Jung und Leidenschaftlich - Wie das Leben so spielt
Originaltitel: As the World Turns
Die Schwierigkeiten zweier Familien der Oberschicht, der Hughes und der Stewarts, in Oakdale im Mittleren Westen.Die Schwierigkeiten zweier Familien der Oberschicht, der Hughes und der Stewarts, in Oakdale im Mittleren Westen.Die Schwierigkeiten zweier Familien der Oberschicht, der Hughes und der Stewarts, in Oakdale im Mittleren Westen.
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We all know how soaps are. Over dramatic, cheesy and completely unrealistic. But this is one soap, I find, that does it in a more clever way. It's actually enjoyable to watch, and sometimes even funny. I never liked day time drama. Sure, I'd watch for the sake of laughing at the awful writing and acting. But then I watched an episode of As The World Turns. And then the next day. Soon, I was addicted to it. The characters intrigued me and there story lines often made sense and were logical. The Luke and Noah story line made the show for me. Not many times do you find a day time drama with a gay couple on it, and the fact that ATWT took the risk, really impressed me and I enjoyed the show ever more. If anything, watch this show for them. I am a new viewer of this show, as new as they come. 1 months to be exact, but I've heard many people say that it's not as good as it was back then, when it first began. Well, I wouldn't know. As I see the show right now, I would say it is the best day time drama on television today.
For me, ironically enough, it was '84, when Meg Ryan left and was replaced with Lindsey Frost, that I started watching.
Doug Marland became the writer and suddenly this show was truly different from the other soaps.
We got the Snyder farm family and Lily Walsh was recast.
The standout situation to me was Lucinda Walsh shoving Susan Stewart into that Christmas tree and injuring Susan's back. Susan is in the hospital and the gloating Lucinda pays her a visit.
Susan, a recovering alcoholic, becomes addicted to the pain killers for her back. Kim Hughes is helping her son, Andy Dixon, deal with his alcoholism after the bad girl he loved, Julie, has dumped him for Tonio Reyes.
Turns out it was Lucinda who brought Julie to town to begin with.
Kim's husband, Bob Hughes, feels ignored by Kim. He aids Susan with her withdrawal, and next thing you know, the pristine Bob Hughes is having a one night stand with Susan, whose husband Dan had had an affair with Kim decades earlier.
But the fun didn't end there.
Bob and Kim learned they had a long lost daughter, Sabrina Fullerton (originally played by Julianne Moore).
Sabrina (later played by Claire Beckman) was not the most welcoming person. She would feel sorry for the villianous Tonio Reyes (Peter Boynton), giving him all her inheritance from her adopted parents.
Bob would learn of Tonio's evil deeds, and attempt to stop him.
Tonio shot Bob in the back, then fled to South America with Sabrina.
As they drove across the outback, Tonio began confessing to Sabrina all he had done; the lies, the thievery and even shooting her father.
Tonio would say very calmly "Don't try to escape"
Sabrina would respond "I have no where to run to. You've seen to that."
I couldn't believe I had just heard such a powerhouse line in a soap opera.
There would be more, with Julie on the rebound from Caleb Snyder and Holden broken up with Lily, Julie and Holden would have the infamous one night stand that would rebound throughout the show with Julie getting pregnant.
Andy would deliver the baby with Snyder sister Iva, who would adopt the baby.
It was all amazing to watch.
Then Kim would have to trust Bob and Susan again when they went to South America to do medical duties and they vanished. Turns out they had been kidnapped and had to operate on the wounded Tonio Reyes!
Remarkable show.
When Conor Jameson was recast, and Neal Alcott (Mary Kay Adams) left the show (she was murdered), it was losing its fun.
Doug Marland would die as the murderer was revealed, but it wasn't exciting.
Then Iva Snyder would suddenly marry and leave the show, and so did I.
Ah well. The moment was gone.
But what a moment it was!
Doug Marland became the writer and suddenly this show was truly different from the other soaps.
We got the Snyder farm family and Lily Walsh was recast.
The standout situation to me was Lucinda Walsh shoving Susan Stewart into that Christmas tree and injuring Susan's back. Susan is in the hospital and the gloating Lucinda pays her a visit.
Susan, a recovering alcoholic, becomes addicted to the pain killers for her back. Kim Hughes is helping her son, Andy Dixon, deal with his alcoholism after the bad girl he loved, Julie, has dumped him for Tonio Reyes.
Turns out it was Lucinda who brought Julie to town to begin with.
Kim's husband, Bob Hughes, feels ignored by Kim. He aids Susan with her withdrawal, and next thing you know, the pristine Bob Hughes is having a one night stand with Susan, whose husband Dan had had an affair with Kim decades earlier.
But the fun didn't end there.
Bob and Kim learned they had a long lost daughter, Sabrina Fullerton (originally played by Julianne Moore).
