In all diesen Nächten

The Shrike was quite an eye opener for me seeing it for the very first time. It further confirmed my own opinion of the almost limitless talents of Jose Ferrer.

The roles associated with Ferrer, what he's best known for are such bravura performances as Cyrano DeBergerac and Toulouse-Lautrec in Moulin Rouge. His role in The Shrike is subdued and Ferrer conveys a great performance by use of his body language and facial expressions. Ferrer plays a theatrical director who makes a suicide attempt and is now in a psych ward and trying to get out.

Ferrer directed and starred on Broadway for 161 performances in the 1952 season. He did the same for the screen and wrote the background music for the film.

A lot of the cast came over from Broadway. One addition was June Allyson who was Hollywood's all American wife and sweetheart. She wanted to play a bad girl and I think she was cast in the part because to the outside world the wife is June Allyson, not the demanding woman Ferrer is married to. The public did not want to see June Allyson as she is here.

The scenes that are the best are in the sanitarium. Straight out of The Snake Pit, this film borrowed a lot from that classic.

Definitely a must for Jose Ferrer aficionados.

June Allyson is really good in this movie but Isabel Bonner should be given some credit also. Especially when she was married to the writer and died playing her part. I wonder how much time went by between filming the movie and her death.

(July 2, 1955) ACTRESS DROPS DEAD ON CARTHAY CIRCLE STAGE The final curtain fell on the Carthay Circle Theater stage last night for Isabel Bonner, New York stage and television actress, who collapsed and died as she played a hospital bed scene with Actor Dane Clarck in "The Shrike." Miss Bonner, 47, who in private life is the wife of Joseph Kramm, author of "The Shrike," was seated by the bedside of Clark when she suddenly fell forward with her head down on the spread.

On Broadway, the Kramm play did have a more downbeat ending in that it is clear that there is no way for the two to ever live together again. BUT the ending, in the film, is essentially the same. No matter how much the wife, so brilliantly essayed by June Allyson, professes a change in her makeup, and no matter how they look walking hand-in-hand down the street, there is NO DOUBT that only further problems await this couple. There is definitely a cloud of doom over the whole thing, and even their steps are hesitant providing a clue to the future. Jose Ferrer chose Allyson for this film, and he was so right despite her feelings over the years that he may not have been. There should have been awards for her in The Shrike. (She had won honors for comedic turns in other films, including Too Young To Kiss, which pales in comparison to her work here). Her recent death only makes it sadder that her skills as an actress were never totallya realized by Hollywood. Her comedic and musical skills are evident in many films, but her serious work (The Secret Heart, for example) deserve to be studied again.

I saw the movie about 50 years ago. A friend of mine, who had seen the play on Broadway, told me that his mother and her bridge club had journeyed from New Jersey to NYC to see it in a matinée performance, and she told him, as I remember, "We girls found it one-sided." My friend was a full fledged alcoholic by the age of twenty. He found the movie too true to be good, if I may put it so.

I loved June Alyson ever since I had seen her in Singing in the Rain and the movie, the Shrike, has always stayed with me, in part because I found it puzzling the one time I saw it. I would really like to see it again; only the passage of time leads me to give it a "9" rather than a "10".

Many strong images from the film remain in my memory: the squalid 12 x 6 hotel room lit by a bare bulb hanging like fly paper from the ceiling in which the attempted suicide took place; the impassive face of the psychiatrist listening to the wife's (shrike's) analysis of her husband; her shock when the shrink asks her whether she has sought therapeutic help for herself; and some other moments, too.

It may be one of the great movies. It seems to have been lost to memory. How can I get to see it again?

First film directed by highly talented actor Jose ferrer ,who would direct his own version of the Dreyfus affair,long before Roman Polanski .

His portrayal of a failed playwright is thoroughly convincing : confined to a mental hospital after nearly taking his own live, he remembers his past ,his wife who dominated him , who treated him like a grown up kid , urging him to give up on his writer's job for a place in her father's business.Ill at ease with the other inmates , he sometimes wonders if it's not a wrongful confinement .June Allyson,cast against type, is not bad as a selfish wife who finally realizes she may need a shrink too .An over possessive woman ,she fears her husband may leave her for an actress ,Charlotte: in fact she does not see this thespian is a way for the writer to assert himself as a man.It's perhaps too bad that the ending should have been sweetened ;but do not miss Ferrer's excellent performance.