Treue

For child star Donna Corcoran, it must have been nice and light and fluffy making this one, after doing "Don't Bother to Knock" with MM. That was SO dark and weird. In this one, family finances are making it impossible to keep her horse, so they will need to sell the horse to someone with a short-tempered trainer . Usually it's the child stars that are so precocious, but in this case, it's the (trained) horse that is the precocious one. Co-stars Ward Bond as "Dad". He was known for so many westerns over the years. This one is more for the kids. Everyone does a fine job, but it's pretty serious drama. Only 162 votes on imdb so far, so TCM must not show it very often. meh. It's ok. Directed by Andrew Marton, who had come from come over from Europe several times.

It's true what they've always said... this is the equine version of "Lassie Come Home," right down to the horse punctually collecting the kid at school. As with all animal movies, it seems, something dreadful happens to the family and the animal is put to the test as a result. This time out the lead is a young girl, earnestly played by one of the acting Corcoran family, Donna. Ward Bond is appropriately firm-handed as the father and lovely Frances Dee exudes understanding as the mother. Lee Van Cleef is menacing as the villain of the piece. The gorgeous black stallion, Beaut, that plays Gypsy is the same horse that played the title role in the 1950s TV series "Fury" (please observe a moment of silence for my treasured childhood TV show) and was Elizabeth Taylor's loving steed in "Giant." It's a B effort for sure, but it's nicely done for the young horsey set and others so inclined.

I thought the horse looked awful familiar! I was also a "Fury" freak as a kid. "Beaut" was a gorgeous horse. He seemed to fill out quite a bit by the time he was in "Fury." Beaut was one of the talented animal actors I can recall. In some ways, his range was quite similar to the Lassies who have been with us over the years. The one scene were he was "obvious" was in the desert as he staggered along and finally dropped. A bit of the ham, there!! The theme of the youngster being able to relate to a horse in a special way was reinforced by the interaction between the young boy who found Gypsy in the desert. Like the young girl, the boy also felt that Gypsy shouldn't be sold to adults who didn't value him, which lead him to set Gypsy free. Seeing the young Cocoran was interesting. I recall seeing her as a teenager in some films. Her brother Kevin played in quite a few Disney films, as I recall.

In the 50's, choices for kids' movies weren't quite what they are today. Gypsy Colt was a real favorite of exhibitors at the time -- entirely clean content and a short running time. It's corny by modern standards but still very charming in its own way. Interesting to see some of the same MGM props that turned up in some of their other films, War of the Worlds is one. If you love horses and a warm, fuzzy, sentimental feeling, Gypsy Colt is a winner. Although, Lee Van Cleef sure plays a real mean guy here.

Children will probably find something to appreciate in GYPSY COLT, but it's simply an uninspired remake of LASSIE COME HOME using a colt instead of a collie to tell the tale of an animal that can't stay away from its youthful owner. In this case, the owner is DONNA CORCORAN, a cute girl under contract to MGM at the time--but the acting and direction is a constant reminder that this is a B-film masquerading as an A-product.

Scenery is spectacular (of the American West), but the tale bears all the earmarks of the "Lassie" story--even down to the animal knowing when it's three o'clock and time to drop in at the school. Townspeople can set their watches at the sight of the colt racing down the street toward the schoolhouse.

WARD BOND and FRANCES DEE have very little to work with as the parents who have to sell the horse in order to make ends meet--and praying that it will rain so their crops will survive. The horse is a black beauty, sleek and proud and there are beautiful shots of it racing along highways and desert sands, pursued by cowboys at one time, motorcyclists at another, and finally taken care of briefly by a Mexican boy who finally lets the horse free from confinement after rescuing it in the desert. "Horse go home," he tells it reluctantly.

It's a simple little film that probably pleased the kiddies at Saturday matinees--but there's a tired look to the acting by all of the adults. Only the horse and the children seem to understand what this is all about.

Trivia note: Interesting to see LEE VAN CLEEF as the mean stable man, years before he joined Clint Eastwood for more villainy.