IMDb-BEWERTUNG
3,7/10
2989
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuVic Brady draws young Don Gregor into a life of crime. He then blackmails Gregor's plastic surgeon father into fixing up his face so he can evade the cops.Vic Brady draws young Don Gregor into a life of crime. He then blackmails Gregor's plastic surgeon father into fixing up his face so he can evade the cops.Vic Brady draws young Don Gregor into a life of crime. He then blackmails Gregor's plastic surgeon father into fixing up his face so he can evade the cops.
Tedi Thurman
- Loretta
- (as Theodora Thurman)
John Martin
- Detective McCall
- (as John Robert Martin)
Henry Bederski
- Suspect in Police Station
- (Nicht genannt)
Conrad Brooks
- Medical Attendant
- (Nicht genannt)
- …
Ted Brooks
- Policeman
- (Nicht genannt)
Chick Watts
- Chick - Nightclub Performer
- (Archivfilmmaterial)
- (Nicht genannt)
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In "Jail Bait", Ed Wood applies his boundless enthusiasm and limited talent to the crime movie genre. From a technical viewpoint, it's actually one of his less unsound features, although that cuts down somewhat on the unintentional laughs that it provides. The story is actually pretty solid, and could have served as the basis for a pretty good film-noir. Most of its weaknesses are in the acting, pacing, and dialogue, plus the occasional zany out-of-place detail.
The story uses a basically familiar setup, but adds a couple of extra components to it. Lyle Talbot and Steve Reeves play a pair of policemen investigating the misdeeds of a young man whose father is a highly respected doctor. The doctor and his daughter, meanwhile, try to protect the son both from the police and from the career criminal who has led him astray. For the most part, the story is conventional but believable, with a rather clever ending.
Most of the rest of the production does not come up to the level of the story. The ever-loyal Talbot gives his typically earnest performance, trying to make the dialogue sound as good as possible, while enduring some amusingly awkward interactions with the stilted Reeves. The rest of the cast is generally nondescript, and sometimes noticeably out of their depth.
The dialogue contains some of the expected unintentional laughs, and the characters often overexert themselves on unnecessary exposition or on pointing out details that were already completely obvious. The pacing, likewise, is inconsistent from scene to scene, although with fewer of the kinds of direction and editing slip-ups that generally characterize Wood's features.
No one could ever deny that Wood loved making movies, and he made sincere efforts to make them as well as he could, which is what has kept his movies so watchable despite their shortcomings. "Jail Bait" attempts to emulate the classics of its genre, but it is severely limited by the lack of talent and other resources.
The story uses a basically familiar setup, but adds a couple of extra components to it. Lyle Talbot and Steve Reeves play a pair of policemen investigating the misdeeds of a young man whose father is a highly respected doctor. The doctor and his daughter, meanwhile, try to protect the son both from the police and from the career criminal who has led him astray. For the most part, the story is conventional but believable, with a rather clever ending.
Most of the rest of the production does not come up to the level of the story. The ever-loyal Talbot gives his typically earnest performance, trying to make the dialogue sound as good as possible, while enduring some amusingly awkward interactions with the stilted Reeves. The rest of the cast is generally nondescript, and sometimes noticeably out of their depth.
The dialogue contains some of the expected unintentional laughs, and the characters often overexert themselves on unnecessary exposition or on pointing out details that were already completely obvious. The pacing, likewise, is inconsistent from scene to scene, although with fewer of the kinds of direction and editing slip-ups that generally characterize Wood's features.
No one could ever deny that Wood loved making movies, and he made sincere efforts to make them as well as he could, which is what has kept his movies so watchable despite their shortcomings. "Jail Bait" attempts to emulate the classics of its genre, but it is severely limited by the lack of talent and other resources.
Ed Wood is mostly known for his complete ineptness behind (and in front of) the camera in such "bad" film "classics" as "Glen or Glenda" "Bride of the Monster" and "Plan 9 From Outer Space." However, Wood's brief foray into film noir, "Jail Bait", is notable for a few reasons. The first and foremost of which is that it was the first screen appearance of the legendary muscle man Steve Reeves, who was later immortalized in the "Hercules" pictures. "Jail Bait" is a somewhat misleading title, as it is a phrase that usually refers to women who are trouble, more specifically, underaged women who are trouble. In this film that simply isn't the case - the "jail bait" is more the main character's fascination with the underworld. The Rhino Video release of this film is labeled the "director's cut" because it features a short burlesque striptease segment in the place of the original segment which featured a comedian in blackface. Unfortunately, the edit is so poorly executed that it becomes painfully obvious that this "director's cut" was most likely made by the owner of the copyright. The film is just as inept as most of Ed Wood's films, though it is a little more intriguing, as it is set in a less "fictional" environment and features attempts, late in the running time, at plot twists. Plus, lovely international model Theadora Thurman plays the femme fatale (though she's a terrible actress). A necessary rental for Ed Wood or "bad movie" fans, and possibly an educational video on how NOT to do film noir.
