Yellowneck

An interesting plot premise is killed with poor direction and a lot of overacting with Yellowneck. There's also a distinct lack of characters who you really root for to get out of the Everglades.

Republic released this film in 1955 about five men who are Confederate Army deserters and not some of the greatest specimens of manhood you'll ever want to encounter. Lin McCarthy, Billl Mason, Harold Gordon, and Berry Kroeger are the deserters and from some of the names you know that by the type of roles they've played. Later on they're joined by Stephen Courtleigh, a colonel who deserted the Star And Bars. He's got pretensions, but deep down he's no better than the other four.

For the one and there is only one who makes it there is then the minor problem of crossing 90 miles of ocean to Cuba. Still it is an achievement to have survived the Everglades and all that inhabit it.

If you care to watch you can find out which one survives.

This is a strange little film about five confederate deserters trying to make their way through the Everglades to escape capture. They find the wilderness to be a less merciful enemy than the union, as they battle hurricanes, snakes, Senecas, quicksand, and each other. Essentially, this is a raw, real - but not realistic, struggle for survival pitting men who have been branded cowards against nature and other men.

Although the film is over-acted, over-dramatized and over-long, it made a lasting impression on me as an adolescent. I first saw Yellowneck when I was between 9 and 12 years old. When I watched it last night, I remembered having seen it then about a quarter of the way through the film. There are aspects of this film which, at a very young age, I found frightening. As an adult who frequently works in environments such as the one depicted in the film, I can only reflect on my own (and the writer's) ignorant fearfulness today.

The script has too many soliloquies and generally over-dramatizes most of the story. The acting is OK, but the script forces almost all of the cast members to go overboard frequently. Lin McCarthy and Bill Mason both turn in solid performances. The directing, cinematography and editing are all good, but the film could have been 10-15 minutes shorter and just as good. As much as I appreciate character development, a few of the soliloquies and conversation scenes might have improved the film had they been left out.

Weakly recommended.

This modestly budgeted oddity from the mid-fifties is as good an example as I can think of of how to make something out of nothing. Set in the waning days of the Civil War, Yellowneck follows several Confederate army deserters in their flight through the Florida Everglades. The actors are all good and the predicament these characters are in is dramatized with a fair amount of realism. Poisonous snakes, insects and alligators abound, as these unfortunate men have gone from the hell of the Civil War into the frying pan of the swamp. They squabble amongst one another a good deal, but their biggest enemy is nature itself, which seems to be conspiring against them at every turn. One comes to like some of these men very much, and despise others. The pathetic nature of their plight is always apparent, and we cannot help but feel for them as they slog through the mud, their hopes diminishing with each passing day. A fine. psychologically provocative piece of film-making, in tone and sensibility, a sort of cross between Ambrose Bierce and Albert Camus.

First movie my father co-produced with R. John Hugh. Used color as a first since many movies were in b/w in 50s. Although I was too small to remember this movie being made, I played with rolls of cutting room floor scraps for years.

This was Laurence Rosenthal's first movie music score. He was a student at Rollins College in Winter Park, FL. He went on to score more movies and several TV shows in the 90s. Interestingly, a promotion still picture my father had of him was in the newspaper 40 years after it was originally taken. Guess no one ages in the movie business.

The scenes that take place during a storm were actually shot during a hurricane that visited Florida during the shooting schedule. Snakes used in the scenes came from a local tourist trap called Alligator Farm. Many of the exterior scenes were made in Altamonte Springs area.

The quicksand scene was actually a pit that was dug about chest deep and filled with leaves, etc. The actor got in and faked the sinking part. The hand going down was actually a closeup of him just pulling down his arm (trick photography 50s style). The Florida panther that jumps out of the tree was a fake that was pushed from behind by a guy with a pole. Looks real though.

Yellowneck was R. John Hugh's first stab at writing, directing, producing, et AL, a movie in Florida. The world premiere was held at the former Astor Theater in Orlando. I have the still pictures of the premiere. Lin McCarthy was on hand for the opening night. He later went on to do television.

Five Confederate soldiers go AWOL, and risk the swamps of the Everglades to head to Cuba, as opposed to what they've been through already.

If you get the feeling not all of them will survive, you'd be correct.

A movie like this tries to play for both adventurous entertainment and credibility.

"Yellowneck" straddles the line in a way that makes you feel like you haven't been totally cheated out of an hour of your life. It isn't classic, in my opinion, but it isn't nearly as contrived as many other such movies.

When one weighs a movie like this, the deciding weight is in the credibility of the plot, story, and characters.

We have an inkling who will survive, and the way the film goes about this process is perhaps a little contrived, but not very contrived.

If you watch this, I feel safe to say you will also rate it close to middle ground, like I did.