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6,4/10
467
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuIn London, American Gregor Stevens searches for his convicted murderer brother facing execution. He allies with smuggler Yvonne Durante to prove his brother's innocence, putting her at risk ... Alles lesenIn London, American Gregor Stevens searches for his convicted murderer brother facing execution. He allies with smuggler Yvonne Durante to prove his brother's innocence, putting her at risk from her criminal associates.In London, American Gregor Stevens searches for his convicted murderer brother facing execution. He allies with smuggler Yvonne Durante to prove his brother's innocence, putting her at risk from her criminal associates.
Johnnie Schofield
- Charley
- (as John Schofield)
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AKA..."3 Steps to the Gallows"
Scott Brady Travels to England to Beef Up Film-Noir.
Brady (brother of Lawrence Tierney) Goes Ashore to Meet His Brother and Finds He has been Convicted of Murder and will Hang in 4 Days.
What Transpires is Brady vs a British Mob of Smugglers and Tough-Guys.
The Goons can Barely Fill a Trench-Coat and are Constantly Attacking Him in Gangs.
One Fight or Chase Ends and Almost Immediately Another Takes Place.
The Movie, very Unusual for B-Movies, is Shot Predominately On-Locations.
A Difficult Task at Best.
The Story Involves a Night-Club Singer, a Rita Hayworth Look-Alike (Mary Castle) along with the Brothers Former Friends and Acquaintances.
A Wise-Cracking Boxer (John Blythe) and the Brother's Lawyer (Colin Tapley), Secretary (Gabrielle Brune), and Night-Club Owner (Lloyd Lamble).
It's a Complicated Plot.
One has No Time to be Concerned with such Twists and Turns because the Film Won't let You Catch Your Breath.
It's One of the Most Active British Noirs.
With a Hyper-Pace Anchored by Brady's Physical Presence and Persistence.
Also, the Beautiful Mary Castle Eventually Decides to Help and is an Attractive Companion.
Breathless Action and a Bewildering Plot.
Combine for an Entertaining 80 Minute Noir that Incorporates Many Night-Scenes and Shadows.
For an Ominous and Threatening Tone.
One of the Better Late Noirs from Britain and is Definitely...
Worth a Watch.
Scott Brady Travels to England to Beef Up Film-Noir.
Brady (brother of Lawrence Tierney) Goes Ashore to Meet His Brother and Finds He has been Convicted of Murder and will Hang in 4 Days.
What Transpires is Brady vs a British Mob of Smugglers and Tough-Guys.
The Goons can Barely Fill a Trench-Coat and are Constantly Attacking Him in Gangs.
One Fight or Chase Ends and Almost Immediately Another Takes Place.
The Movie, very Unusual for B-Movies, is Shot Predominately On-Locations.
A Difficult Task at Best.
The Story Involves a Night-Club Singer, a Rita Hayworth Look-Alike (Mary Castle) along with the Brothers Former Friends and Acquaintances.
A Wise-Cracking Boxer (John Blythe) and the Brother's Lawyer (Colin Tapley), Secretary (Gabrielle Brune), and Night-Club Owner (Lloyd Lamble).
It's a Complicated Plot.
One has No Time to be Concerned with such Twists and Turns because the Film Won't let You Catch Your Breath.
It's One of the Most Active British Noirs.
With a Hyper-Pace Anchored by Brady's Physical Presence and Persistence.
Also, the Beautiful Mary Castle Eventually Decides to Help and is an Attractive Companion.
Breathless Action and a Bewildering Plot.
Combine for an Entertaining 80 Minute Noir that Incorporates Many Night-Scenes and Shadows.
For an Ominous and Threatening Tone.
One of the Better Late Noirs from Britain and is Definitely...
Worth a Watch.
Gregor Stevens (Scott Brady) has 4 days shore leave. He goes to visit his brother but cannot find him. A meeting with Yvonne (Mary Castle), a boxing fan (Michael Balfour) and a visit to the "Gay Mask" nightclub give him an avenue to pursue in the circumstances that are unfolding before him. Gregor must solve the mystery before he goes back to his ship.........and, more importantly, before a hanging takes place.....
It's a fast-paced film that gets going from the beginning. It's well acted by all and has many twists to the plot. It is just on the right side of complicated.
Its a good film to keep onto and watch again.
It's a fast-paced film that gets going from the beginning. It's well acted by all and has many twists to the plot. It is just on the right side of complicated.
Its a good film to keep onto and watch again.
