Am fernen Horizont

Turbulent adventure set against the rich ,romantic tapestry of early Louisiana state . United States has just acquired Louisiana from France . As President Thomas Jefferson (Herbert Heyes) assigns a risked expedition led by U.S. Army Captain Meriwether Lewis (Fred MacMurray) and Lt. William Clark (Charlton Heston) as second in command and they join forces other mountain men to enter virgin trapping territory but must contend with resentful traitors , savage Indians (Larry Pennell , Eduardo Noriega) and several other things . The expeditionary group is sent to survey the territory and go where no white man has gone before . They have to overcome the dangerous land with the help of Sacajawea (Donna Reed) .

Pioneer epic with great stars , gorgeous cinematography by Daniel L. Fapp and majestic landscapes filmed in spectacular scenarios . The movie is partially based on real events , narrating the story about the far country discovery , some explorers came to find the precious land through the dangerous ways , large plentiful rivers , violence and ambition that came with them . This colorful film contains beautiful scenery , tempestuous Indian attacks , war , lawless raids , a love story , intrepid men and women ; at last , in all its wild , brave magnificence , the picture of valiant scouts . Well paced , elegiac Western , including marvelous landscapes from Grand Teton National Park, Moose, Wyoming . Interesting historical/drama/Western is slightly marred by the heavily relationship between Heston and Donna Reed . This poetic film focuses the insertion of human being into nature and with the "Native Americans" . This is a lyric Western about conquerors , it's a homage to integration between human being and Nature . The whole piece of adventure teems with emotion , thrills , exotic atmosphere and being pretty entertaining . It's a medium budget film with good actors , technicians , production values and pleasing results . Charlton Heston gives a good acting as a rugged scout who falls in love for an Indian woman , Heston along with Donna Reed form a memorable couple . However , the lead roles , Fred MacMurray and Charlton Heston , were originally offered to Gary Cooper and John Wayne, but Cooper vehemently rejected the offer . Sensitive as well as enjoyable musical score by Hans J. Salter . The motion picture was professionally directed by Rudolph Mate .

The real deeds were the followings : The Lewis and Clark Expedition, also known as the Corps of Discovery Expedition, was the first American expedition to cross what is now the western portion of the United States, departing in May, 1804 from St. Louis on the Mississippi River, making their way westward through the continental divide to the Pacific coast. The expedition was commissioned by President Thomas Jefferson shortly after the Louisiana Purchase in 1803, consisting of a select group of U.S. Army volunteers under the command of Captain Meriwether Lewis and his close friend Second Lieutenant William Clark. Their perilous journey lasted from May 1804 to September 1806. The primary objective was to explore and map the newly acquired territory, find a practical route across the Western half of the continent, and establish an American presence in this territory before Britain and other European powers tried to claim it. The campaign's secondary objectives were scientific and economic: to study the area's plants, animal life, and geography, and establish trade with local Indian tribes. With maps, sketches and journals in hand, the expedition returned to St. Louis to report their findings to Jefferson . Regarding Sacagawea character , she was a Shoshone Indian woman who arrived with her husband Toussaint Charbonneau on the expedition to the Pacific Ocean . Though she has been discussed in literature frequently, much of the information is exaggeration or fiction. Scholars say she did notice some geographical features, but "Sacagawea...was not the guide for the Expedition, she was important to them as an interpreter and in other ways. The sight of a woman and her infant son would have been reassuring to some indigenous nations, and she played an important role in diplomatic relations by talking to chiefs, easing tensions, and giving the impression of a peaceful mission.In his writings, Meriwether Lewis presented a somewhat negative view of her, though Clark had a higher regard for her, and provided some support for her children in subsequent years.

This is not a movie that is accurate historically. The great thing is seeing a well known cast in color making the thing entertaining. While Barbara Hale is best known as Della Street, Perry Mason's Secretary, she is a second banana here in her role as Julia. She appears in the early part of the film and at the end.

What is interesting is that Donna Reed, Fred MacMurray, & Charlton Heston all get equal billing at a time when women's rights really had not started. In fact, Reed is so good that I didn't even realize it was here until I checked the cast list. This is not the typical 1950's film to be sure.

Trouble is that the film really has no chance to get to the true story of Lewis & Clark as it is too busy with fictional relationships to have time. William Demerest (Uncle Charlie on My Three Sons) joins Fred here as he would later on TV. Considering how much fishing Fred is known to have done, I bet he got some in on breaks on this river location shooting.

The movie is entertainment, just not a classic. Paramounts Vista Vision hasn't hurt the quality of the film photography over the years either.

The "river " movie-as opposed to road movie- was born with Huston (African queen,1950),then continued by Preminger's"River of no return"(1954)."The far horizons" is an entertaining adventure yarn,with a nice cinematography ,a good use of the cinemascope and a very fine cast.Donna Reed stands out,her portrayal of the Indian heroine is very modern,and the last sequence is totally unusual in this kind of movie.

The story is divided into a prologue ("civilization"),the main part (the expedition),and an epilogue (back to" civilization").The dialogue is wittier than in an average western.Some remarks about women's position in both societies are smart .

