Unbesiegt

I have no idea how he did it, but whatever film he was in Sterling Hayden added quality to it. He does so here in what could have been a mediocre film, but he gently rises it above that category, along with Karin Booth who is his love interest. The story is simple; a ruthless gang want to take over the town ( the very poor sets did not make it worthwhile, but then I do not think a lot of money was given to this film ) and Sterling Hayden makes sure that justice is done. There is a good subplot concerning his dead mother which is woven into this 70 odd minutes, and disliked as a ' top gun ' Hayden is, despite his bravery, not welcomed at first into returning to the town. This is where his mother's death is cleverly added on to the suspense. I like the film. It is in many ways well directed, but still falls heavily into the B-category of Western, due to the sets and a few stereotyped minor roles, poorly acted. But worth seeing for Sterling's magic at not ' acting ' at all, and yet giving a performance that stands alongside his other, better films. A final mention again for Karin Booth whose performance was, in my opinion, excellent.

Top Gun is directed by Ray Nazarro and written by Steve Fisher and Richard Schayer. It stars Sterling Hayden, William Bishop, Karin Booth, James Millican, Regis Toomey, John Dehner, Rod Taylor and Hugh Sanders. Music is by Irving Gertz and cinematography by Lester White.

Rick Martin (Hayden) is a notorious gunman who returns home to Casper, Wyoming, to tell of an imminent invasion by a gang of outlaws. But his reputation and vested interests see the town want rid of Rick quickly - something they may regret should they get their wish...

"You've been listening to a slippery tongued fella can make a lie stand up and take a bow"

Top Gun is no hidden treasure, neither for fans of 1950s American Westerns or of the under valued Sterling Hayden, you wouldn't be staking your life on this one knocking anyone's socks off. However, there is good cause to put it forward for a look see to both parties, for Hayden dose his imposing presence act and under the stewardship of the trusty Nazarro we get a meaty traditional genre piece of the era.

Front and centre is the anti-hero axis, where although his past deeds are unpalatable, the fact the townsfolk are in the main worm like, with chief heel duty falling to Bishop's Canby Judd, Rick is a man to root for. Loose canon role falls to a youthful smirking Taylor, making a good mark, and Dehner (wonderfully scuzzy) fronts up the villainous outlaws coming to sack the town of Casper.

Action is healthy in quota, the stunt men and sharp shooters earning their respective keep, while the look and aural technicalities are appealing when considering the budgetary restraints. Familiar traits such as a love triangle and the finale face off between good and bad does not a fresh film make, but the script packs some smart dialogue which in turn gives Dehner, Hayden and Millican room to hold court.

Good stuff for the genre faithful to sample. 7/10

I am writing a review for this picture because i loved watching it as a child and I think top gun tells the truth about the west and western civilization as a whole. We do only as we're told.

Having acted alongside Bette Davis and Joan Collins in 'The Virgin Queen' the previous year, the 25 year old Rod Taylor progressed from extra work to small acting roles in films like this one. Although he was born in Australia, you didn't notice his Australian accent.

What a shame that a really competent director like Andre de Toth who specialized in slippery, shifting alliances didn't get hold of this concept first. He could have helped bring out the real potential, especially with the interesting character played by William Bishop. As the movie stands, it's pretty much of a mess (as asserted by reviewer Chipe). The main problems are with the direction, cheap budget, and poor script. The strength lies in an excellent cast and an interesting general concept-- characters pulled in different directions by conflicting forces. What was needed was someone with vision enough to pull together the positive elements by reworking the script into some kind of coherent whole, instead of the sprawling, awkward mess that it is, (try to figure out the motivations and interplay if you can). Also, a bigger budget could have matched up contrasting location and studio shots, and gotten the locations out of the all-too-obvious LA outskirts. The real shame lies in a waste of an excellent cast-- Hayden, Taylor (before his teeth were capped), Dehner, Reeves, along with James Millican and William Bishop shortly before their untimely deaths. Few films illustrate the importance of an auteur-with-vision more than this lowly obscure Western, which, in the right hands, could have been so much more.