Scott Brady is a merchant mariner who gets off ship in England to visit his brother. He finds his brother in prison, doomed to hang in three days for murder, unless Brady can make his way through a murky underworld conspiracy that involves smuggled diamonds.
I find it interesting, the number of British programmers that begin with a sailor of some sort making port, hoping to see a relative, and discovering he is in jail or dead. It's a nice technique for plopping the protagonist down in a plot in a new situation, forcing him to deal not only with the plot, but the part of society he's caught up in. Usually it's a guy; Howard Hawks liked to use the situation with a woman coming into a tight-knit community of men -- Jean Arthur in ONLY ANGELS HAVE WINGS; Angie Dickinson in RIO BRAVO are two of those movies. However, in those movies, it's the exploration of that society that is the point of the movie; sure, there's a plot, but what it turns into is a story about bonding.
Brady is good in the role, and the story is well told, but while the mystery aspect is good, it's a decent programmer, and little more... which is fine.
I find it interesting, the number of British programmers that begin with a sailor of some sort making port, hoping to see a relative, and discovering he is in jail or dead. It's a nice technique for plopping the protagonist down in a plot in a new situation, forcing him to deal not only with the plot, but the part of society he's caught up in. Usually it's a guy; Howard Hawks liked to use the situation with a woman coming into a tight-knit community of men -- Jean Arthur in ONLY ANGELS HAVE WINGS; Angie Dickinson in RIO BRAVO are two of those movies. However, in those movies, it's the exploration of that society that is the point of the movie; sure, there's a plot, but what it turns into is a story about bonding.
Brady is good in the role, and the story is well told, but while the mystery aspect is good, it's a decent programmer, and little more... which is fine.
As some other reviewers have mentioned, THREE STEPS TO THE GALLOWS is a highly superior British film noir which doesn't let up from beginning to end. A twisty turny mystery style plot line throws up some familiar tropes - it seems half of British crime films made during the 1950s consisted of criminal enterprises utilising nightclubs as their lairs - but runs away with them thanks to a fast pacing and a complete refusal to deviate from the thriller aspects of the storyline.
American actor Scott Brady plays a sailor who gets some shore leave to visit his brother, only to discover that he's disappeared. He soon uncovers a sinister, conspiracy-style mystery that will lead to his brother's imminent execution, so it's a race against time to prove his innocence. Along the way he tangles with femme fatales, dogged detectives, and various henchmen, often slugging it out with the latter in some engaging fight scenes.
Brady is a slightly boring main actor but the supporting cast make up for deficiencies, with Ferdy Mayne and Michael Balfour on particularly strong form. Ballard Berkeley plays a cop and must have been one of the most typecast actors of the era. Director John Gilling, who would later direct the likes of THE REPTILE for Hammer, does a sterling job, but the real star here is Welshman Paul Erickson, whose debut script is never less than compelling.
American actor Scott Brady plays a sailor who gets some shore leave to visit his brother, only to discover that he's disappeared. He soon uncovers a sinister, conspiracy-style mystery that will lead to his brother's imminent execution, so it's a race against time to prove his innocence. Along the way he tangles with femme fatales, dogged detectives, and various henchmen, often slugging it out with the latter in some engaging fight scenes.
Brady is a slightly boring main actor but the supporting cast make up for deficiencies, with Ferdy Mayne and Michael Balfour on particularly strong form. Ballard Berkeley plays a cop and must have been one of the most typecast actors of the era. Director John Gilling, who would later direct the likes of THE REPTILE for Hammer, does a sterling job, but the real star here is Welshman Paul Erickson, whose debut script is never less than compelling.
Excellent British Film Noir "3 Steps to the Gallows" follows American Sailor Scott Brady trying to visit and then just locate his brother while docked in London. Mary Castle as the lounge singer at the Gay Mask club gives this film an extraordinary aura. Her abbreviated performance of "There's No Way Out" paves the way for Brady to commence making contact with all of the characters involved in the plot. Pay attention - no one is above suspicion. Brady is more than a bit of a bull in a china shop but the rest of the cast is more subtly believable. This moves along at a good pace with no dead time. Worth seeking out.
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- WissenswertesA bus passes advertising Das Kabinett des Professor Bondi (1953).
- PatzerScott Brady is shown on Regent Street, in London, entering the World Wide Travel Agency, where his brother works. A plaque with its name and logo is seen on the wall of the building. But when Brady is inside, there can be seen, through the glass over the entrance, the name and logo of the actual shop.
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Details
- Laufzeit
- 1 Std. 21 Min.(81 min)
- Farbe
- Seitenverhältnis
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