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Anastasia

  • 1956
  • 12
  • 1 Std. 45 Min.
IMDb-BEWERTUNG
7,0/10
9967
IHRE BEWERTUNG
Anastasia (1956)
Theatrical Trailer from 20th Century Fox
trailer wiedergeben2:16
1 Video
68 Fotos
BiographieDramaGeschichteRomanze

Ein opportunistischer russischer Geschäftsmann präsentiert eine geheimnisvolle Betrügerin als Großherzogin Anastasia. Doch sie ist so überzeugend in ihrer Leistung, dass selbst die größten S... Alles lesenEin opportunistischer russischer Geschäftsmann präsentiert eine geheimnisvolle Betrügerin als Großherzogin Anastasia. Doch sie ist so überzeugend in ihrer Leistung, dass selbst die größten Skeptiker ihr glauben.Ein opportunistischer russischer Geschäftsmann präsentiert eine geheimnisvolle Betrügerin als Großherzogin Anastasia. Doch sie ist so überzeugend in ihrer Leistung, dass selbst die größten Skeptiker ihr glauben.

  • Regie
    • Anatole Litvak
  • Drehbuch
    • Arthur Laurents
    • Marcelle Maurette
    • Guy Bolton
  • Hauptbesetzung
    • Ingrid Bergman
    • Yul Brynner
    • Helen Hayes
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,0/10
    9967
    IHRE BEWERTUNG
    • Regie
      • Anatole Litvak
    • Drehbuch
      • Arthur Laurents
      • Marcelle Maurette
      • Guy Bolton
    • Hauptbesetzung
      • Ingrid Bergman
      • Yul Brynner
      • Helen Hayes
    • 78Benutzerrezensionen
    • 43Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • 1 Oscar gewonnen
      • 7 Gewinne & 6 Nominierungen insgesamt

    Videos1

    Anastasia
    Trailer 2:16
    Anastasia

    Fotos68

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    Topbesetzung60

    Ändern
    Ingrid Bergman
    Ingrid Bergman
    • Anna Koreff
    Yul Brynner
    Yul Brynner
    • General Sergei Pavlovich Bounine
    Helen Hayes
    Helen Hayes
    • Dowager Empress Maria Feodorovna
    Akim Tamiroff
    Akim Tamiroff
    • Boris Adreivich Chernov
    Martita Hunt
    Martita Hunt
    • Baroness Elena von Livenbaum
    Felix Aylmer
    Felix Aylmer
    • Chamberlain
    Sacha Pitoëff
    Sacha Pitoëff
    • Piotr Ivanovich Petrovin
    • (as Sacha Pitoeff)
    Ivan Desny
    Ivan Desny
    • Prince Paul von Haraldberg
    Natalie Schafer
    Natalie Schafer
    • Irina Lissemskaia
    Grégoire Gromoff
    • Stepan
    • (as Gregoire Gromoff)
    Karel Stepanek
    Karel Stepanek
    • Mikhail Vlados
    Ina De La Haye
    Ina De La Haye
    • Marusia
    • (as Ina de la Haye)
    Katherine Kath
    • Maxime
    John Adams
    • Servant
    • (Nicht genannt)
    Paul Beradi
    • Man in Bar
    • (Nicht genannt)
    Paul Bildt
    Paul Bildt
    • Bit Part
    • (Nicht genannt)
    Newton Blick
    • Maître d'
    • (Nicht genannt)
    Ernest Blyth
    • Ballet Patron
    • (Nicht genannt)
    • Regie
      • Anatole Litvak
    • Drehbuch
      • Arthur Laurents
      • Marcelle Maurette
      • Guy Bolton
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen78

    7,09.9K
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    Empfohlene Bewertungen

    7ma-cortes

    An engaging and interesting story about an attempt to pass off a young girl as the surviving daughter of the last Czar

    1926 , three Russian exiles (Yul Brynner , Sacha Pitoeff, Akim Tamiroff) in Paris plot to collect ten million pounds from the Bank of England by grooming a destitute , amnesical and suicidal girl Anna Koreff (Ingrid Bergman) to pose as heir to the Russian throne . 18-year-old orphan Anna is chosen by General Sergei Pavlovich Bounine (Yul Brynner) and convinces her that she could be the long lost princess and as incarnate Anastasia , the last surviving member of the Romanoff dynasty. As such , she becomes part of a scam to collect millions of rubles deposited in a foreign bank by her supposed father Nicolas , the now-dead Czar , after the fall of Russian Empire due to 1917 Revolution . While Bounin is coaching her he comes to believe she is really Anastasia . And Dowager Empress Maria Feodorovna (incomparable Helen Hayes) as the key to the conspiracy . In the end the Empress must decide her claim. From the sensational Broadway stage success that had audiences crying its acclaim!. The Great Ingrid Bergman as the mystery woman - Anastasia ; in her Best Actress Academy Award winning title role. WHEN THESE TWO MEET... But is she just impersonating the princess ? it is the beginning of the most amazing conspiracy the world has ever known!.The most amazing conspiracy the world has ever known, and love as it never happened to a man and woman before!

