rest of the family really want. Ernest Borgnine is as good in the role of Tom, Agnes' husband and father of the bride, especially in the scenes in which faces his wife. A simple, intense drama with excellent actors.

"The Catered Affair" is a great little movie filled with real life heartache and genuine emotion. Bette gives a strong performance as the matriarch of the family determined to give her only daughter a proper wedding even though the family can't afford to do so. Ernest B. is perfectly cast as the slovenly, hard working taxi cab driver. In fact everyone is up to par in this film, but it's the real life situations that tug at your heart strings. Agnes' brother who sleeps on the couch in the living room, preparing a dinner to impress the future in-laws, Agnes' realization that one day it will be only her and Tom living in the apartment. An especially touching scene takes place in the bedroom as Agnes brushes her hair as Tom gives her many reasons why they can't afford the cost of the wedding, both financially and emotionally.

I happened upon A Catered Affair on TCM recently by chance upon hearing the channels announcement it was written by Paddy Chayefsky; I was knocked out by Network, so I gave this one a chance. I recommend you do too. Wow! This film is real, gritty, poignant. It demands your intelligent attention, as every moment counts. I agree with Wayne Malin's overall review here, but would rate Debbie Reynolds performance more highly. I experienced her portrayal as a true rendering of a vulnerable, sensitive young woman coming of age. We empathize with the characters, who are given due weight throughout the story's development. We care and see the motivations of each person as they struggle to come to terms with complex issues that overwhelm them. Layers of competing interests collide with depth and resonance. Bette Davis and Ernest Borgnine are magnificent, as are the supporting actors, most notably the grooms father and the brides best friend/maid of honor. As far as the ending, I found it a bit more believable than Mr Malin; the mom is faced with the realization that she's always had generations of family around her, who are all now leaving. She is about to live the rest of her life with the husband she has denegrated all their married life, the circumstances of which make us empathize with her meanness. Mom is faced with unwanted choices placed upon her. Instead of blaming others for her fate, a lifetime habit, she must choose either to leave the marriage, live in misery and loneliness which she now suspects has been somewhat self imposed, or admit some things about herself and open up a little, allowing for the possibility of some joy between them in their remaining years.