IMDb-BEWERTUNG
6,4/10
1772
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuAfter aging criminal Roy Earle is released from prison he decides to pull one last heist before retiring - by robbing a resort hotel.After aging criminal Roy Earle is released from prison he decides to pull one last heist before retiring - by robbing a resort hotel.After aging criminal Roy Earle is released from prison he decides to pull one last heist before retiring - by robbing a resort hotel.
Pedro Gonzalez Gonzalez
- Chico
- (as Gonzalez Gonzalez)
Lon Chaney Jr.
- Big Mac
- (as Lon Chaney)
Nick Adams
- Bellboy
- (Nicht genannt)
Chris Alcaide
- Sheriff's Deputy
- (Nicht genannt)
Fay Baker
- Woman in Tropico Lobby
- (Nicht genannt)
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Going into this, I didn't know it was a remake, but within 10 minutes it was clear. Almost exactly a beat-for-beat remake of HIGH SIERRA. It's in color and widescreen, not that that adds much... the original film didn't have great cinematography, but the more claustrophobic frame gave it a little extra tension. Also, they swapped out a black stereotype for a Mexican stereotype. I guess that's supposed to be progress. Other than that, it really is practically identical to the original. The major difference, of course, is casting. I like Jack Palance, but he doesn't have the world-weariness or charm of Bogart. Likewise, I'm very fond of Shelley Winters, but what she does best is playing pathetic, and this character can't be pathetic. You just end up wanting Palance to ditch her. I don't want to be too harsh on this film, though. It's just that I felt like I'd already seen it (twice, even) and the update doesn't do any real updating. A competent but pointless endeavor, stick with Bogart and Lupino.
I Died a Thousand Times is directed by Stuart Heisler and adapted to screenplay by W.R. Burnett from his own novel High Sierrra. It stars Jack Palance, Shelley Winters, Lori Nelson, Lee Marvin, Pedro Gonzalez Gonzalez, Lon Chaney Junior and Earl Holliman. A CinemaScope/Warnercolor production, cinematography is by Ted McCord and music by David Buttolph.
It will always be debatable if remaking the excellent High Sierra (Raoul Walsh 1941) was needed or wanted by a 1950s audience? Especially since Walsh had himself already remade it as a great Western with 1949 film Colorado Territory, but taken on its own terms, with great production value and Burnett's personal adaptation taken into consideration, it's a very enjoyable film.
Set up is simple, it's one last heist for Roy "Mad Dog" Earle (Palance) before going straight, but as his attempts to break free from his emotional loner status fall apart, so does the heist and his future is written in blood right up there in the mountains. Heisler and Burnett put Earle up front for character inspection, easing in sympathetic tones whilst ensuring he remains a big physical threat. The air of fatalism is pungent enough and the finale is excitingly staged by Heisler. Cast performances are more than adequate if not comparing to the likes of Bogart and Lupino, while the Warnercolor is gorgeous and the photography around the Alabama Hills in Lone Pine is superb.
While not in the same league as High Sierra or Colorado Territory, that doesn't mean this is a wash out, more so if you haven't seen either of the Walsh movies. If you have, like me (High Sierra is one of my favourite Bogart performances), then comparisons and a feeling of deja vu will obviously infiltrate your viewing experience. That said, there is more than enough here to make it worth your time regardless of comparison and familiarities. 7/10
It will always be debatable if remaking the excellent High Sierra (Raoul Walsh 1941) was needed or wanted by a 1950s audience? Especially since Walsh had himself already remade it as a great Western with 1949 film Colorado Territory, but taken on its own terms, with great production value and Burnett's personal adaptation taken into consideration, it's a very enjoyable film.
