IMDb-BEWERTUNG
5,8/10
371
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuIn Rhodesia, the accidental death of a diamond broker raises suspicions with his American insurer, which sends a claims investigator to clarify the matter.In Rhodesia, the accidental death of a diamond broker raises suspicions with his American insurer, which sends a claims investigator to clarify the matter.In Rhodesia, the accidental death of a diamond broker raises suspicions with his American insurer, which sends a claims investigator to clarify the matter.
- Regie
- Drehbuch
- Hauptbesetzung
Wilfrid Hyde-White
- Pitt
- (as Wilfrid Hyde White)
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I am wondering if there was product placement,because I would swear that the native boatmen were singing "I'm with the Abbey National".The Abbey being a big building society.David Farrer as the villain easily steals the acting honours.At the end there is a credit for Elstree Studios over a photo of the studio.So I presume it was they who were responsible for the truly awful process photography.
I would have never net a dime that this film, adventure flick, was directed by an American film maker, especially George Marshall; I woud have bet on Terence Young or even Jack Lee Thompson. I know, there is Dana Andrews here, because it is a co production, but the US touch is not that obvious. It remains however very entertaining and rather light hearted. I saw it a long time ago and totally forgot it. Not bad but far from being the best from this director who seemed to work in a so frantic pace, so many movies in his filmography confirm it. Good time waster taking place in Dark Africa, with some elements of thriller.
For its first half, the tone is fairly light-hearted as its American hero ambles about London (complete with a fleeting appearance by Paul Carpenter who would soon make a career out of starring in this sort of nonsense) before taking a slow boat to Northern Rhodesia; which is where the money has really been spent, and the matte work largely ends and the location work starts.
Ripe with saturated Technicolor, some of the jungle photography is magnificent; although you can usually see throughout where the studio ends and the second unit begins.
Ripe with saturated Technicolor, some of the jungle photography is magnificent; although you can usually see throughout where the studio ends and the second unit begins.
Reading here that an assistant director on this film was killed in the rapids no doubt filming the final action sequence of Duel In The Jungle, makes me wonder was it worth it. This poor man didn't exactly die for the making of Citizen Kane.
Duel In The Jungle finds Dana Andrews heading the cast of a British production where he's an insurance investigator sent to Africa to investigate the death of David Farrar, a rich adventurer on whom the company has written a million dollar policy. The company doesn't want to fork over that kind of loot without it's own investigation.
Andrews also devotes time to harassing and that's the only way you can describe it, Farrar's fiancé Jeanne Crain. That's all right because Farrar is a nasty villain.
The film was shot on location in South Africa and Rhodesia and good location shots were wasted on a rather predictable action/adventure film. It isn't The African Queen or King Solomon's Mines you'll be seeing with Duel In The Jungle.
Duel In The Jungle finds Dana Andrews heading the cast of a British production where he's an insurance investigator sent to Africa to investigate the death of David Farrar, a rich adventurer on whom the company has written a million dollar policy. The company doesn't want to fork over that kind of loot without it's own investigation.
Andrews also devotes time to harassing and that's the only way you can describe it, Farrar's fiancé Jeanne Crain. That's all right because Farrar is a nasty villain.
The film was shot on location in South Africa and Rhodesia and good location shots were wasted on a rather predictable action/adventure film. It isn't The African Queen or King Solomon's Mines you'll be seeing with Duel In The Jungle.
When I saw the listing on Britain's Talking Pictures TV channel, I predicted that it would include travelogue footage, back projection and a woman remaining glamorous despite the privations of the outback.
So it proved. Dana Andrews plays an insurance investigator suspicious of David Farrar's reported death that will cost his company $2 million ($19 million in 2019). From London he travels to Africa, where he proves a rugged, outdoors type, adeptness with a duelling pistol being one of his skills.
Along the way he shows a great deal of interest in Jeanne Crain, the fiancée of the missing man; in today's politically-correct environment it would be seen as harassment. On arrival in Rhodesia, Crain is escorted by a group of natives to where her fiancé is hiding out. (I did wonder how "politically correct" this would have been in 1950s' Rhodesia?) Back in London she's a personal assistant but seems to adapt to outdoor rigours very easily. Happily when she's reunited with Farrar in a remote native village, she has access to half-a-dozen highly-fashionable outfits, including an evening dress. Andrews also benefits from several changes of clothes, though one might guess that these were loaned to him by Farrar.
The film ends with a chase down the river, ending with Crain falling into the river and getting soaked. A few minutes later, her hair has recovered its elegance and her smart yellow dress (with petticoat underneath) still looks good.
Several well-know actors have minor roles, including Wilfred Hyde White (as charming as ever), Walter Gotell and Paul Carpenter, on his way to starring in B (or C) pictures.
A very average film, then, though the scenes shot on location are better than usual for the period. Almost inevitably, there are incidents (several) with snakes, a lion v tiger fight and a cute monkey.
So it proved. Dana Andrews plays an insurance investigator suspicious of David Farrar's reported death that will cost his company $2 million ($19 million in 2019). From London he travels to Africa, where he proves a rugged, outdoors type, adeptness with a duelling pistol being one of his skills.
Along the way he shows a great deal of interest in Jeanne Crain, the fiancée of the missing man; in today's politically-correct environment it would be seen as harassment. On arrival in Rhodesia, Crain is escorted by a group of natives to where her fiancé is hiding out. (I did wonder how "politically correct" this would have been in 1950s' Rhodesia?) Back in London she's a personal assistant but seems to adapt to outdoor rigours very easily. Happily when she's reunited with Farrar in a remote native village, she has access to half-a-dozen highly-fashionable outfits, including an evening dress. Andrews also benefits from several changes of clothes, though one might guess that these were loaned to him by Farrar.
The film ends with a chase down the river, ending with Crain falling into the river and getting soaked. A few minutes later, her hair has recovered its elegance and her smart yellow dress (with petticoat underneath) still looks good.
Several well-know actors have minor roles, including Wilfred Hyde White (as charming as ever), Walter Gotell and Paul Carpenter, on his way to starring in B (or C) pictures.
A very average film, then, though the scenes shot on location are better than usual for the period. Almost inevitably, there are incidents (several) with snakes, a lion v tiger fight and a cute monkey.
Wusstest du schon
- WissenswertesAssistant director Tony Kelly disappeared whilst shooting second-unit footage along the Zambesi River in Rhodesia. When the crew's boat overturned, the other two crewmen were able to swim to safety, but Kelly, although the strongest swimmer of them all, disappeared in the water. It is thought he was trying to save the camera equipment and many theories were offered for the disappearance, the most fearful being that he had been taken by crocodiles. No body was ever found.
- PatzerThe same shot of a lion approaching is used when Scott is lion hunting and when Marian is threatened by one in the jungle.
- VerbindungenFeatured in Trailer Cinema (1992)
- SoundtracksThe Night Belongs To Me
Music by Mischa Spoliansky (uncredited)
Lyric by Norman Newell
Sung by Michael Mataka (uncredited)
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- 1 Std. 37 Min.(97 min)
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