Yes, it's inept directing, bad acting, illogical continuity etc. etc.
But it's fascinating! Everybody can do a cheap shot at Wood and repeat the degrading clichés but it is my impression that most people don't judge for themselves or play along for the ride. It's worth it. It is a fact that hallmarks of a "good movie" are: 1) it entertained you, 2) you remember it with enthusiasm. And it did both for me.
The music was so bold and different and had everything to do with creating the atmosphere in the film. I really liked it because I felt it worked for it's purpose. It gave the film it's very own identity.
I would anytime rather see an Ed Wood film than most of the Hollywood clichés poured out these days. I prefer Ed Wood for Steven Spielberg any day because you feel Wood does it for his own sake, not just to please the lowest denominator.
But it's fascinating! Everybody can do a cheap shot at Wood and repeat the degrading clichés but it is my impression that most people don't judge for themselves or play along for the ride. It's worth it. It is a fact that hallmarks of a "good movie" are: 1) it entertained you, 2) you remember it with enthusiasm. And it did both for me.
The music was so bold and different and had everything to do with creating the atmosphere in the film. I really liked it because I felt it worked for it's purpose. It gave the film it's very own identity.
I would anytime rather see an Ed Wood film than most of the Hollywood clichés poured out these days. I prefer Ed Wood for Steven Spielberg any day because you feel Wood does it for his own sake, not just to please the lowest denominator.
How could you not like Ed Wood? Here was a man who loved film making for which he had absolutely no talent. He never gave up, he scrounged around for money and locations, used actors with no ability or who were desperate for work, and is treasured by all bad-movie buffs. He would probably be thrilled that his name is universally recognized albeit as the worst director of all times.
He does his magic again with "Jail Bait", an inept film to say the least. All that needs to be said about the acting, dialog, sets, and the annoying music has already been covered on these boards, so I won't repeat it. I'll just say that I wonder how Lyle Talbot, who had a pretty decent career in films in the 1930s and early 40s, ever sank to this level. He was a face that appeared all over moviedom for years and was a good actor in support of some of the big stars of the day. Times must have been very, very hard for him to stoop to this. We know why Bela Lugosi worked with Wood but maybe Talbot did it on a bet.....or not. It's always sad to see competent actors who once had careers, end up in this manner.
If you have never seen an Ed Wood film, put this one on your "must see list"..........really all of his films are "must sees" if you are a fan of "so bad that they are good" movies. Ed Wood, I salute you!!!!!!
He does his magic again with "Jail Bait", an inept film to say the least. All that needs to be said about the acting, dialog, sets, and the annoying music has already been covered on these boards, so I won't repeat it. I'll just say that I wonder how Lyle Talbot, who had a pretty decent career in films in the 1930s and early 40s, ever sank to this level. He was a face that appeared all over moviedom for years and was a good actor in support of some of the big stars of the day. Times must have been very, very hard for him to stoop to this. We know why Bela Lugosi worked with Wood but maybe Talbot did it on a bet.....or not. It's always sad to see competent actors who once had careers, end up in this manner.
If you have never seen an Ed Wood film, put this one on your "must see list"..........really all of his films are "must sees" if you are a fan of "so bad that they are good" movies. Ed Wood, I salute you!!!!!!
Last night I decided to watch Ed Wood's crime film, "Jail Bait." Now, much like Wood's other films, the storyline, acting, direction, music and just about everything else are completely weak. However, I thoroughly enjoyed it. The acting is enjoyable because it's so bad that you have to laugh. I would recommend this film to anyone looking for a good time. Plus, the twist actually impressed me. I did not see it coming. A lot of people like to go on about how Ed Wood is the worst director of all time, but how can this be when he's made movies that so many people have enjoyed? Sure, they're awful movies, but he's done his job and entertained us. That's all I ask for.
Wusstest du schon
- WissenswertesHerbert Rawlinson had terminal lung cancer, and died the morning after his last scene was shot. Throughout the film, he obviously has trouble breathing.
- PatzerIn the opening, the police car on the way to the station is a Nash. When it pulls into the station, it's a Ford.
- Zitate
Dr. Boris Gregor: This afternoon, we had a long telephone conversation earlier in the day.
- Alternative VersionenReleased onto home video as a "Director's Cut," in which a striptease scene replaces the original segment of a blackface entertainer.
- VerbindungenEdited into Sleazemania! (1985)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- La causa del pecat
- Drehorte
- Alhambra, Kalifornien, USA(Scene at the Police Department, outside and inside.)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 22.000 $ (geschätzt)
- Laufzeit
- 1 Std. 11 Min.(71 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.37 : 1
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