Set up is simple, it's one last heist for Roy "Mad Dog" Earle (Palance) before going straight, but as his attempts to break free from his emotional loner status fall apart, so does the heist and his future is written in blood right up there in the mountains. Heisler and Burnett put Earle up front for character inspection, easing in sympathetic tones whilst ensuring he remains a big physical threat. The air of fatalism is pungent enough and the finale is excitingly staged by Heisler. Cast performances are more than adequate if not comparing to the likes of Bogart and Lupino, while the Warnercolor is gorgeous and the photography around the Alabama Hills in Lone Pine is superb.
While not in the same league as High Sierra or Colorado Territory, that doesn't mean this is a wash out, more so if you haven't seen either of the Walsh movies. If you have, like me (High Sierra is one of my favourite Bogart performances), then comparisons and a feeling of deja vu will obviously infiltrate your viewing experience. That said, there is more than enough here to make it worth your time regardless of comparison and familiarities. 7/10
Pure mystery, you never know what's next in this film. In fact I'm going to keep silent about everything I know, because if you know anything about this film before you see it, it's just not as good.
Once you start the climax filled beginning of this film you just can't move away. It was co-written by the man who co-wrote Tod Browning's Freaks. I swear if you take the 70 + minutes to watch this film, your life will never be the same.
On a scale of one to ten, this film gets an EIGHT! A classic, a MUST see!
Once you start the climax filled beginning of this film you just can't move away. It was co-written by the man who co-wrote Tod Browning's Freaks. I swear if you take the 70 + minutes to watch this film, your life will never be the same.
On a scale of one to ten, this film gets an EIGHT! A classic, a MUST see!
This is a remake of High Sierra with Humphrey Bogart and Ida Lapino. Not quite as good as the original, although it has obviously talented, and great actors. It makes you wonder why they would remake a classic like High Sierra with minimal changes just 14 years later. One interesting difference between the original and this movie... In High Sierra Willie Best plays a stereotypical comical black man (Algernon) in a servile role at the camp. The remake had a comical Hispanic (Chico) played by Pedro Gonzalez Gonzalez. Both are incredibly insulting by current standards. It makes you wonder about the changes in the culture from 1941 to 1955.
Okay: So it wasn't as good as High Sierra and Palance and Winters are not Bogart and Lupino. But the idiot henchmen in this remake were Earl Holliman and Lee Marvin. Big Mac was played by Lon Chaney Jr. and Palance did a great job and was scarier than Bogie was. I grew up with Holliman and Marvin and the movie was also in color. I guess the best way to put it is this. If you demand the greatest actors and a different script for a remake this is not a movie for you. I (a huge Bogart fan) thought Palance played this role better than Bogie. Better because he was made for it.Put it like this. Who would you rather run into in a dark allay? Palance or Bogie? And since when is Shelly Winters a slouch? I really enjoyed this movie even though it didn't have a great director. I recommend it for Jack Palance fans and hope you enjoy it. Remember. Holliman and Marvin were extremely unintentionally funny in this movie. Gibbs
Wusstest du schon
- WissenswertesRemake of Entscheidung in der Sierra (1941) with Jack Palance playing the Humphrey Bogart role of Roy Earle.
- PatzerNear the end, when the cops are chasing Roy Earle in their cars and motorcycles to the mountains, the following mistakes can be seen:
- As the two motorbike cops approach a bridge, before crossing, one of them comes off his bike, parts of the bike can be seen flying, as indeed does the cop.
- In the next shot, they all are chasing Earle's car as if nothing happened.
- Later, as they approach a slippery bend, a cop again comes off his motorcycle, blocking the chase. Seconds later they are all seen still chasing the villain.
- Crazy CreditsOddly, the credits read "Written by W.R. Burnett," implying it's an original script, rather than the correct "Screenplay by W.R. Burnett, based on his novel 'High Sierra.'" Apparently Warner Bros. was trying to pretend it wasn't a remake.
- VerbindungenFeatured in Hollywood Remembers Lee Marvin (2000)
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Details
- Laufzeit
- 1 Std. 47 Min.(107 min)
- Farbe
- Seitenverhältnis
- 2.55 : 1
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