Füge eine Handlung in deiner Sprache hinzuJim Tex Wall is searching for three men who killed his wife and stole his horses and finds them working for a gang of cattle rustlers engaged in a turf war with a rival gang of outlaws.Jim Tex Wall is searching for three men who killed his wife and stole his horses and finds them working for a gang of cattle rustlers engaged in a turf war with a rival gang of outlaws.Jim Tex Wall is searching for three men who killed his wife and stole his horses and finds them working for a gang of cattle rustlers engaged in a turf war with a rival gang of outlaws.
Joe Bassett
- Stud
- (Nicht genannt)
Leonard P. Geer
- Sparrow
- (Nicht genannt)
Boyd 'Red' Morgan
- Brad
- (Nicht genannt)
Al Wyatt Sr.
- Slocum
- (Nicht genannt)
Empfohlene Bewertungen
This movie wasted a good cast and film stock.
George Montgomery and Richard Boone should have switched roles. Boone would have brought out the subleties of a good man masquerading as a bad guy.
Montgomery's career might have profited by playing a slick bad guy.
Who the heck was Sylvia Findley? why was she given the female lead? You've got Montgomery, Boone, William Hopper and Peter Graves all lusting after her. I don't see what the big deal was.
It also makes little use of Leo Gordon. When you have a big, intimidating guy like that, use him! He made a bigger impression opposite John Wayne in "Hondo" or as a convict in "Riot In Cell Block 11".
They should have given the guy with the guitar some better songs to sing.
At least the colors were good.
George Montgomery and Richard Boone should have switched roles. Boone would have brought out the subleties of a good man masquerading as a bad guy.
Montgomery's career might have profited by playing a slick bad guy.
Who the heck was Sylvia Findley? why was she given the female lead? You've got Montgomery, Boone, William Hopper and Peter Graves all lusting after her. I don't see what the big deal was.
It also makes little use of Leo Gordon. When you have a big, intimidating guy like that, use him! He made a bigger impression opposite John Wayne in "Hondo" or as a convict in "Riot In Cell Block 11".
They should have given the guy with the guitar some better songs to sing.
At least the colors were good.
Jim "Tex" Wall (George Montgomery) is a man with a hidden agenda, he is after the men who raped his wife and stole his horses and nothing will stop him. When he arrives in a small town he joins up with a group of cattle rustlers lead by Hank Hays (Richard Boone) who are in constant battle with rival rustlers lead by Heesman (Peter Graves). But these two gangs find themselves in the unusual position of having been hired by recently crippled rancher "Bull" Herrick (Bruce Bennett) who figures they will be too busy making sure the others don't get a jump on them that they won't be interested in stealing his cattle. But it brings Tex in to contact with Herrick's younger sister Helen (Sylvia Findley) who whilst opposed to her brother's plans falls for Tex until she discovers a wanted poster with his face on it.
George Montgomery, an underrated western star, is really good in the role as the stranger with a vendetta and Richard Boone fit the Bill as the slimy and lusty villain. It's a well-made western with grand scenery and a rousing finale that is unleashed after the narrative is unravelled, maybe a bit too laboriously at times, and it ends satisfactory. A solid old-fashioned entertainment.
George Montgomery, an underrated western star, is really good in the role as the stranger with a vendetta and Richard Boone fit the Bill as the slimy and lusty villain. It's a well-made western with grand scenery and a rousing finale that is unleashed after the narrative is unravelled, maybe a bit too laboriously at times, and it ends satisfactory. A solid old-fashioned entertainment.
That line, declared by at the end by a lawman, sums up the entire film, which belies its lively title.
Despite taking an original novel by Zane Grey (already filmed once before in 1933), a good cast and a stash of Eastmancolor stock all the way to Monterey for the use of veteran local cameraman Jack Draper, the result is tinny, talky and dull, the colour muddy and dull. The final shoot-out against a majestic backdrop of rocks takes an awfully long time a-coming and when it finally does is needlessly drawn out (even having a character run out of bullets at a critical moment to prolong it still further).
In a better film Richard Boone's grinning villain could have been really memorable; but this isn't that film.
Despite taking an original novel by Zane Grey (already filmed once before in 1933), a good cast and a stash of Eastmancolor stock all the way to Monterey for the use of veteran local cameraman Jack Draper, the result is tinny, talky and dull, the colour muddy and dull. The final shoot-out against a majestic backdrop of rocks takes an awfully long time a-coming and when it finally does is needlessly drawn out (even having a character run out of bullets at a critical moment to prolong it still further).
In a better film Richard Boone's grinning villain could have been really memorable; but this isn't that film.
Robbers' Roost is directed by Sidney Salkow and Salkow co-adapts the screenplay from a Zane Grey story with John O'Dea and Maurice Geraghty. It stars George Montgomery, Richard Boone, Sylvia Findley, Peter Graves, Tony Romano, Warren Stevens and Leo Gordon. Music is by Paul Dunlap and cinematography by Jack Draper.