The "river movie" will reach its artistic peak during the seventies with Herzog's "Aguirre,der Zorn Gottes"(1972)(also an expedition!),the same year as John Boorman's "deliverance".In the nineties,it was still hip,as "the river wild" (1994)shows.

This is the year of the bi-centennial of the Lewis and Clark expedition, which (with the purchase of the Louisiana Territory) is the best recalled accomplishment of the Thomas Jefferson administrations. This is also the sole major film made about this first step into westward expansion. I suppose one should be grateful for any such film but one wishes it was closer to the truth and was a bit more detailed. Meriweather Lewis (Jefferson's nephew and secretary) and William Clark (half-brother of frontier legend George Rogers Clark)were chosen to leave from the formerly French settlement of St. Louis up the Missisippi and Missouri Rivers into what became Montana, Idaho, and Washington until they reached the Pacific Coast, and then returned by a southern route back to St. Louis again. Their expedition was assisted by Sacajawea, an Indian woman, who helped the two explorers communicate with the various Indian tribes on the trek. Remarkably only one man died (of a ruptured appendix) in the two year journey. They returned in 1806, and their final report and drawings were published in 1808.

Jefferson was keen on showing that his deal with Napoleon I of France was not ridiculous. After all, it had cost fifteen million dollars to buy the territory of Louisiana (originally Jefferson just wanted to buy the city of New Orleans). Napoleon's reasons were a combination of need (he could use the money) and rationalism in the face of disaster. Napoleon had wanted to reestablish France's overseas power, and hope to base it on the rich colony of Haiti. Unfortunately the former slaves of Haiti had been revolting for over a decade, led by a brilliant soldier and politician Toussaint L'Overture. Although L'Overture was captured and died in prison, his three associates (Jean Dessalines, Henri Christophe, and Jean Petion) were highly capable in keeping the French at bay. So was yellow fever and plague that decimated the French armies. Napoleon knew he could no longer build up his overseas empire, so he took the money for what was now a white elephant. Jefferson was the beneficiary of all this, but he was aware that many questioned if the country should have spent all the money it did for this land. Since Jefferson had been critical about military expenditures that the Federalists had practiced under Washington and Adams he really had to demonstrate the purchase was not a blunder.

The expedition did exactly that. It suggested the huge natural resources now under American control. It also countered claims from other European countries to the west coast of the U.S. (Russians in Alaskan and California, Spaniards in the Southwest, and England in Canada - especially after the exploration of MacKenzie in British Columbia). Therefore it can be said that Jefferson's deal was of critical importance to the future of the U.S.

The film concentrates of the expedition to the point of it reaching the Pacific, with MacMurray as Lewis and Heston as Clark, and Donna Reed as Sacajawea. A fictitious romance between Heston and Reed is created (actually a triangle, as she is married to French trapper Alan Reed). She eventually has to decide to stay with Clark, to the detriment of his career, or leave him. And in the end the only person who can help her is the President (Herbert Heyes).

As the sole film about this great undertaking it is a good film, not a great one. It ends with the successful return of the leaders to Washington. It does not follow the other events of the westward expansion of the period to be discussed: the controversy of the expedition of Zebulon Pike into what is now Colorado, Oklahoma, and Texas in 1805 - 06, the Burr Conspiracy and treason trial (see "Magnificent Doll"), and the tragedy of Lewis. Lewis was appointed first governor of the territory, but had political problems from the first day. He was ordered to return to Washington in 1809 to answer questions, but he died violently on the trip at Grider's Mill, a spot on the desolate "Nachez Trace" of Tennessee. Either he committed suicide (most books say he did) or he was murdered by his enemies. Clark died in 1837.

A crucial event in American history is rendered dull and unexciting by Hollywood convention; the story of the Lewis and Clark expedition which in the early 1800s conquered unclaimed territory for the ever-growing United States. Production values are glossy and there are a few action highlights, but the handling is uninspired and the slowly-paced film emerges an undistinguished effort overall.

Casting is variable: Fred MacMurray makes for a staid Lewis but Charlton Heston's Clark is, as ever, at home in such larger-than-life surroundings; Donna Reed (as an Indian squaw!) and Barbara Hale provide the none-too-convincing romantic interest - which actually takes up a good deal of the running-time (before the expedition, both men love Hale but she prefers Heston; when the latter meets up with Reed, they fall for each other - but complications of the boring variety arise when it's revealed that she's been promised by the tribe which has abducted her to a villainous French trapper/guide and, even when she finally escapes and goes back to her people, she's spoken for by a rash young Indian brave!). This allows Heston to engage in fisticuffs and he even falls out with MacMurray, but the audience's interest is never more than dimly aroused; however, veteran William Demarest is on hand as a level-headed sergeant who actually keeps the company together during such trying times.

Anyway, the film is watchable enough in itself - though it's better approached, perhaps, as a Western rather than a widescreen spectacular (with which Heston would soon come to be identified)...and, in any case, it's miles behind such celebrated 'epics' of American colonialism as John Ford's DRUMS ALONG THE MOHAWK (1939) and King Vidor's NORTHWEST PASSAGE (1940).