Sabrina (later played by Claire Beckman) was not the most welcoming person. She would feel sorry for the villianous Tonio Reyes (Peter Boynton), giving him all her inheritance from her adopted parents.
Bob would learn of Tonio's evil deeds, and attempt to stop him.
Tonio shot Bob in the back, then fled to South America with Sabrina.
As they drove across the outback, Tonio began confessing to Sabrina all he had done; the lies, the thievery and even shooting her father.
Tonio would say very calmly "Don't try to escape"
Sabrina would respond "I have no where to run to. You've seen to that."
I couldn't believe I had just heard such a powerhouse line in a soap opera.
There would be more, with Julie on the rebound from Caleb Snyder and Holden broken up with Lily, Julie and Holden would have the infamous one night stand that would rebound throughout the show with Julie getting pregnant.
Andy would deliver the baby with Snyder sister Iva, who would adopt the baby.
It was all amazing to watch.
Then Kim would have to trust Bob and Susan again when they went to South America to do medical duties and they vanished. Turns out they had been kidnapped and had to operate on the wounded Tonio Reyes!
Remarkable show.
When Conor Jameson was recast, and Neal Alcott (Mary Kay Adams) left the show (she was murdered), it was losing its fun.
Doug Marland would die as the murderer was revealed, but it wasn't exciting.
Then Iva Snyder would suddenly marry and leave the show, and so did I.
Ah well. The moment was gone.
But what a moment it was!
This show, the first half-hour soap opera, had the classic soap opera setting - a suburb with two families who were good friends. Three and later four or five generations of these families were featured. The two families were the Hughes (middle-class) and the wealthier Lowell family. Chris and Nancy Hughes had a more secure marriage than did Jim and Claire Lowell. In fact, Chris's sister had an affair with Jim, who later divorced and was killed. The show was the first to offer the teen romance of Penny and Jeff. Penny's friend Ellen, after being rejected by Don Hughes, had an affair with a married, older doctor and bore an illegitimate son The Hughes family's storylines were more conventional and less plot driven, but those of the Lowell family were daring for their time. Penny and Jeff eloped, but the marriage was annulled. Later, they had a grand wedding to which the viewers were actually invited to attend at the end of the program. The show moved very slowly in the early days. The ratings were not the greatest, but eventually this show became the number one rated soap opera. 1960 proved to be a good year for the show. Don Hastings, Henderson Forsythe, Patricia Bruder, and Eileen Fulton all joined the show that year. Ms. Fulton, as Lisa, was the first great bad lady who was hated by the public. The role was originally intended to be a minor, short role, but the performances of Ms. Fulton insured that the audience would immediately notice the character. In 1965, the production company and network spun-off Lisa to a twice-a-week primetime soap opera called Our Private World. Irna Phillips, the show's creator and headwriter, left the show in the late 1960s. The show struggled creatively. Eventually Ms. Phillips returned, but the ratings had suffered. Ms. Phillips killed off a lot of the Lowell relatives during a short period of time. She was eventually fired from the show herself. Two other headwriting teams (Robert Sonderberg and Edith Sommer, Ralph Ellis and Eugenie Hunt) were able to keep the show interesting. (Others had failed.) But, later, a former actor from the show, Douglas Marland, became the headwriter on two occasions. By the time of his second term, the show had lost so many of the previous characters and had failed to add any new, interesting ones that the show seemed lost. Mr. Marland allowed the unthinkable to happen when the sister-in-law of the show's leading physician (Kim) who had once had an affair with the doctor, was allowed to marry him after the death of her sister. The show continued its downward slide while Mr. Marland and his successors wrote the show. Helen Wagner (Nancy), Don Hastings (Bob), and Eileen Fulton (Lisa) continue on the program today. And the show lights up whenever these performers are given occasionally good storylines or even scenes. But the show has continued to stray away from the core families - always a bad sign for a soap opera.
I am an aspiring soap writer, and I have watched most of the shows on the air as research. Somewhere along the way, I discovered As The World Turns. When I first caught glimpses of it, Carly was just home from The Spa, found in a carnival fun house after Hal was brainwashed by James Stenbeck. Emily was being kept in a trunk. Bonnie was a duchess. Molly's family was being threatened by an evil babysitter, eventually resulting in Jake's death and the near-death of Oakdale's neighbor, Bay City. It was sort of weird and awful at first, but I would tune in just to see the Oakdale hunks, especially Jack Snyder. Woof!
I can't remember when the tides really turned with this show. All I know for sure is, I discovered Ben Harris when Bonnie finally came home. Not only Grade A prime soap beef, but he and Jessica were electric on the screen. These were clearly two people who deserved much more screen time, and eventually got it. Margo, a staple character for years according to the ATWT scrapbook, got to be on the front burner for a week or two when she discovered she had hepatitis, contracted during a rape she was now being forced to relive. It would take a while, but eventually she moved back to the front burner again as well. In short, this show has an incredible pool of talented actors, and the writing team, receiving back to back Emmys for their work, have a knack for utilizing the vast talents of their cast.
