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I love Shelley Winters in almost everything she does.

However she is miscast.

So miscast, in fact, it throws off Jack Palance's performance.

Jack is a master at snarling and showing contempt.

It is what we like about him as a King-Heavy.

Here though, in every scene he wants to punch her in the face.

He knows that we know he can do better than Shelley Winters.

We want him to.

Their lack of chemistry is a pall over the whole story.

Like I said: Love them both, just not together.

Okay: So it wasn't as good as High Sierra and Palance and Winters are not Bogart and Lupino. But the idiot henchmen in this remake were Earl Holliman and Lee Marvin. Big Mac was played by Lon Chaney Jr. and Palance did a great job and was scarier than Bogie was. I grew up with Holliman and Marvin and the movie was also in color. I guess the best way to put it is this. If you demand the greatest actors and a different script for a remake this is not a movie for you. I (a huge Bogart fan) thought Palance played this role better than Bogie. Better because he was made for it.Put it like this. Who would you rather run into in a dark allay? Palance or Bogie? And since when is Shelly Winters a slouch? I really enjoyed this movie even though it didn't have a great director. I recommend it for Jack Palance fans and hope you enjoy it. Remember. Holliman and Marvin were extremely unintentionally funny in this movie. Gibbs

Going into this, I didn't know it was a remake, but within 10 minutes it was clear. Almost exactly a beat-for-beat remake of HIGH SIERRA. It's in color and widescreen, not that that adds much... the original film didn't have great cinematography, but the more claustrophobic frame gave it a little extra tension. Also, they swapped out a black stereotype for a Mexican stereotype. I guess that's supposed to be progress. Other than that, it really is practically identical to the original. The major difference, of course, is casting. I like Jack Palance, but he doesn't have the world-weariness or charm of Bogart. Likewise, I'm very fond of Shelley Winters, but what she does best is playing pathetic, and this character can't be pathetic. You just end up wanting Palance to ditch her. I don't want to be too harsh on this film, though. It's just that I felt like I'd already seen it (twice, even) and the update doesn't do any real updating. A competent but pointless endeavor, stick with Bogart and Lupino.

Nobody could match Jack Palance as a fearsome heavy and here, playing a freshly sprung ex-con lead bank robber, his authority over a couple of "punks" - junior gang members - including later-to-be star heavy in his own right, Lee Marvin, is powerful and utterly convincing. Nice details early on such as when presumptuous Marvin attempts to grab at the plan for the caper and 6'4" Palance without a word or look just brushes him aside with a sweep of the arm promises much - but little ultimately is delivered. Enter "Pard" the mongrel mutt to the accompaniment then and later of cutesy music. The furry friendly creature, loyal to the last, refuses to budge from the screen to the very end - unfortunately.

This seemed symptomatic of the movie's uncertain tone - veering from tough as nails crime caper to family fare. Who was to blame? Was it Palance who possessed a face and physique that uniquely qualified him to be the ultimate brute always wanting to demonstrate a reassuring sensitive thoughtful side?

Pure mystery, you never know what's next in this film. In fact I'm going to keep silent about everything I know, because if you know anything about this film before you see it, it's just not as good.

Once you start the climax filled beginning of this film you just can't move away. It was co-written by the man who co-wrote Tod Browning's Freaks. I swear if you take the 70 + minutes to watch this film, your life will never be the same.

On a scale of one to ten, this film gets an EIGHT! A classic, a MUST see!