Der einsame Adler

The only reason I saw this film is because is starred Alan Ladd. Other than that, it really has nothing special to add to the 134427923459329 other westerns made during this era (don't believe me? I counted!). Sure, it has nice scenery and decent acting, but the plot is quite ordinary.

The film begins with Alan Ladd being summoned to the White House to talk with President Grant. It seems that Ladd was called because he is a famed 'Indian fighter' and knows a lot about the recent uprisings among the Modoc Indians in the Washington/Oregon area (though the film sure didn't look that that part of the country to me). Ladd is given a commission as a Peace Commissioner--to pacify the problems, not just go in and kill everyone!

As Peace Commissioner, Ladd is in a bind. Some settlers and a cavalry officer and his wife have been murdered. The settlers are calling for action, but Ladd can't just start killing Indians without knowing exactly who was at fault. Ladd's job sure looks like a tough one.

When you see Captain Jack (not the pirate but the leader of these Indians), you will not be surprised that he's not played by a real American-Indian--this was very typical for the time period. Heck, the 1950s saw the likes of Rock Hudson(!), Jeff Chandler and other non-natives playing Indians. In this film, Charles Bronson (!!) plays the renegade Indian warrior--the same man of Lithuanian ancestry who was born Charles Buchinsky! Well, at least he WAS able to carry off the role, as despite his very white ancestry his chiseled looks were a reasonable approximation for a Modoc Indian--though his nose is clearly not correct (you can't win 'em all). Anthony Caruso, an Italian-American, also plays a Modoc tribesman but frankly, he WAS able to carry off playing an Indian very well and you'd swear he was one himself. And, Mexican-born Rodolfo Acosta also plays one of the tribesmen. IMDb did not indicate he had Indian blood, either, but he, too, at least looked like a very good approximation of a Modoc Indian.

This is a well-polished and decent western with good production values. However, aside from discussing the Modocs (hardly a tribe mentioned in a typical western), there really is nothing new here. The Indians are, generally, shown as unreasonable savages and the day is saved by a combination of macho-Ladd and the US Cavalry. I am quite sure that the Modocs would have a different interpretations of these hostilities! Watchable and well made but also quite ordinary.

By the way, although the dates are wrong and several important omissions occur, the general facts of the film were essentially correct (there WAS a Captain Jack, for instance as well as a hold-out in the mountains by the warriors). There was a lot of friction between the Modoc tribe and settlers--with quite a few 'massacres'. However, by 1876 (when the film is set), the Modocs had been forcibly moved to Oklahoma and their leader hanged following the killing of a US Major. It makes for interesting reading and is actually a lot more interesting than this movie.

"Drum Beat", released in 1954 pits Alan Ladd, as an Indian fighter turned peace commissioner, against the leader of the Modoc Indians of N. California, led by Charles Bronson. Ladd, as Johnny McKay, has an intense bitterness towards Indians in general, as they had slaughtered his family years earlier. However, Pres. Grant desires him to work with the Modoc tribe, in particular, to bring peace in the area of California and Oregon. The Modoc chief, Captain Jack, played by Charles Bronson, feels that an area of land is Modoc land only, and it is his to take, and keep. He also has an intense feeling toward the army medals and blue coats, which, to him, are symbols of power and authority. He even kills a retired army colonel, and seizes the medals off the coat the man was wearing.

Ladd, with the aid of Modoc Indians that desire peace, attempts to settle the conflict, but hostilities do break out between the tribe and the soldiers. This was the role that Ladd seemed to shine best in, that of the tight-lipped, slow-to-anger, tough guy. Watchable western fare.

Drum Beat is written and directed by Delmer Daves. It stars Alan Ladd, Charles Bronson, Robert Keith, Audrey Dalton, Marisa Pavan, Rodolfo Acosta, Warner Anderson, Elisha Cook Jr and Anthony Caruso. A CinemaScope/Warnercolor production, music is scored by Victor Young and cinematography by J. Peverell Marley.

Alan Ladd is Indian fighter Johnny Mackay, who is ordered by President Ulysses Grant (Hayden Rorke) to negotiate with the Modoc Indians in an attempt to avert war...

Utterly frustrating! One of the most attractive looking Westerns of the fifties, Daves' movie doesn't quite have the courage of its convictions. The core basis of the film is sound, though as we are told from the off, it features fictionalised enhancements to further dramatic impact. Snatching from a little known part of the Indian Wars from 1872/3 (to be applauded), that of the Modoc Uprising, film is set in 1869 around the Oregon-California border. Plot and story are put in place neatly, where the characters are interesting, the back drop of various Arizona locations is simply in "scope" gorgeous, and the narrative promises some boldness as the first person killed is an innocent woman and the white man protagonists are fuelled by anger and hatred. But...

