IMDb-BEWERTUNG
6,9/10
3264
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuAllied prisoners - British, Dutch, French and Polish - pool their resources to plan numerous escapes from the "escape-proof" German P.O.W. camp housed in a Medieval castle known as "Colditz"... Alles lesenAllied prisoners - British, Dutch, French and Polish - pool their resources to plan numerous escapes from the "escape-proof" German P.O.W. camp housed in a Medieval castle known as "Colditz".Allied prisoners - British, Dutch, French and Polish - pool their resources to plan numerous escapes from the "escape-proof" German P.O.W. camp housed in a Medieval castle known as "Colditz".
- Nominiert für 2 BAFTA Awards
- 2 Nominierungen insgesamt
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I hate to rain on the parade of the people here who think this film is so great, but I had to force myself to watch it until the end. It obviously comes from a time in British history when the attitude was "Good show, British boys. You stuck it out in the German POW camps and kept the Jerries busy with your escape attempts, and we're proud of you chaps." That kind of gung-ho, congratulatory feeling is everywhere in the movie. Unfortunately, it turns the story into something bordering on the farcical. The Germans are portrayed as hapless dupes, toothless blusterers, not quite comical but easily fooled and quite incapable of backing up their threats. They may begin by saying that any attempt at escape will be met with death, but none of that seems to ever happen, and when an escape attempt is broken up or an escapee is returned, nobody seems the worse for wear. When two German shepherd dogs jump on an escapee emerging from a tunnel, they don't bite. It's all a game for the prisoners, without any real danger, pretty much on the level of schoolboy pranks. Life in Colditz is cheery, without any privations that we can see. It looks like a better place to be than in training camp back in Britain, where discipline was tough and your day was gruelling.
The prisoners seem to have a very free hand in the castle, moving about almost at will. How did they manage to cut through all those steel bars that they removed so easily from a window? How did they put together several dozen German uniforms, good enough to fool the sentries the escapees walked past? How did they speak such accent-free German that no one noticed? The film claims that everything portrayed is factual, but that claim is difficult to believe.
There is no narrative. The story, such as it is, consists of one escape attempt after another, none of them particularly inventive. Nothing joins them together into a cohesive plot.
I suppose we're expected to forgive crass nationalism in war movies. The Americans always save the day in American films, the British show superior character in British films. For me, this kind of thing spoils a movie. The Colditz story has it in spades. Brits always respond to Germans with a cheekiness that I think in real life would have earned them a rifle butt to the head. And they make arrogant, contemptuous comments about other prisoners, French, Polish, or Belgian. That dissolved most of the sympathy I might have felt for them. Yet, when the credits roll at the end, we see that these others were in fact more successful than the British in their escapes.
I didn't like this movie at all.
The prisoners seem to have a very free hand in the castle, moving about almost at will. How did they manage to cut through all those steel bars that they removed so easily from a window? How did they put together several dozen German uniforms, good enough to fool the sentries the escapees walked past? How did they speak such accent-free German that no one noticed? The film claims that everything portrayed is factual, but that claim is difficult to believe.
There is no narrative. The story, such as it is, consists of one escape attempt after another, none of them particularly inventive. Nothing joins them together into a cohesive plot.
I suppose we're expected to forgive crass nationalism in war movies. The Americans always save the day in American films, the British show superior character in British films. For me, this kind of thing spoils a movie. The Colditz story has it in spades. Brits always respond to Germans with a cheekiness that I think in real life would have earned them a rifle butt to the head. And they make arrogant, contemptuous comments about other prisoners, French, Polish, or Belgian. That dissolved most of the sympathy I might have felt for them. Yet, when the credits roll at the end, we see that these others were in fact more successful than the British in their escapes.
I didn't like this movie at all.
THE COLDITZ STORY takes artistic license with facts and the sequence of events, as noted in the foreword, but manages to hold interest when it concentrates on the fortunes of its chief escape officer, JOHN MILLS, and his various experiences with the prisoners and their national rivalries with each other.
Aside from some stereotyped Nazi humor at the expense of stupid guards and the usual assortment of prisoners, the story maintains humor and suspense in equal measure as the men try to tunnel their way to freedom while under the scrutiny of their German captors. Characters are not deeply explored, but ERIC PORTMAN does a standout job as Colonel Richmond and JOHN MILLS is excellent as the real-life escape prisoner Pat Reid.
