Science Fiction Theatre

In the mind of this 10 year old during the fifties, sci-fi was as much or perhaps more, science fantasy. Back then the possibility of 'Martians' could still not be discounted.!! True. What space travel and science that lay in store for the future was open to one's imagination. Truman Bradley, who opened the show from his laboratory somewhere alone and high in the western desert, would discuss a particular science fact and its possible ramifications and speculations. From this seed a teleplay would ensue. I loved the show. Real science and fantasy all in the same 1/2 hour program. Wish I could see them again.. Alas and alack..

This terrific, imaginative sci-fi anthology TV series was the first intelligent, dramatic sci-fi anthology series made for television, and lasted two seasons, 1955-1957. It was produced by legendary sci-fi and nature film producer Ivan Tors, for Bernard Ziv, of ZIV-TV Productions, and featured well-written half-hour episodes, many based on sci-fi short stories from sci-fi pulp magazines of the 1940s and 1950s; what it lacked in visual effects was often made up for by fine writing, acting, production values and direction. Host Truman Bradley was perfect to announce each eerie story of the week, as well as add a few words at the end of each program on how science could solve a mystery. Underrated by today's standards, this was one of TV's finest dramatic series of the 1950s, featuring many famous B-movie stars in fascinating roles. Highly recommended!

Science Fiction Theater was one of my favorites when I was a kid. (Sea Hunt, also from Ivan Tors and Ziv, with Lloyd Bridges, was another) I, born in 1950, remember hurrying home from school to see the show. I'm not sure what year this was--late '50s probably--it must already have been in reruns, being on in the afternoon. My mom wasn't thrilled that my brother and I watched it--science fiction was inherently not to be trusted--but it was good enough that she tolerated it in preference to things like the forbidden "Wednesdayville"--on, not surprisingly, only on Wednesday afternoon, showing Three Stooges shorts--and frankly, I preferred it myself. Much more better to a kid interested in sciences. I remember the intros with Truman Bradley--I can almost conjure up his face, but not quite--and, though I remember most of the shows mentioned by other writers, the one I remember especially was about a young mammoth found in the permafrost, thawed and revived, and what this led to for the animal and the people involved with it. I remember Truman Bradley's intro to that show, taking a fish frozen in ice, dropping it in water, and, when the ice melted--just a few seconds--the fish swimming away. That was the sort of thing that fascinated me.

A 225 mph super-hurricane--a stone that froze ancient, terrified voices from Pompeii--the odd new neighbors from next door who vanished one night during an electrical storm!---What an impact these stories had on a 9 yr. old kid! I never forgot them. What a blast to be able to see these shows again. Thank you, Mr. Bradley for making them resonate for all these years!

And what thought-provoking titles, too! And then of course, there was that theme music---!!

Science Fiction Theater (1955-1957) stands out as perhaps the most intriguing and intelligent of all TV science fiction shows. I remember watching the series as a 13 or 14 year old when it first aired. Only recently have I obtained a DVD of the entire series, and I am happy to say that I have not had to change my original opinion of SF Theater.

The stories are solid, the actors, easily identifiable from duty in many feature films, are excellent. And, as an added bonus, it turns out that the series was filmed in color! SF Theater was not the only 50s series to be filmed in color, but it was nevertheless among a very small minority in that respect.

As someone else pointed out, the intelligent introductions by Truman Bradley are a real plus and add an air of authenticity to the stories. (Compare that aspect of SF Theater with the idiotic stories and tone of "Lost in Space" a decade later!) Finally, I would submit that these excellent shows are a good example of what can be done to tell a complete story in just 25 minutes. Too bad so many of today's movie makers need 120+ minutes to make their points.