Der Einzelgänger

A gunman (Robert Mitchum) strolls into town in the Old West and is hired as a town-tamer. Henry Hull plays the aged and cautious marshal while John Lupton and Emile Meyer appear as citizens. Leo Gordon and Claude Akins are on hand as heavies.

"Man with the Gun" (1955) is a quality town-bound Western with Robert Mitchum towering as a laconic righteous gunfighter. The stock plot is standard, but the cast, the writing, the performances and the convincing town set make it compelling.

Another highlight is the stellar cast of women, including Jan Sterling (Nelly), Barbara Lawrence (Ann), Karen Sharpe (Stella) and Angie Dickinson (Kitty), all stunning.

The only issue is the lack of color unless you don't mind B&W. I had no problem acclimating.

The film runs 1 hour, 24 minutes, and was shot at Samuel Goldwyn Studios in West Hollywood, California.

GRADE: B+

Clint Tollinger arrives in a small western town looking for his estranged wife, who left him and now runs the local show saloon. His presence is greeting by suspicion but when the town leaders discover the nature of Tollinger's business they propose that they employ him to clean up the town of the problem of Dade Holman's violent influence. The solution may be just as bad as the problem but they take the risk.

With a nice dark character with a lot of anger and pain in the front of the film this western is enjoyable tough. Although the plot is fairly typical of a western b-movie, the tone and edge to it means that it comes over as much more. The basic story sees Tollinger taking on the rule of Holman but it has undercurrents of pain and anger as the lead confronts his wife. We meet Tollinger as a gentle, quiet man but gradually we see him to be violent, heartless and full of bitterness; it is solid development that is at the heart of the film's dark tone. Of course it still follows the genre traditions and will appeal to fans of such while also having enough else going on to make it differ from the Technicolor westerns of the same period.

Wilson is responsible for the dark tone as both writer and director; shot is stark black and white he frames some interesting shots and is not afraid to be aggressive or shocking considering the period. Mitchum takes to his character well and always seemed to enjoy the darker more complex characters that some of his westerns would serve him up with. Sterling does well with her firm character until near the end where she becomes more of a genre staple. Support behind these two is roundly good but the film is very much Mitchum's and he knows it.

Overall it is a solid western that gradually gets down to just going where you expect it to. However for the vast majority it has a dark tone and feel to it that makes it much more interesting and more likely to appeal beyond the limitations of those that like the colourful b-movie westerns of the period.

In the Old west there are always the men who live breathe violence and the women who hold their breath. A famous ¨town tamer¨ named Clit Tollinger (Robert Mitchum) comes hired by the citizens to rid the gunslingers (Leo Genn, Claude Atkins, among others), Land Baron's hoodlums . There he meets the blacksmith (Emile Meyer) , his daughter (Karen Sharpe), her boyfriend(John Lupton), the marshal(Henry Hull) and Saloon owner (Ted De Corsia). Clint as lawman is appointed deputy to bring peace and puts some posters saying the following one : ¨ Warning , wearing of guns or other weapons in town is banned. Check all hardware at the marshal's office ¨. Clint finds his ex-girlfriend, a local madame (Jan Sterling) in charge of the Saloon girls (Angie Dickinson, Barbara Lawrence, among them). But the town council afraid of the raw methods carried out by Clint . At the end the kingpin landowner appears and attempts to murder Tollinger with his own hands.

This is a tremendously exciting story of a sheriff-for-hire who had only one more killing to go . It begins as a slow-moving Western but follows to surprise us with dark characters and solid plot. The tale is almost grim , a pacifier comes to a town just in time to make sure its citizenry but later the events get worse . The highlights of the movie are the burning at Saloon and the climatic showdown at the ending. Phenomenal , great role for Robert Mitchum as avenger angel and bittered gunfighter, he's the whole show. It contains vivid and lively musical score by Alex North (Spartacus, Cleopatra). Atmospheric cinematography in black and white by Lee Garmes. The motion picture was stunningly realized by Richard Wilson (Al Capone , Three in Attic) who made good Westerns as ¨Invitation to a gunfighter and ¨Zane Grey¨ episodes. Watchable results for this offbeat Western.

There are westerns and there are westerns with many actors and then there is a Robert Mitchum western....in this film Mitchum plays a no nonsense, hard as nails character as a so called "town tamer"....he follows his estranged wife played coldly by Jan Sterling as she is the madame of a group of dance hall girls...Mitchum wants to make amends with his ex-wife Sterling but she is cold as ice toward him. Mitchum accepts the job as a combo sheriff and "town tamer" and then manages to shoot up the whole place and fight with anyone who gets in his way....he does not believe in taking any so called prisoners. Along the way Mitchum defends a local young man and his wife who are being terrorized by the local hoodlum who runs the town from his distant ranch. The town council soon gets very wary of Mitchum and wants to see him kicked out of the job...Mitchum in his normal, cold and calculating way tells the town to take a hike - that he wants to continue in his job. Check out a very young Angie Dickinson who plays a dance hall girl...must have been one of her first roles. In the end a good gun fighting scene with a set up dance hall girl and a town misfit played by Leo Gordon who along with the local kingpin rancher tries to wipe out Mitchum. Mitchum handles this role like a pro - cold and calculating, always looking over his shoulder for the next confrontation. One is never far away. A very young Karen Sharpe has a good role as a young housewife infatuated with Mitchum. In the end Mitchum is shot up and winds up in the arms of his estranged wife Sterling. Solid western, very enjoyable....Mitchum up to top standards as a hard charging sheriff. One of Mitchum's best B westerns.

In Man With the Gun Robert Mitchum plays Clint Tollinger, a man who hires his gun out to clean out lawless towns in the west of which there seems to be a never ending supply. But he comes to this particular town in search of his estranged wife, Jan Sterling who since she left him has taken up the occupation as Madam of the local bordello. Of course the girls which include Barbara Lawrence and the still unknown Angie Dickinson are still called dance hall girls, but the Code was slowly cracking.

It's by chance he gets drawn into the town politics involving a big cattle baron who runs roughshod over every thing and every one in the general vicinity. The town council hires him to clean out the place of gunmen and sheriff Henry Hull makes it official by making him his deputy and giving him a free hand as per Mitchum's terms. The results ain't pretty.

Mitchum's a grim, bitter man heading the cast of a grim and bitter western. Part of his bitterness is the estrangement between him and Sterling. There's quite a history behind it as the movie shows.

Man With a Gun is a good western, but I have to say I was let down by the climatic gunfight at the end. It takes place on a deserted town street while most of the cast is at a town council meeting. James Westerfield plays a part similar to J. Edward Bromberg's role in Jesse James. He sets up a nasty ambush for Mitchum. But I think the plan fell flat in the writing. If Mitchum didn't suspect he was being set up before he did with gunman Leo Gordon following him, he was not the smart guy we'd been led to believe.

Of course if you want to see what I'm talking about then by all means see Man With a Gun.