Land der Pharaonen

Undoubtedly, "Land of the Pharaohs" is likely overlooked when film buffs consider what constitutes Howard Hawks's best work. It's rather giggle inducing when one thinks about the utter miscasting of most of the actors, and the utter silliness of so many lines. But that doesn't necessarily mean that it's a bad film. On the contrary, it's actually exquisitely made, on an obviously very impressive budget. Hawks and company work with literally thousands of extras in some scenes, and the production design and CinemaScope photography are among the best one will see for this genre.

Jack Hawkins plays an Egyptian pharaoh named Khufu, who wants to be extremely prepared for his "second" life. He desires the perfect pyramid to be built to house his body and his plethora of treasures obtained from war. He learns that one of his current prisoners, Vashtar (James Robertson Justice), is an experienced architect, and indeed Vashtar comes up with some ingenious ideas for crafting an impregnable fortress. Meanwhile, Khufu obtains himself wife # 2, a young princess named Nellifer (Joan Collins). And she's a greedy and conniving person who stops at nothing to get what she wants.

"Land of the Pharaohs" may be a challenge for some people to take seriously, but technically it really is well made, and it's consistently entertaining. Also in the cast are Dewey Martin as Vashtars' son Senta, Alexis Minotis as Khufu's loyal high priest Hamar, Sydney Chaplin as the traitorous Treneh, and James Hayter as Vashtars' friend Mikka. These people all do the very best that they can, but it's the ravishing young Collins who tends to steal the show - and whom the audience is likely to remember the most.

Among the heaviest assets that this can boast are Dimitri Tiomkins' rousing music score, the cinematography by Lee Garmes & Russell Harlan, the art direction by Alexandre Trauner. and the various costumes (especially those worn by Collins). Viewers may also get a big kick out of the fairly grim twist ending.

Seven out of 10.

This Colossal is the story of a barbarous love that left Egypt's Great Pyramid as its landmark. The movie centers upon Khufu or Keops (Jack Hawkins) and the scheming Nellifer (Joan Collins) who holds dark schemes to inherit Egypt empire. She and her lover (Sydney Chaplin) design one plot to kill him . Their treachery stained every stone of the Pyramid. Before he will have to face amount dangers and risks until obtain his objective.

Regarding the historic deeds, the film talks about Khufu(alias Keops). Keops was the second pharaoh of four dynasty from old empire Egyptian, and he made the great pyramid of Gyze that hold his name. He is succeeded by Kefren who made the sphinx Gyze and the pyramid. After goes on pharaoh Micerinos. Three pharaohs have pyramids on Gyze: Keops,Kefren and Micerinos.

Warner Bros took pride in presenting one of the mightiest motion picture-making in entertainment history. The film blends drama, treason and hokey historical events. Intelligent screenplay by the Nobel Prize William Faulkner. Set design and Egyptian time production design by Alexandre Trauner are very spectacular. This huge epic film gets lots of crowd scenarios,fabulous gowns, dramatic scenes and is realized on a giant scale and full of spectacular sequences such as the building the Great Pyramid. The film was a colossal with big financial success, besides spectacularly and colorfully photographed by Lee Garmes and Russell Harlan . Filmed in Egypt with a cast of thousands of the largest cast ever set abroad from Hollywood . Fine score by Dimitri Tiomkin based on ancient music. The cast is frankly perfect, Joan Collins is wonderful in an overwhelming hammy acting as nasty queen, Alexis Minotis as high priest is excellent and James Robertson Justice as pyramid architect is fabulous. Epic scale direction by Howard Hawks is breathtaking and groundbreaking. Rating : Better than average. Worthwhile watching for Colossal aficionados.

Here's a film hotly criticized by not only many who saw the film, but by director Hawks himself. It's true, there's a bit of the Hollywood glam element to the production, but I'd say no more so than a half dozen other Hawks films, including the much more often praised "Rio Bravo" and "Hatari!"! (which both followed directly after "Pharaohs"). And the plot of "Pharaohs" makes a lot more sense than that of Hawks' earlier film, "The Big Sleep," which I believe is over praised because of its cast.

