Die jungfräuliche Königin

Historic drama about The Virgin Queen which focuses on the stormy relationship between the aging Queen and Sir Walter Raleigh . A talky slice of history with Bette Davis as stubborn Queen , whose love affair , jealousy with Raleigh led to his downfall . Well played by Davis who stole the acting honors at a resolute , strong , glamour-skimping characterisation , to give the illusion of baldness, Bette shaved her head two inches in front to show a high forehead under Elizabeth's red wigs, and addition , also performed by swashbuckling champ Richard Tood as an obstinate Raleigh . Elizabeth had learnt her political lessons in the years of intrigue before she became Queen, she was a brilliant stateswoman, managing a succession of parliaments so that she was loved as well as obeyed. Elizabeth I managed to set Great Britain to ruling and gloryfy amidst public and private confusion and she sets in motion a merciless plan to protect her people and preserve her throne . This good historic drama recreates the wars , loves ,turmoil and struggle for power . It explores her last period : from her days of old age when is besieged by court intrigues and political machination as Qeen of France Catalina of Medicis , her fear as a potential victim from Irish people ; into her years of triumph ; and her last, enigmatic relationship with her young protégé , Raleigh . Walter overcomes court intrigue from Sir Christopher Hatton (Robert Douglas) to win favor with the Queen in order to get financing for a proposed voyage to the New World . As Raleigh wants ships to sail and make a name for England and being helped by Robert Dudley , Lord Leicester (Herbert Marshall) . A young ward of the court, Beth Throgmorton (Joan Collins who is the secret object of Raleigh's true affections) , is strongly attracted to Raleigh and goes back the attraction . Elizabeth I's love for William Raleigh threatens to destroy her kingdom . The Virgin Queen managed to restore England glory and power amidst private and public turmoil .

This period drama frames the tumultuous affair between Queen Elizabeth and William Raleigh , dealing with a depiction of the love/hate among them . Bette is top-notch in the title role of this passable drama focusing on the life of known Queen . In this her second acting as Elizabeth and considered to be ever better than hist first in ¨The private lives of Elizabeth and Essex¨ by Michael Curtiz . Seeking the most authenticity , Bette shaved the front of her head and eyebrows and insisted on ugly bags under her eyes , she later complained that they never grew back properly and that ever after she had to draw them in with an eyebrow pencil. The stalwart Richard Todd plays rightly as Sir Raleigh , while Joan Collins gives a mediocre acting as the lady-in-waiting with whom he falls in love . However , the film relies heavily on the relationship between Elizabeth/Raleigh and Beth Throgmorton/Raleigh , resulting to be slightly tiring . Colorful cinematography in CinemaScope by Charles Clarke as well as magnificent production design , both of them add a spectacular ambient to the ancient atmosphere but it does help to know some history in order to keep the plot and plotters straight . Furthermore , an evocative and sensitive musical score by Franz Waxman . The motion picture was professionally directed by Henry Koster , an expert on super-productions and epic biographies , such as he proved in ¨Desiree¨, ¨The Virgin Queen¨, ¨A man called Peter¨, The story of Ruth¨ , ¨The Naked Maja¨ and of course ¨The Robe¨ , his greatest success.

Other films about this historical character are the followings : The classical rendition titled ¨The private lives of Elizabeth and Essex¨ (1939) by Michael Curtiz with Bette Davis and Errol Flynn dealing with her life through her great love affair Essex ; ¨Elizabeth¨ by Shakahar Kapur with Cate Blanchett , Geoffrey Rush , Joseph Fiennes , a story full sweep of Queen's life . And for television : ¨Elizabeth R¨ (1972) by Herbert Wise with Glenda Jackson and Peter Jeffreys ; ¨Elizabeth the Queen¨(1968) by George Schaefer with Judith Anderson and Charlton Heston ; finally TV series ¨Elizabeth¨(2005) by Tom Hooper with Anna Marie Duff , Sienna Guillory and Ian Hart , and ¨Elizabeth I¨ TV miniseries with Helen Mirren , Hugh Dancy and Jeremy Irons .

I cannot help but be disappointed by the reviews this movie has thusfar received in IMDb, but not surprised.

With respect to Glenda Jackson and Cate Blanchett, neither of those ladies can hold a patch on the brilliant Bette Davis, perhaps the greatest actress ever, as the immortal Queen Elizabeth I, perhaps the greatest monarch that England ever knew.

