Treffpunkt Hongkong

Susan Hayward arrives in Hong Kong because her rather irresponsible reporter husband has disappeared--most likely across the border in Communist China. A wide variety of low-lifes offer to help but most seem intent with either bedding her or getting her money. One of these disreputable characters is played by Clark Gable--a man who seems to be heavily involved in the black market and smuggling. Of course Gable falls for Hayward, but the fact that she's loyal to her husband keeps getting in his way.

This is an awfully familiar plot considering Clark Gable played in many movies with similar plot threads from the 1930s until the end of his career. In so many of his films, he played a rogue who was often on the wrong side of the law and who claimed to have no loyalty to anything but himself. However, again and again, by the end of the film, his character turned out to be decent after all--and usually get the girl. Despite all this being present in SOLDIER OF FORTUNE, I enjoyed the movie for two reasons. First, Gable always played those parts so well that it's hard to dislike these films. Second, setting the movie in Hong Kong was a welcome relief and breathed life into the old theme. In particular, the spectacular scenery really enhanced the film and made it sparkle.

Soldier of Fortune marked Clark Gable's first film away from MGM after his contract was not renewed. 20th Century Fox did right by him, gave him a film to shoot on location in Hong Kong and an actress who was at the height of her career as a new leading lady in Susan Hayward.

This was the second big epic film they shot in Hong Kong that year, the other being Love Is A Many Splendored Thing. Unlike the William Holden- Jennifer Jones epic, Soldier of Fortune leans more to adventure and intrigue than romance.

Hayward's husband Gene Barry is a prisoner of the Chinese government, apparently having taken some pictures he shouldn't have as a freelance photo journalist. Hayward's in Hong Kong to try and affect a rescue and she comes up against some unscrupulous types including Gable. Gable's more interested in her, but helping the husband's rescue is a package deal.

I would have hoped that with the one and only teaming of Gable and Hayward a better story could have been found. Soldier of Fortune isn't a bad film, hardly the worst thing either of them did, but in essence it's really a souped up Grade B adventure saga. The class of the players make it seem more than it is. Plus the fact it was done on location as opposed to the backlot of 20th Century Fox.

Soldier of Fortune has a good cast of character actors. Look for some good performances by Michael Rennie as the British inspector, Alexander D'Arcy as a conniving French rogue and Tom Tully as a slimy influence peddler.

Even toward the end of his marvelous career, Clark Gable's screen persona of the charming, irresistible bounder was untarnished. Unhappy with the roles MGM was giving him, he did not renew his contract. "Soldier of Fortune," which Gable subsequently did for 20th Century Fox, is a big budget, good-looking movie with big stars, none of which can hide the fact that it's a routine story that John Hodiak could have done in black and white in 1950 and probably did.

Susan Hayward plays a woman who arrives in Hong Kong to look for her photographer husband (Gene Barry) who has slipped into China illegally. She runs into of a bunch of sleazy characters and finally meets Henry Lee (Gable), a soldier of fortune with money and contacts. He's an older version of Rhett Butler - out for himself but capable of goodness as well. He falls hard for Hayward and becomes more determined than ever to find her husband so he doesn't have to compete with a ghost. With two such attractive stars, it's obvious what's going to happen.

The stars and the supporting cast - Michael Rennie, Tom Tully, Anna Sten et al - are all very good. It's a beautifully photographed film that undoubtedly looked great on the big screen with its Technicolor panoramas of Hong Kong, but alas, it's not very exciting. Gable looks fantastic and immaculate in his white suit, his smile as dimpled and his voice as gruff as ever, and Hayward, not the warmest actress who ever lived, is excellent as a concerned and confused woman. They work very well together.

It's hard to say the movie is not worth seeing because as excellent as some of our actors are today, there are no Gables. There was only one - and checking him out is always worthwhile.

A woman , Susan Hayward , enlists a shipping magnate , Clark Gable , to help her to find his lost husband , Gene Barry , in Red China . Meanwhile , Clark becomes involved with a motley collection of unsavoury underworld figures. As there are rumors that the hubby might be held by the Communist Chinese military as a spy and Gable set out in hunting the missing man in Hong Kong , Macao and Canton .

An entertaining but slowly paced adventure has Gable as a shady smuggler entrepreneur who attempts to save the husband photographer of a distinguished Mistress, Hayward. Late Clark vehicle with the ordinary formula beginning to fall and feel the postwar strain ; besides, there is not enough action to keep adventure fans happy . It hardly ever delivers fast movement , though there is an exciting final getaway . Still a decent but mediocre fun, at times , from two top drawer stars, Gable and Hayward. As Susan had been among the myriad starlets vying for the Scarlett OHara role nearly two decades early .Here Hayward has a character less dynamic than those she was used to at the time , like the Oscarized : I want to live¡ . Support cast is pretty well , there's plenty of notorious secondaries as Michael Rennie , Gene Barry , Jack Kruschen , Russell Collins , Tom Tully , Leo Gordon, Richard Loo , Mel Welles , a very small role by James Hong , Alexander D'Arcy , and it is surprise to find the glamour of a silent cinema great star : Anne Stern as a middle-age woman who marries Russell Collins.

The picture contains colorful cinematography in Cinemascope, Color De Luxe, by Leo Tover, probing his camera really makes the teeming streets and water-ways of Hong Kong and Macao spring to life . And sensitive and romantic musical score by Hugo Friedhofer, including oriental sounds. The film was regular but professionally directed by Edward Dmytryck . He was a fine craftsman who directed a lot of films, some of them are considered classic movies .Howewer, Edward's later pictures tended to be on the sluggish side , such as Soldier of Fortune .Edward was a member of the communist party and he was denounced before HUAC . He was one of the so-called " Hollywood Ten" , though , subsequently he turned an informer and was panned by the establishment . Dmytryck made films of all kinds of genres such as Western: Shalako,Alvarez Kelly, Raintree country, Broken lance, Warlock ; Wartime : Anzio, The Caine Mutiny, Hitler's children, Young Lions, Back to Bataan ; Drama : The carpetbaggers, Mirage, The human factor, The left hand of God , The mountain, Till the end of time, Crossfire , Her first romance , Tender comrade , End of affair , Cornered , among others.

Gable and Hayward are great to watch and Hong Kong is the uncredited star of this flick. Admittedly, Gable was not in his prime but he had the charm and sex appeal to keep viewers, especially females, interested. There is one scene between Gable and Hayward showing the harbor entrance of a typhoon that is sexier than any current movie showing actual sex. My only complaint with Susan Hayward was her hair. Her stylist really goofed on this one. Her hair was parted in such a way that she looked like she had a "comb-over" from the back. Her clothes were perfect for her neat, compact figure. She really was an adorable woman and I'm glad that she had a happy second marriage. Richard Loo was marvelous as the anti-communist, expatriate general. His comments are as relevant today as they were in 1955. Michael Rennie was as usual the superb Brit that we all loved to watch and listen to in the '50s. But the music has always been the real hook for me. I watch this movie again and again to enjoy the wonderful music. I think David Raksin of "Laura" fame wrote the score.