As a grand epic from the era where they made them big and were not afraid to spend money where it would show up on screen, "Land of the Pharaohs" surpasses many other epics of its period and even many recent films dealing with a similar subject (1999's "The Mummy" comes to mind). "Pharaohs" has an impressive and very satisfying climax that makes perfect sense historically and dramatically.

Also, no one seems to have mentioned the marvelous handling of crowds, particularly in the lengthy building of the pyramid sequence. I'll even go so far as to say the way Hawks composes his crowds for the cinemascope screen - arranging his Egyptian workers and pharaoh worshipers in intricate patterns with complex movements - rivals even Fritz Lang's similar work in "Metropolis" (1926), famous for its handling of crowds.

I think one of the reasons the film keeps getting bashed is because people haven't seen it in its original widescreen format in many years. Until recently, no Region 1 DVD has been available, so in its cropped, pan and scan VHS incarnation, the film comes across as wimpy and ridiculous. As can be seen in the widescreen DVD release, the grandeur is stunning, its art direction, costumes, sets and locations all holding up marvelously.

It must be said that composer Dimitri Tiomkin probably never wrote a score as majestically spirited as this one, a vast canvas of antiquity and drama. The cast is very much of its time, and some of the dialog is stilted and dated, but with the passing of time, most films suffer from this. Time passes and acting styles change. But a good plot holds up, and "Pharaohs" has plenty of the devious vs altruistic characters that drove many of Hawks plots effectively.

The powers that be in Hollywood finally released the film on DVD, promoting it as a camp classic, adorning the cover with a cheesy shot of Joan Collins, the one thing they apparently consider notable and sell-able about the film. Too bad. Yes, "Land of the Pharaohs" does have an element of campiness, but there is true grandeur in the vastness of the production and the fact that its cast of thousands was indeed a cast of thousands, not CGI. Perhaps one day the wonders of this film will be given the appreciation it deserves. As time passes these epics seem to be acquiring as much antiquity as the genuine historical period itself.

The best remembered Pharaoh of Ancient Egypt's Forth Dynasty was Khafra. It is his face which adorns the Lion's Sphinx outside the city of Giza. However, it is Khafra's father, Khufu (Jack Hawkins) who is the subject of this incredible movie called " The Land of the Pharaohs. " During his reign, Khufu's story and written legacy is narrated by his infallible High Priest Hamar (Alex Minotis). He is not only well versed, literate, Intelligent and observant, but intuitive to a superior degree. While the pharaoh is busy conquering territory and greedily amassing a fabulous Golden treasure, his newest wife, Princess Nellifer (Joan Collins) is scheming to secure it for herself. The movie as directed by the legendary Howard Hawks, superbly depicts the capture of thousands of slaves who toil to build the Great Pyramid. Among them is a talented and gifted Architect named Vashtar (James Robertson Justice) who is chosen to design a 'thief proof' tomb in exchange for his people's freedom. William Faulkner wrote the movie script while music director Dimitri Tiomkin penned the exceptional and memorable sound track. The beautiful and colorful panoramic landscapes as well as the large scale dramatic scenes are a testament to Hawk's genius and has established this offering as a cinematic Classic. Excellent viewing for all. ****

It's hard to know how to rate movies like this because the genre is so inherently cheesy. In the grand scheme of all cinema, it probably should only get a 6 out of 10, but within the "swords and sandals" genre, it surely rates a 10! There are many classic themes here: an aging man's wish to be remembered through a great monument, a slave's desire to win freedom for his people, an ambitious woman's lust for power at any cost. Of course, everything is overacted and obvious as hell, but the plot stays focused, unrolling inexorably to it's horror-movie ending. This is Saturday afternoon escapism at its best.