Der Rächer vom Silbersee

Story involves a timberjack (Hayden) out to discover the murderer of his father. Unfortunately, the story gives us only one suspect in Hayden's rival in the local lumber trade, so there's not much mystery here. A few songs by Carmichael and a great rousing performance by Ralston lift the story slightly above the obvious. Nice locations, good action scenes, and Hayden is good as usual but seems unmotivated by this limited vehicle. Fairly solid, but few thrills beyond the music and good cast -- they deserved a little more story.

A prodigal son returns to the northwest logging territory to reclaim his family business which had been shut down due to the death of his father. Things got rough in the community as the other firm's owner stopped at nothing to be number one. Lots of singing, dancing, and fisticuffs in this high action yarn.

Sometimes sluggish western that slowly gathers momentum but somehow manages to relegate leading man Sterling Hayden to a supporting role while doing so. The cast is good, with the reliable David Brian ably performing bad guy duties and Adolphe Menjou as an alcoholic Shakespeare-quoting lawyer. Also boasts some beautiful rugged countryside.

The gear engine and operation of the log train make this movie a must see and have. It provides an examples of life and operations methods of a small logging operation and the underhanded means used to gain control of the RR and timber. The train operations couple the story line and characters. It is also interesting to see that even the hired thugs have some ethics.

Ah yes, the Republic treatment for logging movies shot in glorious 'funny looking' Trucolor. One must be very forgiving of Republic constantly making silent movie western melodramas even if they were produced 1955 and in color. It is as if they just kept making the same (sort of) films year in and out until the doors closed in 1959. Vera, the singing wife of studio head Herbert Yates moans a few songs and swings her Hungarian hips about the saloon warbling through her ZsaZsa sounding accent. Somehow, all this is great fun. There is great outdoor scenery, some fantastic railroad location footage and genuinely interesting logging train scenes. Adolph Menjou and Hoagy Carmichael are added to the cast of character actors who look as thought they are there to earn enough to afford a long holiday. Some scenes outside the saloon doors are clearly shot in the corridor at the entrance of a sound stage which all makes TIMBERJACK more quaintly fascinating. As with Johnny Guitar, someone returns to slug it out with someone and fix the bad guys. However we have Vera instead of Joan in this one and a competent serial director. In fact if it was chopped up into 12 minute episodes, that is exactly what TIMBERJACK would be. Very watchable for all the above reasons.