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Guten Morgen, Miss Fink

Originaltitel: Good Morning, Miss Dove
  • 1955
  • 12
  • 1 Std. 47 Min.
IMDb-BEWERTUNG
7,0/10
1364
IHRE BEWERTUNG
Robert Douglas, Kipp Hamilton, Jennifer Jones, Peggy Knudsen, and Robert Stack in Guten Morgen, Miss Fink (1955)
Arbeitsplatz-DramaZeitraum: DramaDrama

Füge eine Handlung in deiner Sprache hinzuAfter her admission to the hospital, town-famous stern teacher Miss Dove nostalgically reminisces about her youth and about the pupils she taught over the years.After her admission to the hospital, town-famous stern teacher Miss Dove nostalgically reminisces about her youth and about the pupils she taught over the years.After her admission to the hospital, town-famous stern teacher Miss Dove nostalgically reminisces about her youth and about the pupils she taught over the years.

  • Regie
    • Henry Koster
  • Drehbuch
    • Eleanore Griffin
    • Frances Gray Patton
  • Hauptbesetzung
    • Jennifer Jones
    • Robert Stack
    • Kipp Hamilton
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,0/10
    1364
    IHRE BEWERTUNG
    • Regie
      • Henry Koster
    • Drehbuch
      • Eleanore Griffin
      • Frances Gray Patton
    • Hauptbesetzung
      • Jennifer Jones
      • Robert Stack
      • Kipp Hamilton
    • 31Benutzerrezensionen
    • 13Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos53

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    Topbesetzung92

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    Jennifer Jones
    Jennifer Jones
    • Miss Dove
    Robert Stack
    Robert Stack
    • Dr. Tommy Baker
    Kipp Hamilton
    Kipp Hamilton
    • Virginia Baker
    Robert Douglas
    Robert Douglas
    • John Porter
    Peggy Knudsen
    Peggy Knudsen
    • Billie Jean Green
    Marshall Thompson
    Marshall Thompson
    • Wilfred Banning Pendleton III
    Chuck Connors
    Chuck Connors
    • Bill Holloway
    Biff Elliot
    Biff Elliot
    • Reverend Alex Burnham
    Jerry Paris
    Jerry Paris
    • Maurice Levine
    Mary Wickes
    Mary Wickes
    • Miss Lorraine Ellwood
    Jean Andren
    • Bank Secretary
    • (Nicht genannt)
    Pamela Beaird
    • School Girl
    • (Nicht genannt)
    Linda Bennett
    • Margaret
    • (Nicht genannt)
    Steven Benson
    • Student
    • (Nicht genannt)
    Arthur Berkeley
    • Townsman at Bank
    • (Nicht genannt)
    Linda Brace
    • Jacqueline Wood
    • (Nicht genannt)
    Leslie Bradley
    Leslie Bradley
    • Alonso Dove
    • (Nicht genannt)
    Janet Brandt
    Janet Brandt
    • Mrs. Levine
    • (Nicht genannt)
    • Regie
      • Henry Koster
    • Drehbuch
      • Eleanore Griffin
      • Frances Gray Patton
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen31

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    Richie-67-485852

    Good Morning Viewer

    Excellent entertainment guaranteed to get the weepy eyes out and the warm and fuzzies too. This movie reminds me of Goodbye Mr. Chips which was good but I thought they could have done more in that movie to stress the point of all the good Mr. Chips the teacher did. Here, they do just that via flashbacks which are highly entertaining and give good background to the story-telling. In a Twilight Zone episode titled "The Changing of the Guard", they also capture the theme of this movie quite well so if you like either example I gave you will love this movie as it takes its place among them. A couple of those flashbacks had me in tears as you realize that those people are you or someone you know who cannot only use a helping hand but also allow us all to contribute to a better world one person at a time. Who hasn't gotten to where they are today without help of some kind? Imagine if you turned that principal up a few notches. That's what is going on here only someone donates their life (literally) to the theme. Good investment by my tally. Good supporting cast too with familiar faces that became famous in their own time. The virtues acted out and displayed in this move are numerous. Humility, sacrifice, service, hope, charity, unconditional love, honesty and commitment all come on the screen throughout this movie and make their points. We are also reminded not to base everything we do solely on money outcomes but instead to invest in the bigger picture of life that build character and joins the everlasting properties into eternity. I am also reminded of the many who we don't hear about, who stay in the shadows doing their share of good happy to do so and going unnoticed for it but perfectly content and satisfied. Why? The simplest answer is found in a well known scripture that keeps teaching us this principal: When you did it to the least of them, you did it to me. I know you. Come forward faithful steward. That's all that counts in the end is that you are recognized by the one who sent you here just for that purpose. Good movie to snack with plus a tasty drink, Kleenex on standby and bring an open heart so your soul can be cleansed too. Enjoy! I did!
    10jon-890-677060

    To All The Miss' Dove's That See The Heart of a Child

    Miss Dove was my mother....well..., at the very least, she could have been.

    A second grade teacher for almost 30-years, she was responsible for profoundly impacting hundreds of children that now, have children of their own & some even grandchildren. Now deceased ('13), she retired in '98 & spent the next 15-years investing her life into the lives of my son & daughter (both, now young adults).

