Dem Teufel auf der Spur

John Payne was engaged to Mary Murphy. She left him for a rich man, so Payne replaced her with a dive into the bottle. Eventually he came out of it as a bouncer in a Vegas gambling casino in a tux. Francis L. Sullivan offers him $5000 to go to a small Caribbean island, where Miss Murphy's husband has a very expensive gem belonging to Sullivan, and is in prison for murdering a man.

It's a color film noir of the beat-them-up variety, complete with Payne waking up in a cell with sharks around... providing a link from melodramas to James Bond. Payne had spent the 1930s and 1940s as a contract player, but as he aged, he moved into more violent roles, with some nice work that kept him in the leading man category, but not quite a major star. He was the first Hollywood figure to be sufficiently interested in James Bond to option one of the novels. His movie career ended in the 1960s and he spent the rest of his career doing high-profile guest shots on TV. He died at age 77 in 1989.

John Payne teamed with director Phil Karlson in the last of their three collaborations. Not as good as Kansas City Confidential, Hell's Island still packs quite a wallop. And Mary Astor from The Maltese Falcon, Claire Trevor from Murder My Sweet, and Jane Greer from Out Of The Past have nothing on Mary Murphy as one scheming two timing dame.

The ever avuncular Francis L. Sullivan hires Payne who was once involved with Murphy to go to some Caribbean island and check on a ruby that her husband Paul Picerni smuggled into the country. He figures that Payne can get close to her. Picerni is on another island in prison.

Payne and Murphy were supposed to be married, but she threw him over for the high flying and high living Picerni. Presumably when she married him Murphy did not know about the smuggling that allowed him to live the good life in the tropics.

Three murders later and Payne who is still carrying a Statue of Liberty size torch for Murphy starts to wise up. Paul Picerni only has one scene in the film and it's with Payne. He tells him the facts of life and really opens up his eyes, can't say more.

Mary Murphy is probably best known as the good girl that biker Marlon Brando fell for in The Wild One. But as far as I'm concerned Hell's Island contains her career performance.

If you see this fine tropic noir film, I think you'll agree.

A guy gets hired to find someone's ruby and some stuff happens. Sorry to be so vague, but it's a nondescript kind of movie. Very familiar scenario with the usual shadowy characters, convoluted backstory, femme fatale, double-crosses, witnesses suddenly getting killed, and so forth. It's executed well enough but has little spark. Earlier Phil Karlson directed John Payne in 99 RIVER STREET and KANSAS CITY CONFIDENTIAL, both much more exciting and memorable films. Not that Payne is bad here, nor is the direction, it's just a meh movie. It is a joy to see Francis L. Sullivan... although he doesn't much screen time, he does have a hell of an exit scene. As for the visual style, it's a VistaVision Technicolor production... unfortunately my copy was fullscreen, faded and damaged, so I can't really comment. Worthwhile if you really need a noir fix, but pretty bland.

Perhaps it aided in my final enjoyment of Hell's Island in that I had very low expectations going into it. Payne, Murphy, and Sullivan are all very good in their respective roles and delivered from start to finish. Not all, but several of the minor/supporting performances/characters also provided ongoing interest as well. While many reviewers described the story as familiar, for me it didn't come across that way. Perhaps it was a combination of the setting and direction, along with a few moments of solid dialogue, but I found Hell's Island quite enjoyable from beginning to end. Great, no, but enjoyable yes. Check it out and see for yourself.

This is a decent film noir production. It stars John Payne in the latter portion of his career--when he was no longer a pretty-boy or light-weight singer. He was good as an angry noir hero and I certainly thought that he was up to the task. However, the plot is another story. While it's not bad, it's VERY, VERY familiar--like the writer was simply regurgitating portions of other movies he'd recently seen. In MANY ways, it's a reworking of "The Maltese Falcon" that is set in Mexico--and even has a similar sort of dame and a fat guy doing a Sidney Greenstreet imitation! It is also like several other B-movies I've seen over the years. Nothing particularly original about this one. It's got a few weaknesses (the woman is so OBVIOUSLY evil yet our hero doesn't recognize this for the longest time--even though he's a well-educated guy!) and about all you'd expect from a film of this sort--double-crosses, murders and the like. A decent time-passer but no more.