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Symphonie des Herzens

Originaltitel: Rhapsody
  • 1954
  • 12
  • 1 Std. 55 Min.
IMDb-BEWERTUNG
6,1/10
1283
IHRE BEWERTUNG
Symphonie des Herzens (1954)
Spoiled heiress Louise Durant (Dame Elizabeth Taylor) decides to leave the comfort of her father's estate in southern France to study piano at the Music Conservatory in Zurich, despite knowing that she does not have the talent nor desire to be a professional pianist.
trailer wiedergeben2:57
1 Video
53 Fotos
DramaMusikalischRomanze

Füge eine Handlung in deiner Sprache hinzuRich beauty Louise Durant follows her violinist lover to conservatory in Zurich. A pianist there falls for her. Violinist prioritizes music over Louise, pianist loves Louise more. She must c... Alles lesenRich beauty Louise Durant follows her violinist lover to conservatory in Zurich. A pianist there falls for her. Violinist prioritizes music over Louise, pianist loves Louise more. She must choose between the two men.Rich beauty Louise Durant follows her violinist lover to conservatory in Zurich. A pianist there falls for her. Violinist prioritizes music over Louise, pianist loves Louise more. She must choose between the two men.

  • Regie
    • Charles Vidor
  • Drehbuch
    • Ruth Goetz
    • Augustus Goetz
    • Fay Kanin
  • Hauptbesetzung
    • Elizabeth Taylor
    • Vittorio Gassman
    • John Ericson
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,1/10
    1283
    IHRE BEWERTUNG
    • Regie
      • Charles Vidor
    • Drehbuch
      • Ruth Goetz
      • Augustus Goetz
      • Fay Kanin
    • Hauptbesetzung
      • Elizabeth Taylor
      • Vittorio Gassman
      • John Ericson
    • 35Benutzerrezensionen
    • 6Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    Trailer
    Trailer 2:57
    Trailer

    Fotos53

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    Topbesetzung47

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    Elizabeth Taylor
    Elizabeth Taylor
    • Louise Durant
    Vittorio Gassman
    Vittorio Gassman
    • Paul Bronte
    John Ericson
    John Ericson
    • James Guest
    Louis Calhern
    Louis Calhern
    • Nicholas Durant
    Michael Chekhov
    Michael Chekhov
    • Professor Schuman
    Barbara Bates
    Barbara Bates
    • Effie Cahill
    Richard Hageman
    • Bruno Fürst
    Richard Lupino
    • Otto Krafft
    Celia Lovsky
    Celia Lovsky
    • Frau Sigerlist
    Stuart Whitman
    Stuart Whitman
    • Dove
    Madge Blake
    Madge Blake
    • Mrs. Cahill
    Jack Raine
    Jack Raine
    • Edmund Streller
    Birgit Nielsen
    • Madeleine
    Jacqueline Duval
    Jacqueline Duval
    • Yvonne
    Norma Nevens
    • Student Pianist
    Frank Arnold
    • News Vendor
    • (Nicht genannt)
    Max Barwyn
    Max Barwyn
    • Patron
    • (Nicht genannt)
    George Calliga
    George Calliga
    • Passerby on Street
    • (Nicht genannt)
    • Regie
      • Charles Vidor
    • Drehbuch
      • Ruth Goetz
      • Augustus Goetz
      • Fay Kanin
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen35

    6,11.2K
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    Empfohlene Bewertungen

    7jabflyfish

    Definition of female sex symbol revealed

    I fell upon this movie one morning on TCM while in an early morning stupor and was instantly awakened by the sight of the most beautiful women I had ever seen. Although I had never seen any of her 1950's or early 1960's roles, I quickly realized this woman was Elizabeth Taylor and was completely mesmerized. Previous reviews of this movie compared the story line to a soap opera and I certainly agree. Without Ms. Taylor drawing me in, I would have lost interest very quickly; However, I could not resist watching her every move and eventually found myself absorbed by the story line and very competent acting by all performers. The classical music was a tremendous plus for the film and made up for the stand-in sets to some degree. For me, this film was about beauty. Beautiful music surrounding a beautiful woman in all her glory. Classical music hand-in-hand with one of the classic women of the big screen. I would recommend this movie highly if for no other reason than to see the definition of the female sex symbol. Elizabeth Taylor, with her face, figure, class and charisma, is that definition. She makes the so called sex symbols of today (Jessica Simpson, Pamela Anderson, etc.) look like caricatures. What a revelation! Mediocre story, adequate acting, beautiful music, and an irresistibly stunning leading lady are the summations of this movie, in my humble opinion.
    7blanche-2

    lush '50s drama where the other woman is a violin

    Rhapsody is all about beautiful music and beautiful Elizabeth Taylor. Taylor, in a short, stylish hairdo, is at the height of her beauty in this stunningly photographed color film.

    And she's not the only beauty. Vittorio Gassman plays one of her love interests. Just try keeping your eyes off of him. Handsome John Ericson is the other man in her life.

    All in all, it's candy for the eyes and ears, gorgeous to watch and to listen to with all that classical music. Elizabeth Taylor plays a role perfect for her, i.e., a spoiled, rich brat.

    She follows the man of her dreams, Gassman, a gifted violinist, to music school in Zurich, even though her own musical ability is pathetic and she'll have nothing to do except wait around for him to finish classes and rehearsals.

    When it's obvious that Gassman is totally immersed in his music, she begins to compete with the violin for his attention.

    All three leads are excellent, as is Louis Calhern as Taylor's father. Taylor wears beautiful outfits. I'm certain this film was intended to be a showcase for her beauty, and there it succeeds.