    Over the years, theres no telling just how many, parents, relatives, friends & former students that, have shared, their deepest & most personal of affections & appreciation (to me & my brothers), for the impact & role that, their 2nd Grade teacher played, in shaping their formidable years.

    Perhaps only one in hundreds of teachers, should ever truly be considered the caliber of a 'Miss Dove' (or perhaps one in thousands). Nevertheless, In large part, teaching isn't for the faint of heart, especially elementary education, and not only is the profession of early-age-educators a tedious proposition, but the rewards are often intrinsic, rarely monetary & they offer little, if any, genuine respect (as a profession).

    This was indeed a great film, brilliantly written, meticulously directed, extraordinarily acting & a great tribute film, to all the legitimate, wonderful Miss' Dove's that, without promise of fame or fortune, selflessly poured their love & life, into so many beautiful children.
    8bkoganbing

    The Rock Of Her Community

    Good Morning, Miss Dove is a property that I'm surprised Frank Capra didn't think to direct. It's entirely possible that Capra was a male chauvinist who only thought in terms of men who sacrifice like George Bailey in It's A Wonderful Life. In many ways Jennifer Jones is the superior of Capra's George Bailey.

    Jennifer's crisis comes real early in the beginning, she's the daughter of a well bred and prominent family whose father has just died. She thinks she's come into it, but she finds she's inherited debts beyond belief because dad was borrowing and living well beyond his means. To keep his good name, she gives up the life she expected like George Bailey and in the process becomes the moral center of her small town.

    Her road was much harder than Jimmy Stewart's because Miss Dove never married, she instead devoted her life to teaching history and geography and never getting to see the faraway places with strange sounding names that she only read about. That song could have been written for her. George Bailey did have Mary Bailey and the kids, that was denied to Miss Dove.

    That's just one of the flashbacks in a film that has many. In fact the current story is the fact this rock of the community is undergoing a health crisis and is admitted to the hospital. As she deals with her health issues and the many people who wish her well, her mind reflects on just how much influence she's had on generations of kids passing through her class.

    She's a severe woman Ms. Dove, having denied herself a personal life. But she's also a kind and caring one and that comes through with all the people we see her interact with.

    Despite a fine cast of players, Jennifer Jones dominates this film in a fine portrayal of what is essentially an unglamorous part. It's the kind of role you might see someone like Bette Davis or Katharine Hepburn do, but Jones is just fine in it.

    If you're not a fan of Jennifer Jones, you will be after seeing Good Morning, Miss Dove.
    stryker-5

    "Hasn't She Something That Sets Her Apart?"

    A well-known schoolteacher in a little American town is taken ill, and this causes her to reflect on her life. This unabashed 'weepie' from 20th Century Fox will catch you out unless you have a crisply-laundered hankie pinned to your lapel!

    Nine years after her sex-kitten role in "Lust In The Dust", Jennifer Jones pulls off a tour de force as the prim Miss Dove. Henry Koster's direction plays it straight down the middle in this simple yarn of small town life.

    Liberty Hill, we hear, is a typical American town. There are a hundred like it, in which "a sense of life's continuity hangs in the air". It is not clear whether the narrator is describing Liberty Hill as 'snug' or 'smug', but it doesn't matter - both adjectives apply. In Cedar Grove School a graduation ceremony is attended by parents who were themselves pupils here. This is the deep complacent sleep of Eisenhower's America, a world in which everybody has a pre-ordained place and the doctor, the policeman and the pastor are all ex-pupils of Miss Dove.

    It is seemingly a day like any other. Miss Dove is enforcing classroom discipline when she starts to fall ill. Typically, she instructs a child, "I am indisposed. Mention this to no-one."

    The stricken teacher looks back on her life in a series of reveries, starting with her happy youth in the 1920's. We see her as a beautiful, vivacious young woman who shares her father's passion for geography. The two plan an overseas vacation together, ensconced in their improbably lavish parlour which is only slightly smaller than the Houston Astrodome. It seems odd that Miss Dove's father should command such opulence, and after his death certain banking irregularities come to light. To prevent a slur on her father's memory, Miss Dove undertakes to work to pay back the 'debt'.

    Miss Dove places duty before personal happiness, declining Wolf Pendleton's offers of marriage and an expedition to the Himalayas, because she must teach here in Liberty Hill. The stiff, correct character of Miss Dove is illustrated by the way she remains formal until Wolf has left, then collapses in grief, and coming out of her daydream, composes herself as Doctor Tom Baker arrives. Public displays of weakness just won't do. "It is not my custom to wobble."

    Tom Baker (Robert Stack) is, of course, an alumnus of Miss Dove. The classroom undergoes minor changes over the years, but the American kids keep being churned out like little Ford Thunderbirds. China was coloured orange on the wall map ten years ago, now it's purple (the communist bloodbath?) and Eisenhower's portrait has replaced Truman's. But Miss Dove never alters. She enumerates her symptoms to Doc Baker like a talking medical textbook and as she is carried to hospital she assures him, "You have defined my responsibility. I shall keep my spine rigid." No-one doubts that.

