Corky und der Zirkus

Circus Boy is based on the adventures of young orphan Corky (Micky Dolenz nee Braddock) who along with his Uncle, Joey the Clown (Noah Beery Jr.) work for the Burke and Walsh Circus owned by 'Big' Tim Champion (Robert Lowery). Other regulars are Guinn 'Big Boy' Williams as the cantankerous general handyman Pete and as himself Bimbo the Elephant, who actually gets top billing over Williams. There are also a few recurring characters that generally bring mayhem with each appearance. Set in the Pre-Automobile Age, the circus travels from town to town along the dusty roads of the West setting the stage for a new drama each week. Episodes are a blend of action, humor and family conflict.

After watching Circus Boy again after these many years, there are several takeaways to be had.

(1) Burke and Walsh should invest in fireproof tents.

(2) If you are a Circus Act looking for long term employment Burke and Walsh is probably not for you. A large number of episodes have Big Tim Champion, always pleased to pick up performers for a discount, hiring a new act (often with personal problems) to replace a previous act. Big Tim goes through high wire performers like a pair of cheap socks.

(3) If the Burke and Walsh circus comes to your town turn and run the other way. Townspeople looking for entertainment are instead usually treated to a large dose of pandemonium. Incidents such as forest fires, stampedes and water reservoir poisoning are not uncommon. The circus is also somewhat lax in keeping the wild animals secured.

But things typically turn out pretty well and in the end the victims usually have a good laugh at the misadventures. Running for two seasons then released into syndication, Circus Boy was one of the iconic Saturday Morning Fare of the 1950's. Any resemblance to programming peers Rin-Tin-Tin and Fury was purely intentional, but all managed to capture a sense of adventure for kids of that era.

Circus Boy was a typical example of a 50s show that was perfect for us at that time, but would be unlikely today. As such, it's wonderfully nostalgic for those of us who were kids then.

In the 50s we saw a rash of shows with the same basic theme--a boy loses his parents and is adopted by someone who is kind and also cool and the kid gets to live with men and have all kinds of adventures.

We had Fury (a boy on a ranch), Circus Boy, Rin Tin Tin (a boy wit the cavalry), and Captain Gallant of the Foreign Legion (though in this case the boy's father is present, but not his mother. I include it because the kid gets to live with the men and have the adventures, so it had a similar feel.) They all seem to be inspired by the movie Captains Courageous, even though they were on TV 20 years later. Back in the 50s, kids couldn't wait to be grownups and this kind of show fed their fantasies. Parents liked the shows because they encouraged kids to grow up to be responsible adults.

Note that we never had any shows where an orphan gets adopted by a bunch of women and gets to hang out baking pies and cleaning carpets. That wouldn't be much of a fantasy. Mothers were normally home all day, while fathers were gone to a mysterious job all day. So men had a cachet that housewives didn't have. (Things are different now.)

As a girl, I ate up all these shows and daydreamed of being in the same situation (I was usually adopted by firemen and I lived at the firehouse).

The Circus Boy series bore no small resemblance to Rin Tin Tin and that's not surprising since they both came from Columbia Studio's television unit. In Rin Tin Tin small boy Rusty and a German Shepherd puppy who grew up to be Rinty was found after a wagon train massacre and the soldiers at Fort Apache made him an official mascot.

And that's what happened with Mickey Dolenz here who was then known as Mickey Braddock. He was an orphan who lived and traveled with the circus owned by Big Tim Champion as played by Robert Lowery during the gaslight era. They did the western circuit so a lot of western type plot situations could be used.

It was not a bad series and what a life for Mickey. He lived with Noah Beery, Jr. who was a clown. His other good friend and fourth and last series regular was Guinn Williams who was the head roustabout for the show.

It wasn't a Barnum&Bailey type show, but it was a small circus and life really seemed good. And unlike Rin Tin Tin you didn't have the Indians to contend with.

Too bad it only lasted two seasons, but it was only when The Monkees debuted in the Middle Sixties that I learned that our Circus Boy was not a real blond.

It must have been just as devastating for nineties fans to learn that Mark-Paul Gosselaar was not a California blond either.

Loved this program as a youngster. Once had a book based on it too. Had not realized "Corky" went on to star with the Monkees(a vastly underrated group IMO). Good, wholesome entertainment from the "Leave it to Beaver" era. Would love to see it come out on DVD. It was never dull-there were often tense moments. It was drama , not comedy.

"Big Tim" was the most memorable of the other characters. And then there was a lady who played Corky's real mother, and wanted him to leave the circus in some episodes. And of course there was the circus animals.

Are there other "Circus Boy" fans out there? Maybe we can get something going on the Message Board.

I watched one of these out of curiosity and thought it was the worst thing I had ever seen, but it must have been the pilot or something, because the other episodes were all much, much better. Glad I gave it a 2nd chance because it became a source of fun, something to watch while eating my grapefruit on Sat. mornings. Especially nice to see Noah Beery, who played "Rocky," Jim Rockford's dad, on "Rockford Files." He made a superb clown and key character in "Circus Boy." It took me a few weeks to recognize the main character as Mickey Dolenz of the Monkees. He was billed with a different name in the credits. I kept thinking he was familiar and one day "got" who he was and went and looked up the show online and sure enough, I was right. Most of these, of course, are a trip through time but they also have some interesting stories, not badly produced. I give it a high rating overall. The only negative was in the first few episodes where they obviously were painting freckles on young Mickey's face to make him look more "gawsh, golly gee" boyish. He looked ridiculous, like Howdy Doody.