Tarantula

This is a top-of-the-line Sci-Fi thriller from the studio that did 'em best in the 1950s - Universal-International. Produced by William Alland (who also produced "Creature From the Black Lagoon" and "It Came From Outer Space", and directed by Jack Arnold (who directed those films) it has an intelligent script and good acting all the way around. Arnold does a great job of building suspense as he cleverly keeps the titular monster mostly off-screen for the first 2/3 of the film until it's simply too big to hide. And then --- watch out, folks! As in many another sci-fi story, the road to hell is paved with good intentions, and if there's a villain of the piece, it's the Nuclear Age - the spider of the title is merely doing it's natural thing: searching for food. Except that, thanks to Leo G. Carroll's well-meaning experiments (to increase the world's supply of food), this is one BIG spider with an equally BIG appetite! Universal's special effects department just about out-did themselves here - the matte work is almost flawless (check out Leo G. Carroll's house after the spider's visit), and the make-up department did excellent work as well. This is one of the best of it's kind, and great fun on a rainy Saturday afternoon.

I watched this movie a hundred times while growing up and I've seen it at least a hundred more times as an adult! Great story. To me it's the greatest big bug movie ever made. Interesting side story of the effects of the nutrient on humans, also. I fell in love with Mara Corday after the first time I saw this as a young child and I still think she was one of the great beauties of the screen. I think the main reason the film holds up today is the special effects are still quite impressive and there is nothing that todays audience would find hokey or cheesy. The only thing that "Bugs" me is the sound effect of the tarantula growling as it attacks. But thats just nit-picking. Its also fun spotting a young Clint Eastwood. Great sci-fi and great entertainment! A film viewing must!

I enjoyed this film, which was one of the best of the "giant, mutated one-thing-or-another" movies. Two of my favorites of the 1950 B-movies, John Agar and Nestor Paiva starred with Mara Corday(who is very beautiful). Hank Patterson was great as Josh the hotel clerk, who provided comic relief. Clint Eastwood has a small part at the end of the film as the fighter squadron leader. The effects by Clifford Stine are classic and Jack Arnold again proves his worth as director(before moving on to the "Brady Bunch" in the 1960s). Leo Carroll is superb as Professor Deemer, who develops a formula for a growth serum. It is this serum(with uses an atomic isotope)that produces rapid growth in all the lab animals,including the Tarantula. The acting is very good, the movie has a nice pace and the effects for their time are top-notch. This is one 1950s sci-fi film to see!

This is one of those films which starts off with a bang, slows down with a big lull in the middle section, and then finishes strong.

Kudos to the special-effects people to make the giant tarantula scenes look pretty good, even by today's standards some 50 years after this was made. Many times, the huge spider looks real while it's crawling down the road. I would like to have seen one or two more scenes of it in that middle section which would have kept viewers on edge throughout the film. Instead, it got a bit talky in spots.

Anyway, it still entertained and it was fun for me to see Leo G. Carroll, a guy I saw each week growing up watching "Topper" on television. Carroll played, by far, the most interesting character in this movie.

The acting was good in here, too, once again above '50s sci-fi standards. It was one of the better entries in the recently-released Sci-Fi Ultimate DVD set, offered at Best Buy. A pretty good transfer, too.

Only slightly less classic than "Them!" "Tarantula" still manages to stand on its own as a strong entry in the Giant Bug movies of the 50s. Technically, its not a bug movie as tarantulas are arachnids and not insects, but movie-going audiences of the 50s didn't care. They just wanted to see big ugly bugs crushing everything in their path, and this film certainly delivers in that respect.

Taciturn scientist Leo G. Carroll is a man bent on finding a cure for world hunger. He invents a serum which enlarges whatever animal or insect (or arachnid) it is injected into. Unfortunately, when injected into a human, it causes acromegalia, a disorder marked by progressive enlargement of the head, face, hands, feet, and thorax, due to the excessive secretion of growth hormone. When one of Leo's human guinea pigs comes looking for revenge, he not only destroys the lab and injects the doctor with his own serum, but he shatters the glass cage of a puppy-sized tarantula, which quickly scurries out into the night.

Enter Mara Corday and John Agar. Mara Corday is the new lab assistant for Leo, and John Agar is the country doctor who takes an interest in the dark haired beauty. But there's not much time for romance as the tarantula, now roughly the size of the Goodyear blimp, begins terrorizing the desert. Farm animals are munched upon, and so too are human victims who are found in pools of venom, their bodies literally filled with enough poison to kill ten more men besides. Leo G. Carroll slowly turns into the Elephant Man, the giant spider peeks through the window at Mara in her nightie and Clint Eastwood shows up at films end to fire napalm at the eight legged menace.

Forget about "Earth vs. The Spider" and whatever you do, avoid "The Giant Spider Invasion" at all costs. This is the definitive Giant Spider film. It's smart and fast and well acted, and the spider itself is pretty cool looking, considering the fact that no furry robotic arachnids were constructed for this film, but instead film footage of a real tarantula was blown up and rear projected. It looks pretty good, considering the time. If you liked "Them!" you'll definitely want to check this one out as well.