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For those of us who lived thru the War, BATTLE CRY is a splendid multi story Marines in Love and War drama, masterfully overseen by veteran Raoul Walsh, with a career perf by Aldo Ray, backed with fine work from Van Heflin, James Whitmore, Tab Hunter, Nancy Olson and others in a star cast. A huge box office hit from an equally big bestseller, marking a vast improvement on the book. Sentimental, exciting, plausible, involving and thoroughly entertaining; its 149 minute running time paced properly, unlike today's bloated epics, which seem to embrace overlength as a substitute for content and skill. Unlike Spielberg's yawner, CRY didn't need to resort to F/X bloodbaths to awaken the audience's attention.

I saw BATTLE CRY on Feb. 19, 1955 at the Laurel Theatre in San Carlos, a Saturday night at the movies in an Art Deco suburban house. Maybe you have to be 66 to appreciate this film for what it represents; and maybe you need to be 26 to swallow Spielberg's version of D-Day. I'll stick with BATTLE CRY.

This is one of the best of a whole slew of WW2 films that were made in the 50's, some others of which are also very good. This one stars Aldo Ray and James Whitmore, a young Tab Hunter and others destined to become stars. The action scenes are all done pretty well in most of these films and this one is no exception. By today's standards, there are no real special effects, but what little are in the film are state-of-the-art for the time. This film should be seen to appreciate what our soldiers, sailors and marines did for us in WW2.

The title of Raoul Walsh's film would indicate a high level of visual war action, but the action in this film is more like a television soap: Peyton Place Meets Boot Camp. Battle Cry is not a bad film by any means, but a mainstream 50's romance, and because it is Walsh, there are excellent things to be found, as long as you don't expect superior battlefield heroics; Aldo Ray and Van Heflin both turn in finely-tuned performances, Ray as a macho player evolving into a loving husband, Van Heflin as a commander who fails to maintain distance from his charges; a young Tab Hunter caught on with teens when he was cast as heartthrob Danny Forrester, and acquits himself nicely.

Three years later, Stanley Kubrick would make the stunning Paths of Glory, a WWI film that revealed the true brutality of battle, and Spielberg would change mainstream war films for all time with Saving Private Ryan; Battle Cry involves the willing viewer in an intelligent adaptation of a best-selling novel and as such, succeeds.

My rating of Battle Cry has more to do with my disappointment with the plot than the actually quality of the movie. I knew nothing of the movie before I watched it, but with a name like Battle Cry, I was expecting a war movie along the lines of Battleground (with which it is paired in the double feature DVD I bought). Instead, Battle Cry has more in common with a soap opera than a real war movie. The movie spends over two hours of its time on relationships and love affairs. When the real battle scenes finally begin, they're over and done with in less than 10 minutes. That's not to say I didn't enjoy the stories of the Marines and their women, it's just not what I was expecting.

I am sure that on repeat viewings my enjoyment of the movie and rating I've given it will increase. Most of the movie is very well done. Like most other reviews I've read, I am especially fond of the scenes involving Pfc Andy Hookens (Aldo Ray) and Pat Rogers (Nancy Olson). I found it a very believable, heartfelt story that's played perfectly by both actors. The rest of the cast is solid and their plot lines are almost as enjoyable.

I was shocked at the frank presentation of some of the subject matter in Battle Cry. I can't think of another movie from the 50s, especially a flag-waving war movie, where sex, pregnancy, drinking, and adultery are dealt with so openly. It's a nice change-of-pace from the sanitized WWII movies I've come to expect.

It's not surprising many war veterans like this film. Dramatically framed with a voice-over by James Whitmore as the epitome of a Marine Sergeant who cares about his men but knows the mission is all, the film quickly draws us into the lives of these men and their women in a suspenseful and satisfying way. There is enough good acting by Whitmore, Van Heflin, Dorothy Malone, John Lupton and others to get us past the less well acted and more cliched moments. Some scenarios, such as the tragedy-to-triumph of the lumberjack womanizer(Aldo Ray)and the New Zealand farm widow (Nancy Olson)are superbly plotted and played. There are many memorable moments in the film and Uris' varied characters are well represented.(Please note that Navaho code-talkers are credited here.) Combat and training imagery and sound is generally high quality, but the outstanding aspect of the film is the way it explores the human qualities of those men and women who face the tests of war.