Die Teuflischen

Greetings from Lithuania.

"Diabolique" (1955) is a really good mystery drama. It starts as a drama and then later some of the characters must done something horrible, but the true suspense comes after something very "not according to a plan" happens.

I liked the performances in this movie. Directing and writing was also great, as well as the involving story. The ending was surprising as well.

Overall, "Diabolique" isn't a horror movie as its genre description says - its a very solid mystery drama. It has involving story and it is very well done. Good movie overall.

"Les Diaboliques" has one of the best plots you will ever find in any mystery or suspense thriller. The excellent directing, acting, and writing combine with the story itself to make it a memorable experience.

If you enjoy quality mysteries or thrillers, you will almost certainly enjoy this one - and if you have not seen it yet, you might just want to buy or rent it now, before you read any more reviews. This comment will avoid any discussion at all of the actual plot itself, because the less you know in advance, the more you will enjoy it. The few implausible elements in the story do not detract at all from the enjoyment.

A great plot does not all by itself make a good movie, and everything works especially well here because of the expert pacing by director Henri-Georges Clouzot and good, mostly understated acting by the main actors. We are drawn into their world very nicely. Everything about the characters and events is built up perfectly, to give the brilliant climax its full effect. Once again, see it before you find out any more.

Even if you do not normally watch black-and-white films or foreign movies (this is in French), if you enjoy thrillers, watch "Les Diaboliques" as soon as you have the chance.

The odds against writing and directing two all-time classic thrillers/suspensers back to back must be fairly remote, featuring your wife in both remoter still, and starring Yves Montand in the first (The Wages Of Fear, in case there are any first-time buyers out there) and his wife, Simone Signoret in the second, astronomical. Say hello - and tip your hat while you're about it - to Henri-George Clouzot who pulled off this double whammy with ease. Clouzot made only a handful of films but those he did make were worth seeing, from Le Corbeau thru L'Assassin habite du 21 thru Quai des Orfevres and up to Wages and this one. Again many previous commenters have set the scene and described the plot and most of them are more than positive in their praise. I can only endorse their opinions and raise a glass to all involved especially Paul Meurisse and Charles Vanel who tend to get lost in the shuffle. 9/10

Les diaboliques is an unusually intense movie. I believe this is due to the well thought out choice of real locations and the masterful use of spatial entities and textures. Your memory really gets hooked on those things, and it gives the story a sense of reality that makes you feel uneasy.

Les diaboliques is as much a horror movie as it is a thriller. When I watch this I perceive an intense mouldy smell throughout. The crumbling boarding school where the main characters live and act is worse than any nightmare – even the swimming pool filled with murky water appears like a menacing abyss. The stifling crummyness is accentuated by the plot: School teachers sit at the sadistic principal's table in the refectory and have to force unspeakably ghastly meals down their throats (only one glass of wine is allowed). The second location is the principal's lover's apartment in a dead borough somewhere in no man's land. It's stuffy and utterly claustrophobic. The transfer between the two places is made with a "deux chevaux" station wagon – its characteristic back part of corrugated sheet metal once was a common feature in our parts of the world, as was the snarling sound of the deux chevaux‘s engine. In the corrugated iron "box" sits a creaky wicker crate, which on the way back from the lover's apartment contains evidence of the crime, wrapped in a checkered wax tablecloth. So you see shells within shells, not unlike one of those Russian wooden dolls. You don't know what you will find in the innermost until the end.

DIABOLIQUE (Henri-Georges Clouzot - France 1955).

I must admit I found Clouzot's earlier WAGES OF FEAR(1953) slightly disappointing and therefor temporarily held back from watching any other films he made but how wrong I was! This much discussed classic was one of the most frightening and disturbing films I've ever seen. The music theme played during the opening credits with the organ and the singing schoolchildren still makes the hairs in my neck stand up, even at this very moment.

The story revolves around the tyrant schoolmaster Delasalle (Paul Meurisse) of a seedy boarding school, his wife (Vera Clouzot) and his mistress (Simone Signoret). An he maltreats them both, they decide to work together to murder him. They drown Delasalle in the bathtub and dump the corpse in the abandoned swimming pool next to the school. But then, eerie things start to happen. When the pool is drained and no body is found, the two women grow increasingly fearful that Delasalle is still alive. When subsequently his suit is returned from the dry-cleaners and the schoolchildren repeatedly testify they've seen Delasalle, they start to panic and the strange occurrences surrounding his supposed resurrection slowly drive them into insanity and complete paranoia.

Justifiably hailed as one of the most suspenseful films ever made and often compared to Hitchcock's work. Clouzot lacks the master's wit but as far as suspense goes, he is incomparable. Very much opposed to Hitchcock, this film - like most of his work - has a very cynical and misanthropic feel to it. Perhaps largely due to this very dark tone and Clouzot's excellent eye for detail, even today it still has the power to drive you right up the wall. And Simone Signoret, whom I've never (consciously) seen before in other films, greatly added to my admiration of this film. A sublime actress and an absolutely hypnotizing screen presence. The entire cast is terrific for that matter with Charles Vanel as inspector Fichet another standout.

Clouzot takes his time to build up the story very precisely but once the mysterious things start to happen every scene adds to an almost unbearable tension. You'll watch every facial expression and every detail on screen with increasing paranoia yourself, in order to understand what on earth could have happened. And the ending is so surprising that I wasn't quite sure anymore about the things I just saw, even right after the film's ending. A genuinely great movie that more than lives up to its status and has lost none of its impact over the last five decades.

Camera Obscura --- 10/10