Die Schreckenskammer des Dr. Thosti

There is a good deal of talking in this movie, which probably puts a lot of people off. It's also not as cut and dry as most movies, the "bad" guy makes a good case for his experiments, he's just too passionate about them. There's an uneasy sense of dread here; the smell of death sulks in every black and white frame. Some viewers might be bored, confused, disturbed by the morbidity of it all.

But hang on to your straight jacket kids! The climax of this opus is completely deranged! It comes out of nowhere, it's incredibly disturbing and ends all too soon! Loonies! Religious nuts! Mutants! Dungeons! Exposed brain matter! A refreshingly intelligent premise and a nutso finale. My kind of movie.

Good luck finding it though.

The Black Sleep (1956)

This is one of those campy horror movies, two decades after the great originators, that fans will really love and newbies or outsiders will have trouble getting.

I'm mostly a fan, but even as the titles rolled and I couldn't believe the great cast, I was aware that this was 1956, that Bela Lugosi and Lon Chaney Jr. were well past their prime. And the lead, Basil Rathbone, was playing an evil doctor (a shade like Dr. Frankenstein, pushing moral boundaries with his surgery), was more known as Sherlock Holmes. Still, along with John Carradine, what a cast!

And this is really Lugosi's last uncompromised appearance in any movie, even though he plays a mute and we don't get to hear him. ("Plan 9" comes after this, but Lugosi's role there is famously limited.) He's terrific! And Chaney's appearance is also mute, a brief each time, and not such a big deal. (Once there is nice, corny subjective p.o.v. camera as he attacks his prey.)

The plot? The title? Well, it's all a bit obvious what's happening, though the opening twenty minutes is more a straight drama that actually suggests a really good movie is ahead. A man is on death row, and Rathbone visits him and gives him the Black Sleep potion, which puts him into a fake death and he is carted away and revived. That doesn't give too much away. For the rest of the movie the potion is really just used as anesthesia at the crazy doctor's castle and is no big deal.

There is the pretty girl in a coma, a misunderstood nursing assistant who is daughter of the Chaney character, another nurse who is oddly cold and efficient (and not a Nazi--this is all 1872), and then there is the main character, the man from death row, who happens to be a crack surgeon that the evil doctor needs for his research.

For the middle half of the movie you see minor tensions and some brain surgery that is meant to seem cutting edge and unscrupulous. Then, in a huge surprise, almost as if the director woke up, a bunch of old patients appear out of nowhere (maybe they escaped their cells). And it's a bit of absolute mayhem, with Carradine playing an angry Moses type, and it's pretty crazy.

Look, I said too much perhaps but you should know this isn't a great movie. But it's great camp. It's silly, it's filled with icons from the old days, and it's not so badly made at all, edited well and filmed better than you would think for this nadir of Hollywood productions. This is around the time of the new Castle low budget films, and early Corman stuff, but this one is clearly from the old school of 1930s Hollywood. See it on those terms and like it!

Oddly enough The Black Sleep was some years ahead of its time medically speaking. The title refers to a drug from India that scientists Basil Rathbone uses to do that. Today it's a technique to enable recovery from certain illnesses or injuries. But being that this is Basil Rathbone mad scientist you know the drug will be used for all kinds of nefarious purposes.

Rathbone gets Dr. Herbert Rudley out of prison to assist him by use of his coma inducing Black Sleep. Rudley is in prison for a murder he didn't commit. When he 'dies' before the death sentence is carried out that's the end of it. But Rathbone has a lot of work for Rudley to do, operations on some willing and not so willing patients. What it's all about you have to see The Black Sleep for.

If you do see it you're in for a treat because with a cast of scene stealing actors such as Bela Lugosi, Lon Chaney, Jr., and John Carradine, this is not to be missed. All three of their characters are products of Rathbone's failed experiments. Carradine in particular is joy. He plays a deranged man who thinks he's a Crusader King and he's overacting outrageously and I'm loving every minute of it. Also in the film is Akim Tamiroff as a gypsy grave robber who also aids Rathbone.

All these people have legions of fans still. So if you want to see a film that's a combination of Frankenstein and the Island of Dr. Moreau with a great cast you can't miss with The Black Sleep.

Sir Joel Cadman (Basil Rathbone), a mad scientist, kidnaps his victims and cuts open their brains in an effort to discover a means to cure his wife's brain tumor.

Okay, so you have a 1950s mad scientist story about a guy doing experimental brain surgery that results in some serious mistakes. That alone could probably make a pretty decent horror film -- who is opposed to seeing brain dead lobotomy patients lumbering through a dungeon?

But, really, this film could not have failed if it tried. Besides Rathbone, it features Bela Lugosi, Lon Chaney and John Carradine. They could have stood around and played hackey sack and I would still watch it.

Paul Corupe makes an interesting observation about this film's role in history. He notes that on the surface, Cadman is your typical 1930s mad scientist, saying things like, "In the interests of science, anything is justified." But underneath that, he is a 1950s scientist, a transitional figure who does experiments not just because he can but because he is trying to save a life -- he is one of the very first mad scientists we can feel sorry for, possibly. The only earlier example Corupe offers is from "The Ape" (1940).

While Plan 9 from Outer Space is often considered to be Bela Lugosi's last film, considering that movie consisted of test scenes meant for a different movie, the actual final picture of which Lugosi actively participated in should actually be this one. He plays a mute butler who doesn't really do much but still has somewhat of a presence and is nothing to be ashamed about. He is joined here by fellow horror stalwarts John Carradine (gloriously hammy here), Lon Chaney, Jr., and fellow Ed Wood-directed series castmate Tor Johnson. The star is Basil Rathbone as a mad doctor who performs brain surgeries because of a secret I don't want to reveal here. Herbert Rudley is his reluctant assistant and Patricia Blair (or Blake as she's credited here) is the daughter of Chaney who plays another mute who was once a functioning human being. There's also an amusing performance by Akim Tamiroff as another associate of Rathbone's. Other cast members worth noting: Phyllis Stanley as Rathbone's nurse, Sally Yarnell as another of the underground "patients", Claire Carleton as a "customer" of Tamiroff's, and John Sheffield as a Scotland Yard detective investigating the whole thing. I thought this was a very effective chiller that was underrated considering the cast. So on that note, I'm recommending The Black Sleep.