    Despite some harsh comments made on the board, I think this you just have to take it for what it was intended to be and no more. Very entertaining.
    8jotix100

    The sound of music

    "Rhapsody" is not the bad movie some of the comments to IMDb seem to indicate. While this was a film typical of the time when it was made, it offers some of the most glorious music ever heard in a Hollywood picture. The music takes center stage in the movie. As interpreted by Michael Rabin and Claudio Arrau, among others, Tchaikowsky, Liszt and Rachmaninoff were never given such loving tribute as in this film.

    Charles Vidor directed this adaptation of a novel that might have been well regarded, enough to be brought to the screen. Ruth and August Goetz are given credit for the screen play. The Goetzes wrote many plays, among them, "The Heiress". Fay and Michael Kanin also contributed to the adaptation.

    The story of Louise "Lulu" Durant, a spoiled rich girl, that defied her father into following what she thought was the love of her life, turns out to be a nightmare. Lulu was not prepared to play second fiddle, no pun intended, to anyone, let alone Paul Bronte, the talented, but egotistical violinist that is only in love with his career.

    The story, by the way, takes place in Zurich, and not Munich, as someone reported in another comment. Lulu, who has ambitions of becoming a pianist, promptly realizes she is a lousy player and heeds the advice of the wise professor Schuman, but she makes the mistake of staying around, getting bored because Paul has only time for his music and not for her.

    Enter James Guest, an American pianist. He falls in love with the beautiful Lulu, only to be rejected. When Paul becomes the toast of the music world, he breaks from Lulu, who in turn marries James on the rebound. Ultimately, Lulu realizes that James is the one that is real and the only one that cares for her and there's a happy ending when he makes a stunning debut playing Rachmaninoff's Second Piano Concerto.

    Elizabeth Taylor, in all her beauty, is seen as the ravishing creature she was in those years. She made an impression as the spoiled "papa's girl" that she was. In this film, as well as all those Ms. Taylor made during those years, she projects such a loving presence that is hard to find fault with her acting. This actress showed such magnetism and charisma in her films, something perhaps no one else can match.

    Vittorio Gassman was perhaps Italy's best modern actor. He was trying to break into American movies. As Paul Bronte, he makes quite an impression. He was dashing and had the presence and good looks to play opposite his gorgeous costar.

    John Ericson shows he had potential to go far in the business. Unfortunately he never made it big in Hollywood. He was an accomplished actor who deserved better. Louis Calhern as Nicholas Durant, Lulu's father had only a few scenes in the movie, so it is puzzling for one to agree with another comment about how he carried the film on his shoulders. If it was, it remains a mystery to us. Mr. Calhern was a fine actor who show a natural elegance to every thing he did in the movies.

    Ms. Taylor is dressed by Helen Rose, one of the best in the business. Ms. Rose designs are an asset; anything that Elizabeth Taylor wore in the film enhanced her figure and gave the viewer an opportunity to see her as the film goddess was always was.
    8clanciai

    Elizabeth Taylor as a failed pianist makes her choice between a violinist and a pianist.

    This is one of Elizabeth Taylor's more interesting features, made while she was still at the top of her beauty and talent, sensitively portraying the love of two musicians, one decisively preferring his musical career to her, the other succumbing to her and almost perishing in the process in "a marriage of inconvenience". Vittorio Gassman and John Ericson are the two musicians, a violinist and a pianist, but although you would prefer Gassman all the way, Ericson actually improves, while both hopelessly remain in the shadows of her. The best actors, however, are Louis Calhern as the very realistic father and Michael Chekhov as the music professor, who knows the delicacy of his trade. The music is first class all the way, so that in between, when there is no music, you long for the next musical moment to turn up. Best of all is the café scene in the beginning, when all the guests appear to be musical students spontaneously forming an orchestra to accompany Vittorio Gassman. The real violinist is, however, Michael Rabin, and the real pianist of all the solo performances is Claudio Arrau, at the time perhaps the best pianist in the world. The film begins and ends with Rachmaninov's second and crowns the delightful trio drama with a conclusion which feels right in spite of all.
    edward-miller-1

    Just to correct some facts

    This is just to correct some misinformation in a previous comment. Maybe I'm splitting hairs, but facts are facts. In 1954, at the time of Rhapsody, the gorgeous Miss Taylor was 22, not 18. Her beautiful wardrobe is by Helen Rose, M-G-M's in-house designer of the 50's. (Yes, Virginia, there were other costume designers besides Edith Head!)

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    Handlung

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    • Wissenswertes
      Included among the American Film Institute's 2002 list of 400 movies nominated for the top 100 top 100 America's Greatest Love Stories movies.
    • Patzer
      Earlier in the film, Louise receives a telegram from her father, which is addressed to her at "62 Riflestrasse". Later in the film, when James enters her apartment building, the number is clearly seen to be "37".
    • Verbindungen
      Featured in Legendy mirovogo kino: Michael Chekhov
    • Soundtracks
      Concerto In D Major For Violin And Orchestra
      Music by Pyotr Ilyich Tchaikovsky

    Top-Auswahl

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    FAQ

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    Details

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    • Erscheinungsdatum
      • 17. September 1955 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprachen
      • Englisch
      • Französisch
    • Auch bekannt als
      • Rapsodia
    • Drehorte
      • Florhofgasse, Zürich, Kanton Zürich, Schweiz(street scenes)
    • Produktionsfirma
      • Metro-Goldwyn-Mayer (MGM)
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    Box Office

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    • Bruttoertrag in den USA und Kanada
      • 1.300.000 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      1 Stunde 55 Minuten
    • Farbe
      • Color

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