BRYAN FORBES, IAN CARMICHAEL and LIONEL JEFFRIES are fine in support. Unfortunately, ANTON DIFFRING has little to do as officer Fischer nor does THEODORE BIKEL as one of the POWs.
As escape films go, this POW film is taut with suspense toward the last escape try but a bit flabby in the telling for the most part. Other such films have managed to cover the same territory with more excitement and suspense.
You might call it a low-key story based on true incidents given a rather routine treatment despite some fine performances.
Aside from some stereotyped Nazi humor at the expense of stupid guards and the usual assortment of prisoners, the story maintains humor and suspense in equal measure as the men try to tunnel their way to freedom while under the scrutiny of their German captors. Characters are not deeply explored, but ERIC PORTMAN does a standout job as Colonel Richmond and JOHN MILLS is excellent as the real-life escape prisoner Pat Reid.
BRYAN FORBES, IAN CARMICHAEL and LIONEL JEFFRIES are fine in support. Unfortunately, ANTON DIFFRING has little to do as officer Fischer nor does THEODORE BIKEL as one of the POWs.
As escape films go, this POW film is taut with suspense toward the last escape try but a bit flabby in the telling for the most part. Other such films have managed to cover the same territory with more excitement and suspense.
You might call it a low-key story based on true incidents given a rather routine treatment despite some fine performances.
The Colditz Story was one of a number of movies the British made during the Fifties which relived the victories and bravery of their armed services during WWII. Often these movies starred John Mills. The Colditz Story is based on fact. Colditz Castle in Germany was used to imprison the most incorrigible prisoners-of-war, those who persistently made escape attempts. British, French, Polish and Dutch officers were sent there. Unfortunately for the Germans, they wound up trying to keep inside men dedicated to escaping, and who had skills they now could share. The result was that more prisoners of war escaped from Colditz than from any other prisoner of war camp in either the First or Second World Wars.
The movie is based on the memoirs of Pat Reid (John Mills), who served as an escape officer at Colditz and then was one of the first to break out and make it back to England. While the movie is a bit dated, it also is a dramatic and efficient telling of escape attempts, ruses played against the German captors and, of course, of the unfailing courage and good spirits of the British officers. Take the film for what it is, a demonstration for British audiences of the pluck and courage of their military during a horrendously threatening war which they won, and you won't be disappointed.
If you're fond of old British movies, you'll recognize, among others, Eric Portman, Lionel Jeffries, Bryan Forbes and Ian Carmichael.
The movie is based on the memoirs of Pat Reid (John Mills), who served as an escape officer at Colditz and then was one of the first to break out and make it back to England. While the movie is a bit dated, it also is a dramatic and efficient telling of escape attempts, ruses played against the German captors and, of course, of the unfailing courage and good spirits of the British officers. Take the film for what it is, a demonstration for British audiences of the pluck and courage of their military during a horrendously threatening war which they won, and you won't be disappointed.
If you're fond of old British movies, you'll recognize, among others, Eric Portman, Lionel Jeffries, Bryan Forbes and Ian Carmichael.
I don't think The Colditz Story is the best of the PoW films, but it is still a very well done film all the same. I don't think the film is flawless, I think it could have been longer to give more depth to the characters(though there is evidence of that) and the film could have focused a bit more on the psychology of imprisonment like the TV series did.
Any faults aside, what I did love about The Colditz Story was the action. The Colditz Story has a carefully-constructed story about the daring escapes of the prisoners, and the action that forms this story is very well played, with a perfect balance of being tense in some scenes and music-hall jolly in others. The dialogue is thoughtful and quite literate, while Guy Hamilton who went on to greater projects since(primarily Goldfinger, my personal favourite of the Bond films) does a solid job directing.
The Colditz Story is beautifully shot and has the suitably foreboding German prison of the title to add to any authenticity, and there is a stirring and evocative music score too and the pacing ensures that there is very rare a dull moment. The acting is very strong, John Mills is perfectly cast, and Eric Portman also gives a performance worth of note. Ian Carmichael, Bryan Forbes and Lionel Jeffries successfully portray their heroic prison inmate characters too.
All in all, a very well-done film that despite any small imperfections deserves to be better known. 8/10 Bethany Cox
Any faults aside, what I did love about The Colditz Story was the action. The Colditz Story has a carefully-constructed story about the daring escapes of the prisoners, and the action that forms this story is very well played, with a perfect balance of being tense in some scenes and music-hall jolly in others. The dialogue is thoughtful and quite literate, while Guy Hamilton who went on to greater projects since(primarily Goldfinger, my personal favourite of the Bond films) does a solid job directing.
The Colditz Story is beautifully shot and has the suitably foreboding German prison of the title to add to any authenticity, and there is a stirring and evocative music score too and the pacing ensures that there is very rare a dull moment. The acting is very strong, John Mills is perfectly cast, and Eric Portman also gives a performance worth of note. Ian Carmichael, Bryan Forbes and Lionel Jeffries successfully portray their heroic prison inmate characters too.
All in all, a very well-done film that despite any small imperfections deserves to be better known. 8/10 Bethany Cox
People who watch The Colditz Story have probably seen The Great Escape as well and should bear in mind the fact that that camp where Steve McQueen, James Garner, and the rest was built to house all the big escape artists. Those really persistent offenders got incarcerated at the castle called Colditz. Those that is that didn't get summarily executed by the Gestapo as we well remember from The Great Escape.
What an incredible waste of manpower, but those guards had to be lucky because they could be at the Russian front. In The Colditz Story there are more guards than prisoners. When you think about it, it would have been easier for the Nazis to let this bunch be exchanged.
The protagonist of the story is later historian Pat Reid and he's played here by John Mills. Mills's character is the official British escape officer, there are French, Dutch, and Polish officers among those nationalities. Getting international cooperation here is about as easy as the alliance that defeated Nazi Germany with all the cracks and fraying in that endeavor.
There are two other standout characters, the senior British officer Eric Portman and Scot's Guard Christopher Rhodes. Rhodes had an interesting career, he and Stanley Baker probably were up for a lot of the same parts in British cinema. He played some very rough characters on film, some outright villains. Here he's just an incorrigible prisoner who's very rebelliousness endangers the escape plans of many. His is the best performance in The Colditz Story.
Made over 50 years ago, The Colditz Story holds up very well for today's audience. No flamboyant heroics like in The Great Escape, but some real situations in a story told simply and well.
What an incredible waste of manpower, but those guards had to be lucky because they could be at the Russian front. In The Colditz Story there are more guards than prisoners. When you think about it, it would have been easier for the Nazis to let this bunch be exchanged.
The protagonist of the story is later historian Pat Reid and he's played here by John Mills. Mills's character is the official British escape officer, there are French, Dutch, and Polish officers among those nationalities. Getting international cooperation here is about as easy as the alliance that defeated Nazi Germany with all the cracks and fraying in that endeavor.
There are two other standout characters, the senior British officer Eric Portman and Scot's Guard Christopher Rhodes. Rhodes had an interesting career, he and Stanley Baker probably were up for a lot of the same parts in British cinema. He played some very rough characters on film, some outright villains. Here he's just an incorrigible prisoner who's very rebelliousness endangers the escape plans of many. His is the best performance in The Colditz Story.
Made over 50 years ago, The Colditz Story holds up very well for today's audience. No flamboyant heroics like in The Great Escape, but some real situations in a story told simply and well.
Wusstest du schon
- WissenswertesSir John Mills resembled Colditz prisoner Mike Sinclair, alias The Red Fox. Sinclair escaped from Colditz three times. His final attempt ended in tragedy when sentries killed him on September 25, 1944. A portrait of Sinclair, drawn by John Watton, appears in "Men of Colditz" by P.R. Reid.
- PatzerAccording to the calendar on the Kommandant's desk during his interview with Colonel Richmond about moving the Polish prisoner, the date is "Dienstag Oktober 4" (Tuesday October 4). October 4 did not fall on a Tuesday at all during WW2, although it did in 1955, the year of the film's release.
- Zitate
Colonel Richmond: [watching a particularly rough game in the excercise yard] Who was it said our ancestors were apes?
- Crazy CreditsOpening credits: "Every incident in the film you are about to see is true. With the exception of the author, Major P.R. Reid, M.B.E., M.C., who acted as technical adviser on the film, all names have been changed and certain events have been related out of their historical context. These and only these liberties have been taken with . . . THE COLDITZ STORY"
- VerbindungenFeatured in The 100 Greatest War Films (2005)
- SoundtracksI Belong to Colditz
Written by Will Fyffe (uncredited)
parodied from the late Will Fyffe's famous "I Belong to Glasgow"
by kind permission of Mrs. Will Fyffe
[The opening song in the Colditz Capers]
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Details
Box Office
- Budget
- 136.000 £ (geschätzt)
- Laufzeit1 Stunde 34 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1
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By what name was The Colditz Story (1955) officially released in India in English?
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