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Sansho dayu - Ein Leben ohne Freiheit

Originaltitel: Sanshô dayû
  • 1954
  • 16
  • 2 Std. 4 Min.
IMDb-BEWERTUNG
8,3/10
19.337
IHRE BEWERTUNG
Sansho dayu - Ein Leben ohne Freiheit (1954)
Eine TragödieDrama

Im mittelalterlichen Japan wird ein mitfühlender Gouverneur ins Exil geschickt. Seine Frau und seine Kinder versuchen, sich ihm anzuschließen, sind aber getrennt, und die Kinder wachsen inmi... Alles lesenIm mittelalterlichen Japan wird ein mitfühlender Gouverneur ins Exil geschickt. Seine Frau und seine Kinder versuchen, sich ihm anzuschließen, sind aber getrennt, und die Kinder wachsen inmitten von Leid und Unterdrückung auf.Im mittelalterlichen Japan wird ein mitfühlender Gouverneur ins Exil geschickt. Seine Frau und seine Kinder versuchen, sich ihm anzuschließen, sind aber getrennt, und die Kinder wachsen inmitten von Leid und Unterdrückung auf.

  • Regie
    • Kenji Mizoguchi
  • Drehbuch
    • Ogai Mori
    • Fuji Yahiro
    • Yoshikata Yoda
  • Hauptbesetzung
    • Kinuyo Tanaka
    • Yoshiaki Hanayagi
    • Kyôko Kagawa
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    8,3/10
    19.337
    IHRE BEWERTUNG
    • Regie
      • Kenji Mizoguchi
    • Drehbuch
      • Ogai Mori
      • Fuji Yahiro
      • Yoshikata Yoda
    • Hauptbesetzung
      • Kinuyo Tanaka
      • Yoshiaki Hanayagi
      • Kyôko Kagawa
    • 72Benutzerrezensionen
    • 82Kritische Rezensionen
    • 96Metascore
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 2 Gewinne & 2 Nominierungen insgesamt

    Fotos94

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    Topbesetzung42

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    Kinuyo Tanaka
    Kinuyo Tanaka
    • Tamaki
    Yoshiaki Hanayagi
    Yoshiaki Hanayagi
    • Zushiô
    Kyôko Kagawa
    Kyôko Kagawa
    • Anju
    Eitarô Shindô
    Eitarô Shindô
    • Sanshô Dayû
    Akitake Kôno
    Akitake Kôno
    • Tarô
    Masao Shimizu
    Masao Shimizu
    • Masauji Taira
    Ken Mitsuda
    Ken Mitsuda
    • Morozane Fujiwara
    Kazukimi Okuni
    • Norimura
    Yôko Kosono
    Yôko Kosono
    • Kohagi
    Kimiko Tachibana
    • Namiji
    Ichirô Sugai
    Ichirô Sugai
    • Niô - Old Escaped Slave
    Teruko Ômi
    • Nakagimi
    Masahiko Tsugawa
    Masahiko Tsugawa
    • Young Zushiô
    • (as Masahiko Katô)
    Keiko Enami
    Keiko Enami
    • Young Anju
    Bontarô Miake
    • Kichiji
    Chieko Naniwa
    Chieko Naniwa
    • Ubatake
    Kikue Môri
    Kikue Môri
    • Priestess
    Ryôsuke Kagawa
    Ryôsuke Kagawa
    • Ritsushi Kumotake
    • Regie
      • Kenji Mizoguchi
    • Drehbuch
      • Ogai Mori
      • Fuji Yahiro
      • Yoshikata Yoda
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen72

    8,319.3K
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    Empfohlene Bewertungen

    8rooprect

    More than just a story, this gives us a peek at the director's personal demons.

    "Sansho the Bailiff" is a cinematic retelling of a 1000 year old folk tale. The story centers around a prosperous family that was disgraced due to the father's progressive ideas (fairness and equality for peasants). With the father in exile, the mother and 2 young children must undertake a difficult journey to join him, but they are ambushed by bandits and sold into slavery. This is the story of each family member's determination to reunite.

    It's an excellent film, well deserving of all the praise it has received. In terms of cinematography and visual poetry, it's the kind of film where each frame could be a photo to hang on your wall. Shots are carefully composed with perfect balance, and although it's in black & white, we get the full, layered spectrum of every grey known to the human eye.

    But as you watch this, here's an interesting tidbit that may enhance your interest. Pay close attention to the roles of women in the story, because that's what makes this work fascinating as not only a social statement but as a psychoanalysis of the great director Kenji Mizoguchi himself. At the time of this film's release (1954) and certainly in medieval times, women in Japan were horribly oppressed. Even in folk art, drama and literature, their characters traditionally played subservient and 2-dimensional roles. But here Mizoguchi turns that upside down, in a subtle way. Our 2 heroines (the mother and daughter) are, despite their physical limitations, the strongest of character and will, and they are the ones propelling the story forward. This mirrors the director's personal experience and, evidently, his private pain.

