Der Einzelgänger

This is an OK film. Yes, each cliché arrives on schedule, each caricature is present and correct, mostly with the recognisable face of a character actor you cannot quite name. Never mind, this is a western. Generally speaking most westerns conform to a formula that pretty much approximates a morality play. Whatever the ingredients good, in the form of a rugged individual, will overcome bad. The women may be innocent and young, world weary and embittered or careworn and wise (or desperate) but most, will fall in love with the hero and one will ride off with him. Robert Mitchum, 'The Town Tamer', is as effective as always. Jan Sterling with the severely styled makeup and hairdo, over sized eyes and turned down mouth is oddly beautiful. Angie Dickinson is strikingly pretty in a small part. The fat baddie appears in child size buggy and duly meets his fate along with and his evil henchman. There are no surprises but it's a satisfying film for a lazy afternoon.

Clint Tollinger arrives in a small western town looking for his estranged wife, who left him and now runs the local show saloon. His presence is greeting by suspicion but when the town leaders discover the nature of Tollinger's business they propose that they employ him to clean up the town of the problem of Dade Holman's violent influence. The solution may be just as bad as the problem but they take the risk.

With a nice dark character with a lot of anger and pain in the front of the film this western is enjoyable tough. Although the plot is fairly typical of a western b-movie, the tone and edge to it means that it comes over as much more. The basic story sees Tollinger taking on the rule of Holman but it has undercurrents of pain and anger as the lead confronts his wife. We meet Tollinger as a gentle, quiet man but gradually we see him to be violent, heartless and full of bitterness; it is solid development that is at the heart of the film's dark tone. Of course it still follows the genre traditions and will appeal to fans of such while also having enough else going on to make it differ from the Technicolor westerns of the same period.

Wilson is responsible for the dark tone as both writer and director; shot is stark black and white he frames some interesting shots and is not afraid to be aggressive or shocking considering the period. Mitchum takes to his character well and always seemed to enjoy the darker more complex characters that some of his westerns would serve him up with. Sterling does well with her firm character until near the end where she becomes more of a genre staple. Support behind these two is roundly good but the film is very much Mitchum's and he knows it.

Overall it is a solid western that gradually gets down to just going where you expect it to. However for the vast majority it has a dark tone and feel to it that makes it much more interesting and more likely to appeal beyond the limitations of those that like the colourful b-movie westerns of the period.

I don't remember ever seeing this one before tonight, probably the title sounded so ordinary it kept passing me by. But it is a well crafted b Western, with an interestingly brooding storyline complemented by acting veering from the good to corny.

Robert Mitchum slopes into wide open town looking for his wife and news of their daughter, and stays for a time as town-tamer. As usual the good business folk have mixed emotions - they want to get rid of the baddies but like the business they bring. It still applies: relax drink and gambling laws and encourage the industries but pretend to deplore the seedy effects it can have on ordinary people. What's fascinating about this film is Mitchum's cynically intense portrayal in going about cleaning the town of baddies, and the townsfolk's acceptance that his violent methods were the only ones. Favourite bit: the sudden demise of 2 of the baddies in the Red Dog saloon. The firing of the main saloon bordered on nasty, but it was an effective way to combat the spread of poison.

Overall a very good film with its only fault tending to be a little hokeyness - not so good for Do-Gooders who would probably prefer a lifetime of negotiation with Evil rather than end it.

Clint Tollinger arrives in a small town looking for his estranged wife and news of his daughter, tho he finds her, the chance of any sort of reconciliation is very slim. Whilst here, the sheriff and the important townsfolk learn of Tollinger's reputation as a pistol specialist town tamer. As they are living in fear of a mysterious landowner who is stripping the town from them bit by bit, they hold a meeting that chooses to hire Tollinger to rid the town of it's unsavoury elements.

Man With The Gun seems to be either a forgotten piece or a vastly under seen one, for at the time of me writing this, it has just over 200 votes and a paltry 9 user comments written for it on IMDb. It's a shame on either score because although the production values scream out that this is a "B" movie Western, this is a fine entry in the Western genre. That the piece takes on a rather standard plot theme of an harangued town turning to an avenging dark angel, probably hasn't done the film any favours over the years, I myself read the synopsis and thought it's just another in the line of similarly themed pictures. Yet I was pleasantly surprised to find a darkly dramatic picture boasting many enjoyable moments, both technically and as a functioning story.

Robert Mitchum is in the lead as Tollinger, perfectly cast, he strides thru the picture like some brooding menace. We often talk about the screen presence that John Wayne and Charlton Heston had (justifiably of course), Mitchum is right up there with the best of them. One sequence here sees him standing in the shadows at the back of a room as a meeting takes place, we don't see his face, but we can feel that piercing brood staring out at us! The rest of the cast are very much in Mitchum's shadow, so really it's solely with the big man that the films acting credentials are high. Perhaps it's unfair to single out Ted de Corsia for a kick? but Man With The Gun's minor failings are with its villains, and sadly de Corsia is lacking any sort of villainesque menace.

The score from Alex North is excellently layered (fans of Spartacus will certainly be pricking their ears up) and the cinematography from Lee Garmes is highly impressive when one realises that the majority of this picture was shot on the studio lot. Directed and co-written by first time director Richard Wilson, Man With The Gun holds few surprises for the genre, but it's dark in tone, violent and above all else, highly watchable. 7.5/10

In the Old west there are always the men who live breathe violence and the women who hold their breath. A famous ¨town tamer¨ named Clit Tollinger (Robert Mitchum) comes hired by the citizens to rid the gunslingers (Leo Genn, Claude Atkins, among others), Land Baron's hoodlums . There he meets the blacksmith (Emile Meyer) , his daughter (Karen Sharpe), her boyfriend(John Lupton), the marshal(Henry Hull) and Saloon owner (Ted De Corsia). Clint as lawman is appointed deputy to bring peace and puts some posters saying the following one : ¨ Warning , wearing of guns or other weapons in town is banned. Check all hardware at the marshal's office ¨. Clint finds his ex-girlfriend, a local madame (Jan Sterling) in charge of the Saloon girls (Angie Dickinson, Barbara Lawrence, among them). But the town council afraid of the raw methods carried out by Clint . At the end the kingpin landowner appears and attempts to murder Tollinger with his own hands.

This is a tremendously exciting story of a sheriff-for-hire who had only one more killing to go . It begins as a slow-moving Western but follows to surprise us with dark characters and solid plot. The tale is almost grim , a pacifier comes to a town just in time to make sure its citizenry but later the events get worse . The highlights of the movie are the burning at Saloon and the climatic showdown at the ending. Phenomenal , great role for Robert Mitchum as avenger angel and bittered gunfighter, he's the whole show. It contains vivid and lively musical score by Alex North (Spartacus, Cleopatra). Atmospheric cinematography in black and white by Lee Garmes. The motion picture was stunningly realized by Richard Wilson (Al Capone , Three in Attic) who made good Westerns as ¨Invitation to a gunfighter and ¨Zane Grey¨ episodes. Watchable results for this offbeat Western.