    Enjoyable and attractive film concerning a strong drama freely based on facts , in which a girl disguising as a Russian princess , but the premise is the following : Is she really Anastasia ? . Based on Marcelle Maurette's play with big success in Broadway and all around the world . This is a charming movie in which Bergman returned to Hollywood, as Ingrid Bergman won her second Oscar in the title role , and deservedly so , for the classy portrayal of amnesia victim chosen by Russian expratiate Brynner to impersonate Anastasia . As Yul Brynner as the arch-conspirator is magnificent ,playing perfectly the scheming White General ; however , both actors are out-acted by Helen Hayes who steals the show giving a sensitive acting as the Grand Duches who needs to be convinced . Support cast turn in fine acting as well , such as : Martita Hunt , Akim Tamiroff , Sacha Pitoëff , Felix Aylmer , Natalie Schafer, Ivan Desny, among others.

    The motion picture was competently directed by Anatole Litvak. He was born in Ukraine and stayed in Germany working . Litvak's stay in Germany was cut short by the rise to power of Adolf Hitler. Litvak moved to France, and directed Mayerling (1936), starring Charles Boyer and Danielle Darrieux. His first film in Hollywood was The Woman I Love (1937), which starred his future wife Miriam Hopkins. His experience with diverse aspects of stagecraft, as well as his fluency in four languages enabled him to competently tackle a wide variety of subjects: from sophisticated continental comedy : Tovarich (1937) to historical drama : Anastasia (1956)) and romance All This, and Heaven Too (1940). Litvak was at his best directing taut, suspenseful crime dramas, such as Dr. Clitterhouse (1938) with Edward G. Robinson and Humphrey Bogart, ; and two tough action films starring John Garfield: Castle on the Hudson (1940) and Out of the Fog (1941). Having become an American citizen in 1940, Litvak enlisted in the US army and collaborated with Frank Capra on the wartime "Why we Fight" series of documentarie s. Arguably his best film was the superb thriller ¨Sorry , wrong the number¨and the splendid psychological drama ¨The snake pit¨ (1948), Hollywood's first attempt to seriously examine the treatment of mental illness . Indeed, the film was so influential that it precipitated changes in the American mental health system . And this ¨Anastasia¨that has a high-rating : 7/10 , better than average . And it received effusive praises from critics and very good reception by the public.
    8bkoganbing

    The Real Deal

    A trio of unscrupulous Russian exiles Yul Brynner, Sacha Pitoeff, and Akim Tamiroff locate an amnesia victim among the flotsam and jetsam of refugees in post World War I Europe and attempt to pass her off as one of Czar Nicholas II,'s daughters, Grand Duchess Anastasia, who survived the massacre of the royal family in 1918.

    The role of "Anastasia" marked Ingrid Bergman's return to an American film production after her exile from America after 1949 and she won her second Oscar with it. She runs a whole gamut of emotions from absolute despair to an assumed air of royalty. After a while Brynner and his confederates think that just maybe Ingrid's the real deal.

    Of course the ultimate test is whether the Dowager Empress of Russia, Helen Hayes, accepts Ingrid as the Grand Duchess Anastasia. Although Ingrid got her Oscar, I've always felt that Hayes gives the best performance in the film.

    At the age Dowager Empress Marie was in the Twenties all she had left was memories. She's from the Danish Royal House and was the widow of Alexander III and the mother of Nicholas II of Russia. Her world was turned upside down in 1917 with the Russian Revolution, not just toppled from the privileged position she had, she lost her entire family of the next generation of Romanovs to political upheaval. Hayes is back in her native Denmark, a lonely proud, but regal woman with nothing but memories. She truly becomes the Empress Marie.

    Yul Brynner as General Sergei Pavlovich Bounine is one of that crowd of Russian refugees who apparently got out of Russia with more than just a skin. He's the owner of a Russian café in Paris and should be doing OK, but he's got a streak of larceny in him and a taste for high living. He's involved in bilking a whole lot of Russian exiles in a search for a Romanov heir to claim millions deposited by the late Czar for his children in the Bank of England. He's got to come up with an heir of some kind and fast. But he's a charming fellow and gives one charming performance.