Whether or not the movie is weak history, the movie shines as a vehicle for La Davis. Richard Todd gives a decent performance, although I submit he has neither the acting chops nor the charisma of Errol Flynn. But he serves well in the role.

The costumes, cinematography and screenplay are bright and arresting. And like it or not, Bette Davis' brilliant, mannered, and astoundingly powerful depiction of Queen Elizabeth I has informed every ensuing depiction of the Virgin Queen

Bette Davis is again "The Virgin Queen" in this 1955 film, and this time, her attention is on Sir Walter Raleigh. Earlier, in a more interesting film, "The Story of Elizabeth and Essex," she was the younger Elizabeth and the Earl of Essex was Errol Flynn. "The Virgin Queen" is sumptuous in its production, done in color, and the costumes deservedly won an Oscar. Here Elizabeth is older and becomes fascinated with Walter Raleigh (Richard Todd) when he comes to her court to request three ships to sail to the new world in search of treasure on behalf of England. She puts him in charge of the palace guard; he in turn falls for a lady-in-waiting, Lady Elizabeth Throckmorton (Joan Collins) and secretly marries her. The queen grants him one ship, but while he's preparing it, he finds out that Elizabeth Throckmorton is pregnant with his child. Unfortunately, Elizabeth finds out too and has him placed under arrest.

This is a mildly interesting film and historically not very accurate, though it is true that Sir Walter married Beth Throckmorton secretly, she became pregnant, and he was arrested. The real story is simplified in the film. It makes for not very exciting viewing, though the acting is strong and the cast excellent - besides the stars mentioned, Herbert Marshall is Lord Leicester and Dan O'Herlihy is Lord Derry.

Bette Davis does a marvelous job as Elizabeth, a tough, feisty, demanding and sometimes angry woman. Nobody could look as bad as Davis when she felt it was necessary for the role - she allowed four inches to be shaved from her hairline (Elizabeth had lost her hair due to fever) and wears what can only be called a fright wig. Hollywood stars back then would dress down, muss their hair, maybe cut back on the makeup, but Bette set the bar quite high for acting generations to come when it came to distorting her appearance. She is very effective in the role - as someone pointed out, she's a Yankee playing a British queen, and you never doubt that she is one. Richard Todd handles the language beautifully, but while he may have more depth than someone like Flynn, he doesn't exhibit the necessary charisma and charm. Joan Collins is young, beautiful, and does a good job as Elizabeth Throckmorton.

Worth seeing for the elegance of production and for that fabulous force of nature, Bette Davis.

This is Davis' second film in which she plays Queen Elizabeth I of England. Personally, I thought 1939's "Private Lives of Elizabeth and Essex" was better, but it is hard to compare the two since this film takes place 15 years earlier in history than "Private Lives" and has Davis essentially playing Elizabeth at the age - 47 - that Davis actually was at the time.

The earlier film had Davis at 31 playing Queen Elizabeth in her sixties, and thus the two films make for an interesting comparison. Here Richard Todd plays Sir Walter Raleigh, who, like Essex in the earlier film, is a younger man who trades on Elizabeth's love for him to gain some personal glory. Richard Todd plays Raleigh effectively, but there is just no topping the charisma of Flynn's performance in the earlier movie.

Also, this film is saddled with Joan Collins in a supporting role who always made any film she was in worse and almost single handedly caused the death of classic film on DVD with her box set of not so special Fox films.

Bette Davis is probably one of the greatest actresses of all time, and it is really outstanding that a Massachusetts lady can break all cultural barriers and incarnate an English Queen to such a degree of perfection. I really enjoyed her performance.

The rest of the cast is just acceptable. Richard Todd is handsome and the young Joan Collins is beatiful to watch. The costumes and settings are carefully reproduced, and Koster's direction is profesional. The dialogues are wonderfully written, though the story is not quite historically accurate.

By the way, the European VHS edition is simply disgusting: the film is cut to fit the normal TV screen 4:3, leaving out vital parts of it. For example, in a scene between Sir Walter Raleigh (Todd) and Bess Throckmorton (Collins), they are standing the one in front of the other at both sides of a huge paned window: the only thing you can see on screen is the window, while you hear both talking! A new DVD edition would be most welcome.