As a huge Western fan it's disappointing to find such a damn fine cast operating in such a mundane Oater. It's not bad by any stretch of the imagination, it's just so ordinary and sits with a host of other 1950s genre pieces that fail to ignite and add something interesting to a standard tale.
Here we have two rival gangs of cowpokes working for one man, the reason for hiring both sets of rivals is tenuous at best. Anyhoo, the two mobs must try and get along enough to get the job done, only a couple of the main players have hidden agendas. While of course right in the middle is a tough gal, creating untold amounts of sexual tension.
The story unfolds in steady sedate fashion, the odd moments of action perking the pace occasionally, with plenty of macho posturing on show, while the ever lingering cloud of intrigue keeps the interest ticking by. Once the agendas are revealed the pic kicks into a higher gear, which builds tidily to the expected finale of few surprises.
The location photography is most pleasant (Durango, Mexico) and the colour lenses are also easy on the eye. But it's ultimately a waste of good casting and a potent premise, leaving us with an average Oater that's more a gap filler than a must see for genre fans. 5/10
As a huge Western fan it's disappointing to find such a damn fine cast operating in such a mundane Oater. It's not bad by any stretch of the imagination, it's just so ordinary and sits with a host of other 1950s genre pieces that fail to ignite and add something interesting to a standard tale.
Here we have two rival gangs of cowpokes working for one man, the reason for hiring both sets of rivals is tenuous at best. Anyhoo, the two mobs must try and get along enough to get the job done, only a couple of the main players have hidden agendas. While of course right in the middle is a tough gal, creating untold amounts of sexual tension.
The story unfolds in steady sedate fashion, the odd moments of action perking the pace occasionally, with plenty of macho posturing on show, while the ever lingering cloud of intrigue keeps the interest ticking by. Once the agendas are revealed the pic kicks into a higher gear, which builds tidily to the expected finale of few surprises.
The location photography is most pleasant (Durango, Mexico) and the colour lenses are also easy on the eye. But it's ultimately a waste of good casting and a potent premise, leaving us with an average Oater that's more a gap filler than a must see for genre fans. 5/10
I do not know very much about Director Sidney Salkow, but his films have not impressed me, including ROBBERS' ROOST which I find thoroughly mediocre.
Despite potentially beautiful vistas, including a rock hanging perilously high over other rocks, Jack Draper's cinematography looks shabby and pedestrian. Stunts are unmemorable, too.
I did not like the acting. Perahps because of the unbelievably stilted screenplay, lawman George Montgomery plays a cattle rustler joining two other rustler gangs, led by Richard Boone and Peter Graves respectively. Montgomery comes across as thoroughly wooden, Boone contrasts with an annoyingly over the top performance, Graves inexplicaby tries to cheat Boone at cards, and just keeps blundering right up to his stupid death. Pretty Sylvia Findley and her father, paralitically played by former great supporting actor Bruce Bennett, are the victims of the rustling gangs. Incredibly, Bennett's theory is that by engaging thieves his head of cattle are safe because there is so much dis-honor among thieves! In other words, if you want your property protected, keep pumping in crooks and it will be safe as a state bank... what BS, the more the merrier as they empty your goods!
That shows the (artificial) intelligence of the script by John O'Dea off the original book by Zane Grey.
I doubt I will rewatch this dud. 5/10.
Despite potentially beautiful vistas, including a rock hanging perilously high over other rocks, Jack Draper's cinematography looks shabby and pedestrian. Stunts are unmemorable, too.
I did not like the acting. Perahps because of the unbelievably stilted screenplay, lawman George Montgomery plays a cattle rustler joining two other rustler gangs, led by Richard Boone and Peter Graves respectively. Montgomery comes across as thoroughly wooden, Boone contrasts with an annoyingly over the top performance, Graves inexplicaby tries to cheat Boone at cards, and just keeps blundering right up to his stupid death. Pretty Sylvia Findley and her father, paralitically played by former great supporting actor Bruce Bennett, are the victims of the rustling gangs. Incredibly, Bennett's theory is that by engaging thieves his head of cattle are safe because there is so much dis-honor among thieves! In other words, if you want your property protected, keep pumping in crooks and it will be safe as a state bank... what BS, the more the merrier as they empty your goods!
That shows the (artificial) intelligence of the script by John O'Dea off the original book by Zane Grey.
I doubt I will rewatch this dud. 5/10.
Wusstest du schon
- WissenswertesSylvia Findlay was 51 years old when this movie was made.
- VerbindungenFeatured in Frances Farmer Presents: Robbers Roost (1960)
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is Robbers' Roost?Powered by Alexa
Details
- Laufzeit
- 1 Std. 23 Min.(83 min)
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen