The Colditz Story

People who watch The Colditz Story have probably seen The Great Escape as well and should bear in mind the fact that that camp where Steve McQueen, James Garner, and the rest was built to house all the big escape artists. Those really persistent offenders got incarcerated at the castle called Colditz. Those that is that didn't get summarily executed by the Gestapo as we well remember from The Great Escape.

What an incredible waste of manpower, but those guards had to be lucky because they could be at the Russian front. In The Colditz Story there are more guards than prisoners. When you think about it, it would have been easier for the Nazis to let this bunch be exchanged.

The protagonist of the story is later historian Pat Reid and he's played here by John Mills. Mills's character is the official British escape officer, there are French, Dutch, and Polish officers among those nationalities. Getting international cooperation here is about as easy as the alliance that defeated Nazi Germany with all the cracks and fraying in that endeavor.

There are two other standout characters, the senior British officer Eric Portman and Scot's Guard Christopher Rhodes. Rhodes had an interesting career, he and Stanley Baker probably were up for a lot of the same parts in British cinema. He played some very rough characters on film, some outright villains. Here he's just an incorrigible prisoner who's very rebelliousness endangers the escape plans of many. His is the best performance in The Colditz Story.

Made over 50 years ago, The Colditz Story holds up very well for today's audience. No flamboyant heroics like in The Great Escape, but some real situations in a story told simply and well.

Shot in stunning B&W Colditz is exactly what you'd want from a 1950s British war film - horrible conditions, very stiff upper lips, and lots of self-deprecation and self-deprecating humour.

THe surprise is how well it is directed and the acting - all of which are classic for its genre. Now overshadowed by bigger productions like the fictional Guns Of Navarone, Colditz is actually probably one of the truest to its source material, and is a rewarding view.

For this viewer it is notable because it is at times an uncomfortable watch - it really did try to understand what being in Colditz meant - and yet it is exciting, human, and full of wonderful moments.

Highly recommended.

This film is named after an actual German prison camp designated for incorrigible prisoners of war--those who had already attempted escapes from other camps. And, not surprisingly, the multinational inmates spend most of their time plotting to escape. And, by the end of the film, some actually make it. In fact, the statistics on actual escapes is pretty impressive. What surprised me about all this is that the Germans were actually VERY forbearing and didn't just shoot the prisoners because of this--and the difference between these camps and the death camps is striking.

It's odd. Although "The Colditz Story" is based on a true account of prisoners escaping from this German prison camp--yet I never was bowled over by the film. I must admit that normally my biggest complaint about historical films is their inaccuracy--and this one sticks pretty close to the facts--yet I didn't really love the movie. I am not saying it's bad--the acting is very good. But I just didn't get into this film as much as some of the fictional WWII British films like "In Which We Serve" or "The Life of Colonel Blimp". It is still well worth seeing.

I don't think The Colditz Story is the best of the PoW films, but it is still a very well done film all the same. I don't think the film is flawless, I think it could have been longer to give more depth to the characters(though there is evidence of that) and the film could have focused a bit more on the psychology of imprisonment like the TV series did.

Any faults aside, what I did love about The Colditz Story was the action. The Colditz Story has a carefully-constructed story about the daring escapes of the prisoners, and the action that forms this story is very well played, with a perfect balance of being tense in some scenes and music-hall jolly in others. The dialogue is thoughtful and quite literate, while Guy Hamilton who went on to greater projects since(primarily Goldfinger, my personal favourite of the Bond films) does a solid job directing.

The Colditz Story is beautifully shot and has the suitably foreboding German prison of the title to add to any authenticity, and there is a stirring and evocative music score too and the pacing ensures that there is very rare a dull moment. The acting is very strong, John Mills is perfectly cast, and Eric Portman also gives a performance worth of note. Ian Carmichael, Bryan Forbes and Lionel Jeffries successfully portray their heroic prison inmate characters too.

All in all, a very well-done film that despite any small imperfections deserves to be better known. 8/10 Bethany Cox

I hate to rain on the parade of the people here who think this film is so great, but I had to force myself to watch it until the end. It obviously comes from a time in British history when the attitude was "Good show, British boys. You stuck it out in the German POW camps and kept the Jerries busy with your escape attempts, and we're proud of you chaps." That kind of gung-ho, congratulatory feeling is everywhere in the movie. Unfortunately, it turns the story into something bordering on the farcical. The Germans are portrayed as hapless dupes, toothless blusterers, not quite comical but easily fooled and quite incapable of backing up their threats. They may begin by saying that any attempt at escape will be met with death, but none of that seems to ever happen, and when an escape attempt is broken up or an escapee is returned, nobody seems the worse for wear. When two German shepherd dogs jump on an escapee emerging from a tunnel, they don't bite. It's all a game for the prisoners, without any real danger, pretty much on the level of schoolboy pranks. Life in Colditz is cheery, without any privations that we can see. It looks like a better place to be than in training camp back in Britain, where discipline was tough and your day was gruelling.

The prisoners seem to have a very free hand in the castle, moving about almost at will. How did they manage to cut through all those steel bars that they removed so easily from a window? How did they put together several dozen German uniforms, good enough to fool the sentries the escapees walked past? How did they speak such accent-free German that no one noticed? The film claims that everything portrayed is factual, but that claim is difficult to believe.

There is no narrative. The story, such as it is, consists of one escape attempt after another, none of them particularly inventive. Nothing joins them together into a cohesive plot.

I suppose we're expected to forgive crass nationalism in war movies. The Americans always save the day in American films, the British show superior character in British films. For me, this kind of thing spoils a movie. The Colditz story has it in spades. Brits always respond to Germans with a cheekiness that I think in real life would have earned them a rifle butt to the head. And they make arrogant, contemptuous comments about other prisoners, French, Polish, or Belgian. That dissolved most of the sympathy I might have felt for them. Yet, when the credits roll at the end, we see that these others were in fact more successful than the British in their escapes.

I didn't like this movie at all.