    We meet various ex-pupils who have thrived under Miss Dove's tutelary genius. Bill Holloway (Chuck Connors) was an impoverished kid whose true worth was recognised by Miss Dove - " a child in whom the ethical instinct was as innate as breathing". He adores his former teacher. He is now a police officer. Virginia was a pretty but confused youngster until a year ago, when under Miss Dove's guidance she met and fell for Doc Baker. She has found her vocation in motherhood.

    Maurice Levine and Fred Makepeace turn up. Fred is now a gangster, but he's an OK kind of guy. He breaks out of prison to be with his teacher in her hour of need. Thanks to Miss Dove, his American morality is pristine: "When I hear some commie jerk belittling this country ..." Maurice first comes to Cedar Grove in the 1930's (the wall portrait is Roosevelt). He is a jewish child, freshly escaped from Hitler's Germany, and speaking no English. Miss Dove protects him from Liberty Hill's ingrained xenophobia and nurtures his literary talent. Single-handedly, she cures her class of antisemitism, and Maurice goes on to become a Broadway playwright.

    This lady's influence reaches beyond the school gates. Mr. Porter was the incoming Bank President who handled Miss Dove's father's indiscretion so unsympathetically. Now he visits her in hospital, an older, humbler man. "She's always been a stiff-necked termagant," he says, but confesses that he owes everything to her. In the Depression, she acted with courage and authority and averted a run on the Liberty Hill Bank.

    As for the film's weaknesses, the script is cast in a quaint literary style which grates. Nurse Green shows the cop into the room, announcing "Police Officer Holloway begs to intrude." The sentimentality is laid on too thickly. Doc Baker recounts how he survived shipwreck and thirst thanks to a shining vision of Miss Dove - "She was right there with me all the time!" The hushed crowds on the hospital steps are 'over the top'.

    The establishing shot of the colonial church's spire, repeated as the hours pass, reinforces the film's themes of parochialism and continuity. Ex-pupils donate blood, symbolising their ties to Miss Dove and the reciprocity of the relationship.

    The sick woman contemplates death and concludes that, whatever people may think, her life has been happy. The dreams of world travel were never realised, but she knows the world through study. Learning has compensated her for lost opportunities. This is a metaphor for her having sacrificed love and a family. Yet in the last 30 years, every child in Liberty Hill has been 'hers'. She has touched every young life. "Kids?" says Officer Holloway, "She has a thousand of 'em!"
    9beresfordjd

    Hankies at the ready

    I only discovered this movie about 18 months ago when I saw it on TV. I really enjoyed it and have seen it a couple of times since. it is sentimental and very simple in its construction. That is not to say it is not emotionally effective. I am an ex-teacher who always had a good relationship with the kids I taught (though not as authoritarian as the Miss Dove of the title. Each time I see it I find myself more affected than the last time, to the extent of blubbing like a baby at every emotional scene!! It is a very dated movie and the performances, though honest and direct, are not Oscar-winning. I was surprised to see Chuck Connors do justice to his part as a hardworking cop who dragged himself up from poverty-stricken childhood to upstanding adulthood. Jennifer Jones, as the star of this film acquits herself well as Miss Dove, a fearsome and legendary primary school teacher. She is respected and loved by the people of the town (as she has taught most of them or their children). She is taken ill and through flashbacks we learn about her life, career and relationships. Movie-making as it used to be- not a blockbuster but a solid story well told.

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    Handlung

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    • Wissenswertes
      Six uncredited actors in this film played regular or semi-regular roles on TV's Erwachsen müsste man sein (1957): Richard Deacon (played Fred Rutherford), Pamela Beaird (Mary Ellen Rogers), Cindy Carol (Alma Hanson), Stanley Fafara (Whitey Whitney), Tiger Fafara (Tooey Brown), and Ken Osmond (Eddie Haskell).
    • Patzer
      After undergoing "prolonged" major surgery, Miss Dove awakens in her room, not in post-op, and no IVs are present. During the surgery, Miss Dove is said to need blood "and lots of it." Apparently, there is no blood bank and only two potential donors standing by to give blood (four pints max).
    • Zitate

      Billie Jean: Now, we'll take our clothes off and we'll feel more comfortable.

      Miss Dove: The pronoun "we" is misleading unless you propose to take off your clothes too.

    • Verbindungen
      Featured in Biography: Jennifer Jones: Portrait of a Lady (2001)

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    Details

    Ändern
    • Erscheinungsdatum
      • 17. Februar 1956 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprachen
      • Englisch
      • Polnisch
    • Auch bekannt als
      • El ocaso de un alma
    • Drehorte
      • 20th Century Fox Studios - 10201 Pico Blvd., Century City, Los Angeles, Kalifornien, USA(Studio)
    • Produktionsfirma
      • Twentieth Century Fox
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    Box Office

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    • Budget
      • 1.470.000 $ (geschätzt)
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      • 1 Std. 47 Min.(107 min)
    • Seitenverhältnis
      • 2.55 : 1

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