It's not always perfect. The Oakdale 3 were awful. But from that terrible plot we eventually got a (somewhat) reformed Allison, who is now one of my favorite characters on the show. And, as with most shows, an emergency rewrite for a departing or pregnant actor can yield some substandard plots. Of course, I blame a lot of that on the soap fans, who can be pretty unwelcoming of temporary recasts (and that means you especially, Passions fans!) But As The World Turns is honestly the best soap on TV, and that includes the primetime dramas, and reality shows which are nothing more than soaps with real people for characters. I would love to see another attempt at Our Private World, a primetime spin-off featuring the amazing Eileen Fulton, following Lisa Hughes as she moved from Oakdale to Chicago. Imagine a revamped Another World, where Molly goes back to Bay City to fight for her daughters Bridget and Michelle. With enough shared writers, I'd watch both series faithfully. In the meantime, I will have to settle for the five hours a week of ATWT I have now and hope a few other writing teams can tune in and take a few notes.
I can't remember when the tides really turned with this show. All I know for sure is, I discovered Ben Harris when Bonnie finally came home. Not only Grade A prime soap beef, but he and Jessica were electric on the screen. These were clearly two people who deserved much more screen time, and eventually got it. Margo, a staple character for years according to the ATWT scrapbook, got to be on the front burner for a week or two when she discovered she had hepatitis, contracted during a rape she was now being forced to relive. It would take a while, but eventually she moved back to the front burner again as well. In short, this show has an incredible pool of talented actors, and the writing team, receiving back to back Emmys for their work, have a knack for utilizing the vast talents of their cast.
It's not always perfect. The Oakdale 3 were awful. But from that terrible plot we eventually got a (somewhat) reformed Allison, who is now one of my favorite characters on the show. And, as with most shows, an emergency rewrite for a departing or pregnant actor can yield some substandard plots. Of course, I blame a lot of that on the soap fans, who can be pretty unwelcoming of temporary recasts (and that means you especially, Passions fans!) But As The World Turns is honestly the best soap on TV, and that includes the primetime dramas, and reality shows which are nothing more than soaps with real people for characters. I would love to see another attempt at Our Private World, a primetime spin-off featuring the amazing Eileen Fulton, following Lisa Hughes as she moved from Oakdale to Chicago. Imagine a revamped Another World, where Molly goes back to Bay City to fight for her daughters Bridget and Michelle. With enough shared writers, I'd watch both series faithfully. In the meantime, I will have to settle for the five hours a week of ATWT I have now and hope a few other writing teams can tune in and take a few notes.
The number of nominations this soap opera received at the 2001 Daytime Emmy Awards is just one indicator of how excellent this show has been lately. The writing has been especially good, and the acting seems much better than most daytime fare. Of particular interest is the dual roles of long-estranged twin sisters Lily/Rose played to perfection by the talented Martha Byrne. Her scenes opposite herself are brilliant.
This soap opera's best feature, though, is the pace at which story lines move along. There is no spoon-feeding the audience. You have to watch consistently to get involved in the plots: there are no recaps of the past month's twists. Conversely, there have been incredible flashbacks and memories using real original footage from as far back as the series first season (1956). This really adds a warm sense of continuity for characters like Nancy Hughes, played since the beginning by Helen Wagner.
This soap opera's best feature, though, is the pace at which story lines move along. There is no spoon-feeding the audience. You have to watch consistently to get involved in the plots: there are no recaps of the past month's twists. Conversely, there have been incredible flashbacks and memories using real original footage from as far back as the series first season (1956). This really adds a warm sense of continuity for characters like Nancy Hughes, played since the beginning by Helen Wagner.
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- WissenswertesThe episode of 22 November 1963 was broken into by CBS to announce the assassination of President John F. Kennedy. The actors, however, continued performing (as it was done live until 1975), and a complete, uninterrupted copy of this episode still survives.
- PatzerOn the episode that aired 4 January 2005, Julia refers to Holden (Jon Hensley) as "Jon" in an emotional scene at the Lakeview Lounge while talking to Lisa.
- Zitate
Paul: That woman is unbelievable. She's awesome. She knows exactly what I want her to do, and she does it before I even ask her to do it.
Henry: I had a woman like that once. Once was all I could afford.
- Alternative VersionenAlso available in a computer colorized version.
- VerbindungenFeatured in TV Guide: The First 25 Years (1979)
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What is the Hindi language plot outline for Jung und Leidenschaftlich - Wie das Leben so spielt (1956)?
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