    Raised in poverty, Mizoguchi witnessed the struggles, sacrifices and ultimately the determination of the women in his life (mother, sister) who suffered in order to give him the opportunities he needed to succeed. If you keep this in mind as you watch this, I guarantee your appreciation of this film will be expanded. Much like Mozart's famous opera "Don Giovanni" was his catharsis over his own father's sacrifices (and tyranny), here in "Sansho the Bailiff" we get Mizoguchi's heart open wide, showing us how he perceives the women in his life as the fighters, the rebels, the spirits of determination, tenacity and sacrifice. As a social message, this film certainly delivered ideas ahead of its time, but perhaps more poignant is the rare peek into the mind, the demons and the secret debt Mizoguchi felt he owed to those who taught him the meaning of strength.
    spoilsbury_toast_girl

    A Life Without Freedom

    With tears of emotions the word "masterpiece" begins to develop on my lips. Incapable to speak it out loud, a gentle smile surrounds my face. I am deeply blessed. (This is my immediate reaction after having finished watching "Sansho".)

    In long, meditative shots, Mizoguchi fluently tells the story of two siblings who get separated from their mother and have to work for a cruel slave owner. It is an old legend of destitution and revenge, brought in pictures so beautiful, that you would want to frame each and every one of it and hang them up above your bed. Those are pictures of utter elegance, extreme subtlety and an intoxicating abstinence of brutality, of vain love and the slam of fate, which form that one condition people usually call life.

    Probably the best film I have seen in 2006.
    8gavin6942

    Mizoguchi Explores the Darker Side of the Slave Lord

    In medieval Japan a compassionate governor is sent into exile. His wife and children try to join him, but are separated, and the children grow up amid suffering and oppression.

    Others have pointed out that this film bears Mizoguchi's trademark interest in freedom, poverty and woman's place in society, and features beautiful images and long and complicated shots. If anything sums up Mizoguchi it is gynocentricity and long takes.

    Notice that film critic Anthony Lane wrote, "I have seen Sansho only once, a decade ago, emerging from the cinema a broken man but calm in my conviction that I had never seen anything better; I have not dared watch it again, reluctant to ruin the spell, but also because the human heart was not designed to weather such an ordeal." How do you follow that up?
    10allan825

    Luminous

    Luminous...painterly...haunting...devastating...in terms of both substance and style, a cinematic achievement of the very highest order. Like all great works of art, it is incomparable, although it would not be misleading to place it in the company of the very best of Renoir, Ford, and Kurosawa. It has the same kind of compassionate humanism, high-caliber storytelling, and effortless-seeming mastery of the medium...the same generosity.

    I prefer this film even to the great (and much better-known) Ugetsu. And I know now why Welles once said that Mizoguchi "can't be praised enough, really." I hope one day this film will be as well known as it deserves to be.
    10sansho-4

    A haunting, heartbreaking masterpiece

    Man's inhumanity to man is presented here with no artifice. This has long been a favorite of mine, although it's difficult to sell many others on the premise -- an honest, benevolent Governor in medieval Japan is imprisoned by the military regime, forcing his wife, son, and daughter to fend for themselves. They are soon captured, separated, and sold into slavery, but remained determined to reunite.

    There's something about the medieval Japanese setting that lends itself to explorations of grandiose themes painted with a broad brush. This will break your heart, and belongs on your shelf next to "Ran".

    Mehr wie diese

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    Verwandte Interessen

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    Drama

    Handlung

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    • Wissenswertes
      This film, like several films by director Kenji Mizoguchi from this period, was widely praised in both Japan and the West for its smoothly flowing camera work. But these camera movements were, in fact, planned and blocked by his great cameraman, Kazuo Miyagawa, rather than by the director, who gave Miyagawa free rein in his use of the camera.
    • Zitate

      Masauji Taira: [Speaking to his son Zushio on the verge of being exiled and separated from his family] Zushio, I wonder if you'll become a stubborn man like me. You may be too young to understand, but hear me out anyway. Without mercy, man is like a beast. Even if you are hard on yourself, be merciful to others. Men are created equal. Everyone is entitled to their happiness.

    • Verbindungen
      Featured in Cinematic Venom Presents: 1001 Movies You Must See Before You Die: Sansho The Bailiff (1954) (2017)

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    Details

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    • Erscheinungsdatum
      • 31. März 1954 (Japan)
    • Herkunftsland
      • Japan
    • Sprache
      • Japanisch
    • Auch bekannt als
      • Sansho the Bailiff
    • Drehorte
      • Japan
    • Produktionsfirma
      • Daiei Studios
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    Box Office

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    • Weltweiter Bruttoertrag
      • 5.267 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      • 2 Std. 4 Min.(124 min)
    • Farbe
      • Black and White
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.37 : 1

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