Beeil dich zu leben

The best part is the first : one does not know why Dorothy macGuire awakes in fear at night,why she's so frightened,why she entrusts a hefty sum of money to someone she can depend on; when one learns the reason why ,it's a little disappointing and derivative ; the screenplay does not make any sense and Stephen McNally's - although ideally cast as the villain- motives are not clearly defined ; for good measure ,there's even a love rivalry a la "imitation of life" between mother and daughter,which is rather ludicrous ,in this case!

The use of the Indian excavations ,particularly the funeral chamber , redeems somewhat the movie in the last scenes .A good beginning and a suspenseful ending ,you make it on the percentages ,but lose out on the bonuses: average.

Dorothy McGuire gives a strong performance in "Make Haste to Live" from 1954.

McGuire plays Crystal Benson, who runs the newspaper in a small Colorado town. She has a beau, Josh (John Howard) and a daughter Randy (Mary Murphy). When Randy reports that she met a man who said she reminded him of her mother, Crystal panics. She gets a gun from the sherriff's office, hands Randy's boyfriend $1000 to keep safe for her, and makes a recording explaining the situation to her daughter.

It turns out Crystal was married to a vicious criminal, Steve (Stephen McNally) who was accused of killing someone. Crystal, with the help of a good friend, Mary (a blond Carolyn Jones) escapes from him. Later on she finds out that Steve brought a woman home, and the house blew up. Police believed it was Crystal, and while cleared of the first murder, he went to prison for one he didn't commit.

Nineteen years have passed, and Steve has shown up, realizing Randy is his daughter. He befriends Randy, and Crystal passes him off as her brother. Meanwhile, she's desperate to escape again.

Someone posted on IMDb that panning a Dorothy McGuire movie is like applauding the person who killed Bambi's mother, but I must say, this is lousy. First of all, Steve meets Randy and she reminds him of her mother? In what universe?

Also you just want to throttle the McGuire character. Why not just tell everyone he's no good and have the sherriff and her boyfriend pressure him to get out of town? Or tell Randy the truth - so her father is a psychopath, that doesn't make her one.

Not only that, we're shown something in the beginning that we assume (wrongly) will play into the final denoument. It doesn't. That makes the whole thing contrived.

I saw Dorothy McGuire on stage in Night of the Iguana. A wonderful actress. Skip this.

I didn't really understand what the ex-con ex-husband "had" on the main character and what he was trying to do to her and her daughter. I did like the small Western town setting with the Indian Ruins excavation site and the idea of her attempting to escape via the chartered plane, the suspense and down-to-the-wire excitement. And the villain was a menacing character.

The plot for "Make Haste to Live" had promise...but ultimately the film made little sense and this annoyed me. It really could have been a good film.

Crystal Benson was married to a violent mobster, Steve (Stephen McNally). He slapped the snot out of her and she was naturally afraid of him. Ultimately, she escaped and the law thought that he'd killed her and disposed of the body. So, even without a corpse, he was convicted and spent 18 years in prison. Now, he's out...and looking to exact his revenge on her...now that he's found her.

While this sounds like a great plot, somehow the writing was not up to snuff. When Steve shows up in the small New Mexico town where she lives, she doesn't tell anyone who his is nor that he's threatening to kill her. Instead, inexplicably, he passes him off as her brother...and allows him to hang around her and her daughter....a young lady who doesn't know that her 'uncle' is actually her horrible father. Why doesn't Crystal tell EVERYONE he's out to kill her, he's a mobster AND why she ran?! This just doesn't make sense and the film became tedious...tedious because the solution to the problem seems simple yet the heroine seems inexplicably dim.

I expected "Sleeping with the Enemy" but this wasn't it. The tension wasn't there. I just wasn't afraid for the good guys or scared of the bad guy. I had hoped that the bottomless pit shown in the opening scene would play a bigger part, but it didn't - and it would have made a grand finale! But the ending was very disappointing!