Unfortunately with a running time of one hour and fifty minutes, many passages of chatter never really expand the characters. Something which is not usually applicable to Delmer Daves when he was on form. We should be getting high grade dramatic worth from the principle players, their conversations should ping with emotion and depth, after being set up as people with voices to be heard, we never get a real grasp of Mackay's inner conflict, or Captain Jack's (Bronson) staunch loyalty to his cause, or even the depth and reasoning of Bill Satterwhite's (Keith) hatred. While there is, as the historians will tell you, a severe dilution of the story to suit the white man's cause. It's hard to believe this is the same director of Broken Arrow from four years earlier! But then Daves wasn't writing the screenplay....

Maybe Daves felt he needed to better the screenplay for Broken Arrow? To show he could put down on the page some "liberal" quality as well as directing? He would prove post Drum Beat that he could "co-write" great Western screenplays (Jubal/White Feather/The Last Wagon), but here on his own he falls short. Not only does it skulk in the shadow of Broken Arrow, it also pales into insignificance to Anthony Mann's brilliant Devil's Doorway, which was also from 1950. You can feel Daves striving for relevance in the mid fifties, but he is trumped by narrative zest elsewhere, a shame since the acting performances and production quality make Drum Beat very watchable.

Visually it's superb, Sedona's various natural beauties are excellently captured by Peverell Marley (The Left Handed Gun/Westbound), while Daves proves adept at utilising the landscapes as part of his action sequences (check out the red rock rifle engagement scene). Young's score is a goodie, blending bombastic beats with ballad strains, and the Warnercolor is gorgeous, one of the better Warnercolor productions that I have seen. Acting wise it's Bronson's movie, physically perfect and featuring a shifty aggressive ebullience that's most appealing. Ladd scores well, too, nicely underplayed at the critical moments, Keith has a thespian quality that suits the role of an Indian hating aggressor, and Elisha Cook provides weasel smarts that make us yearn for his part to have been bigger.

Some have questioned why this isn't better known or worthy of a widespread home format release? The answer is that simply it has more style than substance, and Daves, as much as us Western fans love him, is to blame from a writing perspective. Visually and aurally the film ranks a comfortable 9/10. As a whole, sadly, it rounds out as 6.5/10.

Catch the two great bookend sequences. They may be the most memorable part of this nicely produced Western purportedly based on fact. That opening sequence with McKay (Ladd) walking in unchallenged to meet President Grant is based on the historical fact that presidents have only been removed from the public in later times. Citizens back then could essentially walk in and talk to the president without a dozen pre-screens.

Also, for this Bronson fan, that jail cell ending may well be the high point of his acting career. He shows more unforced good humor and naturalness there than any scene I've seen him in. In fact, he easily steals the movie from the rest of the cast, positioning himself as a real Hollywood comer.

This is an A-production from Warner Bros. For example, scope out the well stocked cavalry troop. No corner-cutting there. Then too, lavish use is made of Sedona's familiar red rock locations adding real scenic value. Also, there's a much larger than usual supporting cast of familiar faces, even down to bit parts. Producers Daves and Ladd (uncredited) do a bang-up job assembling the many components.

Surprisingly, for plot developments, the Indians actually get to win a battle and rejoice on- screen. However, the film's impact is damaged by being over-long, probably to accommodate a romantic interest to broaden audience appeal. Then too, Ladd, the actor, appears not nearly as interested in the film as Ladd, the co-producer. Frankly, he looks glum throughout the nearly two-hour running time, and I don't think it's from under-playing the part. Plus having him over-power the muscular, extremely fit looking Bronson is quite a stretch.

Despite these several drawbacks, it's still a good scenic, action flick, the first of director Daves' series of superior Westerns.

This is based on true facts, but since the Modocs were never in Arizona, i found the scenery comical. If you do a search for, 'Canby's Cross', it takes you to the north end of California, about 12 miles south of the Oregon border. In the 'Lava Beds National Monument.'

Canby's Cross is a monument erected on the site of the killings, to honor the men lost. On the cross, is inscribed, "Gen Canby USA was murdered here by the Modocs April 11, 1873"

The real Canby was shot in the face. In the movie, it appeared they kept that detail, as you see him clutch his face after the second shot.