Sie ritten nach Westen

This film starts out with a Calvary Army Officer being shot in the leg by a Native American Indian and is treated by an Army Doctor who is bombed out of his mind on booze and tries to operate on his leg and cuts an artery and the soldier dies. Philip Carey, (Capt. Peter Blake) is very upset about other Army doctors who have caused him problems in the past who were on drugs and booze also. Robert Francis, (Dr. Allen Sewart),"Caine Mutiny" '54 is a new doctor and commissioned by the Army to serve with Capt. Peter Blake. Blake mistrusts Dr. Allen Sewart and gives him a very hard time, because he seems to hate all doctors. Donna Reed,(Laurie MacKaye) takes a liking to Dr. Sewart and encourages him to stand up and fight back at Capt. Blake. May Wynn,(Manyi-ten) "Caine Mutiny" is a white woman who is married to an Indian and seeks the help of Dr. Sewart and falls in love with him. This is a great story and will hold your interest from beginning to the very end. It is very sad that in real life, Robert Francis, was killed in an airplane accident right after he made the great film "Caine Mutiny" he was only twenty-five (25) years of age.

Notable B-Movie Director Phil Karlson Helmed this Above Average Early Fifties, Low-Budget Western with Little Style but its Social Concerns Rode the "New" Esthetic that Shined a much needed Light on Bigotry. There are some Corny Side-Elements to be sure, but the Aforementioned Elevate this one to Respectability.

The Plot is all about a Military Doctor (Robert Francis) and His Treatment of Indians and viewed Them as, God Forbid, Equal People as seen from the Eyes of a "Medicine Man".

Donna Reed is Awkward as a Centerpiece of the Soldiers Attention (one proposes to Her on sight), but the rest of the Cast do Yeoman's Work and it is left to Francis to Carry the Movie. He is Adequate, but the Strength is the Story and its Ramifications about the Mistreatment of a Defeated People thrown in the Trash Bin of History, until Recently.

There are some Wild and Wooly Battles that Punctuate now and then for the Action Oriented Crowd that could give a Hoot about Empathy and Inclusion of a whole Race of People that Desired Respect that was Initially Withheld.

Better than expected, with a complex script, lots of action (not all well-staged), and even some character development. Francis is fine as the idealistic young doctor whose dedication to his Hippocratic oath is greater than his oath to the army. As a result, he treats hostile Indians as equals, causing trouble for the cavalry when the tribe jumps the reservation. It's hard to tell if Francis's apparent unease is good acting or still a bit of stage fright for a newcomer. But whichever, it fits in perfectly with a tenderfoot trying to get his bearings in unfriendly surroundings.

At first I thought Donna Reed's super-coy little flirt was nothing more than star-casting that would ruin the movie. But the script deals intelligently with her development as the plot darkens. Carey's excellent as the no-nonsense Captain, who's the realist counterpoint to the doctor's idealism. Note how he's never treated with disrespect even though some of his decisions seem ethically callous. Too bad, however, the writers included the tiresome cliché of a whiskey- loving sergeant as comedy relief. Nonetheless, director Karlson, who would later excel at crime dramas, keeps things moving, and wonder of wonders, even has the Indians shrewdly shooting horses out from under the cavalry.

The movie's theme reflects the growing racial consciousness of the 1950's. I like the way a bond is established between the doctor and the medicine man in their common human concern with healing. But just as importantly, the screenplay manages to make its point without getting preachy. Sure, the production is low-budget, never getting out of greater LA, with an Indian encampment that looks about as real as a Disneyland tableau. Still, it's a thoughtful and generally well-executed little horse opera that's better than it ought to be.

When I found this on YouTube, I discovered that it was chopped up into various highlight segments that altogether ran only about maybe 50 min., more or less. Still, I highly enjoyed what I saw with Robert Francis as the new Calvary doctor sticking with his oath of caring for all human beings including the American Indians forced into the reservation near him. That gets him in plenty of hot water with superior Philip Carey who already doesn't trust doctors since the previous ones were drunk or just plain unreliable. May Wynn, Francis' co-star from The Caine Mutiny, is a white woman who was raised on the reservation after her parents were killed. And Donna Reed is the initial flirt who eventually gets on Francis' side when the others call him an Indian lover (the actual name they called him was "woodhawk".) Quite compelling what I saw so I decided to review this here in case I don't have the chance to watch the whole thing. Still, if I do, I'll come back here and either add some comments or rewrite the whole thing...

Dr. Allen Seward (Robert Francis) is assigned to a western cavalry post, due to his predecessors failings he finds that he is instantly disliked, and even worse, not trusted. Things worsen when during a confrontation at an Indian Reservation, Seward attempts to help an ill Indian infant and befriends the tribe doctor. As the war with the Indians escalates, so does the hatred from the camp towards Seward, with the men even refusing his medical treatment, but with the support of the lovely Laurie MacKaye, and a bond formed with Manyi-ten, an Indian Bride, Seeward may just be the solution to end this troubled conflict?

They Rode West is nothing special in the pantheon of inspiring and intelligent Westerns, what it isn't is one of those boorish standard Cavalry Vs Indians shoot them ups. Playing out with a lot of heart and a purpose of intent, it's a film that has a nice colour sheen, has some real solid acting and doesn't outstay its welcome. Notable for being the first of only four films that a 25 year old Robert Francis would make before being tragically killed in an aeroplane crash, They Rode West will not excite those in search of wall to wall gunfights, it will however be of interest to those who like a story of humane conflict via verbal beliefs. Of the other notables in the cast, Donna Reed adds the required touch of prettiness as Laurie MacKaye and Philip Carey does a nice line as the grumpy commander, Captain Blake. Direction from Phil Karlson is as steady as you would expect for this type of production, to leave me only left to say that it's a recommended film to see the first work of an interesting actor in the making, and of course for a bit of nous in the story. 6/10