    Both Brynner and Director Anatole Litvak with their own Slavic backgrounds give Anastasia a real flavor of authenticity for the main characters and the Russian exile background of the film. It was shot on location in both Paris and Copenhagen and the camera work is first rate.

    Anastasia became a milestone film for Ingrid Bergman and while Anna Koreff may have been a bogus Russian princess, as an actress Ingrid Bergman was always the real deal.
    Yadda

    My favourite scene

    I've loved this movie for... I don't know how long. I must have seen this movie about fifty times !!

    First of all it's a great story; The mystery surrounding Anastasia. Second of all, it contains such brilliant actors: Ingrid Bergman, Yul Brynner, Helen Hayes, Matita Hunt etc.

    I've always loved Ingrid Bergman - and still do. But when I saw this movie it was another actress who captured me - Helen Hayes. She gives an absolutely outstanding performance as the old dowager empress. I was totally carried away ! And then came that scene... You who have seen this movie knows exactly what scene I'm talking about: The confrontation-scene between the old empress and Anastasia at the hotel.

    I can assure everyone who hasn't yet seen this movie, that this is the best and most well-played scene in the entire movie history ! There is no doubt about it. You just have to see the movie and this scene for yourself. I guarantee that you'll agree with me. You really have to promise me; Do not miss Helen Hayes, who truly IS the empress - of this movie!

    I just got one question before I go: How can it be that Helen Hayes isn't a more famous actress ??? I've never seen anything like that performance !
    Coxer99

    Anastasia

    Bergman is charming as an amnesiac young woman who is recruited by Brynner to impersonate the daughter of the late czar. Bergman won her second Oscar for her portrayal. Brynner is good as the exiled Russian who tries to bring her back into a world she once may have known and Hayes is stand out as the grand dutchess who strives to find the truth behind this girls' credentials. Crisp direction from Anatole Litvak and a lively supporting cast of Akim Tamiroff make this a simply ravishing film.
    6MOscarbradley

    An enjoyable movie about 'acting'

    As the woman who may or may not have been the Grand Duchess Anastastia, Ingrid Bergman was welcomed back with open arms by the Hollywood fraternity that had spurned her after her affair with Roberto Rossellini and she won her second Oscar for her performance. It is a fine piece of acting in a film that is all about acting; (Bergman plays a woman called Anna Koreff who is being groomed to pass as the Grand Duchess, though it is no "Pygmalion" as she may well indeed have been the person she is being hired 'to play', though DNA tests later proved the woman in question was not Anastasia).

    Yul Brynner is the Russian general who acts as her Professor Higgins and he's excellent. The same year he won an Oscar for "The King and I" but his performance here is just as good. Helen Hayes is superb as the Dowager Empress and there is a terrific turn from the great Martita Hunt as the Empress' lady-in-waiting. Anatole Litvak's direction isn't exciting in 'cinematic' terms but he knows he has a good yarn and he moves it along at a cracking pace. Between them, Bergman, Brynner and Litvak hold you in thrall.

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    Handlung

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    • Wissenswertes
      At the time of filming, those at Fox were not aware that the real Anna Anderson was still alive. After this came to their attention, they flew to her home in Germany and asked permission to use her name. It should be noted that, in the film, the full name "Anna Anderson" is never used, although "Mrs. Anderson" is briefly employed as an incognito in the later stages of the story.
    • Patzer
      While on the train to Copenhagen, Anna, studying a photograph of the fictional Prince Paul, can't remember how old she was when she was engaged to him. Bounine answers, "Sixteen."

      In reality, neither the Grand Duchess Anastasia nor any of her three sisters were ever engaged.
    • Zitate

      Anastasia: The poor have only one advantage; they know when they are loved for themselves.

    • Crazy Credits
      Opening credits prologue: PARIS 1928

      RUSSIAN EASTER
    • Verbindungen
      Featured in Concept (1964)
    • Soundtracks
      Wildfeuer Polka
      (uncredited)

      Written by Johann Strauss

      Arranged by Maurice De Packh

    Top-Auswahl

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    FAQ22

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    Details

    Ändern
    • Erscheinungsdatum
      • 22. Februar 1957 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprachen
      • Englisch
      • Französisch
    • Auch bekannt als
      • Anastasia, la princesa vagabunda
    • Drehorte
      • Knebworth House, Knebworth, Hertfordshire, England, Vereinigtes Königreich(Palace of the Empress)
    • Produktionsfirma
      • Twentieth Century Fox
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    Box Office

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    • Budget
      • 3.520.000 $ (geschätzt)
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      • 1 Std. 45 Min.(105 min)
    • Farbe
      • Color
    • Seitenverhältnis
      • 2.55 : 1

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