Königin der Berge

A story about this movie goes like this:

THe production hired some Indians for a few measly dollars a day.But in the meantime,oil was found on their territory and they became millionaires But they had to honor their contract:so they came to the set in limos.

Some viewers have complained about a certain racism.I do not think it is so;there are villains among the Indian tribe and among the Whites.For Stanwyck,the film looks like a blueprint for her "Forty guns" (Fuller,1957),although it's less violent and less inventive.But Dwan makes us feel his love for nature

Perhaps the most uncomplicated of America's classic directors, Dwan made a series of films in the fifties for producer Bogeaus that allowed him a degree of flexibility he'd been unused to since the silent days. Cattle Queen of Montana, the tale of Stanwyck's struggles to hold on to the property of her murdered father, is beautifully lit by cinematographer Alton, the great unsung Hollywood cameraman. It evokes a world of easeful innocence far removed from the cynicism and violence that was the norm in the Western of the fifties. Reagan is the mysterious gunman who comes to Stanwyck's rescue. Stanwyck, who did all her own stunts, so impressed the Blackfeet Indians hired as extras that they made her a blood sister, and gave her the Indian name of Princess Many Victories.

Phil Hardy

If you already have seen MAVERICK QUEEN, FORTY GUNS, THE FURIES, also starring Barbara Stanwyck, then this western will look familiar to you. In all those movies, she plays strong lady, leading men, and admit that's not too usual in westerns, mostly macho oriented. And the most astounding is that she never loses her feminine touch. I was also excitied by the jawdropping natural settings, on locations. The story is also very touching and director Allan Dwann, one of the most prolific ever, gives here a terrific performance in one of his latest movies. Benedict Bogeaus production, who were in charge of those latest Dwann's stuff, is also on the level; nothing to do with a Sam Katzman production's film for instance.

Out of RKO Radio Pictures comes Cattle Queen of Montana, directed by Allan Dwan and written by Robert Blees, Howard Estabrook (screenplay) & Thomas Blackburn (story). It stars Barbara Stanwyck, Ronald Reagan, Gene Adams, Lance Fuller, Anthony Caruso, Jack Elam & Yvette Duguay. The music is scored by Louis Forbes and it's a Technicolor production with John Alton on photography. Locations used for the film are Glacier National Park, Montana & Iverson Ranch, Chatsworth, California.

Stanwyck plays Sierra Nevada Jones, a tough cowgirl who along with her father, drive the family herd up from Texas to Montana. Planning to build a ranch to set themselves up, tragedy strikes when they are attacked by some renegade Blackfoot Indians. However, all is not as it seems, just what has shifty Tom McCord (Evans) got to do with things? Why is gunslinger Farrell (Reagan) working for McCord? And can war between the Blackfoot and the white man be averted?

Standard formulaic stuff that is only really of interest for the photography of Alton. Cowboys and Indians, good and bad on each side, go head to head in a cliché riddled movie bogged down by a pretty turgid script. Not even the normally classy Stanwyck can lift herself to a performance capable of saving the piece. There's some credit due for making the lead protagonist a strong willed woman, and even tho it's a bit late in the cycle of topic, depicting the Indians as not all savages-as the white man encroaches onto their land-is a bonus. But with American character actors Fuller & Caruso playing the in fighting leaders of the Blackfoot tribe, it just comes across as corny and wholly unbelievable, while Dwan was indeed a more than capable director, here the action lacks zip and the film gasps for some dramatic air as the narrative goes around in circles.

The story off screen is more entertaining than the film itself, where Reagan was constantly at odds with producer Benedict Bogeaus. The future President of the United States of America took one look at the script and voiced concerns, suggesting many changes, all of which were ignored. Royalty status was afforded Stanwyck while Reagan got next to no help from the producer, this perhaps goes someway to explaining his limp performance. Tho, again, the script calls for him to be part of one of the most lukewarm and pointless romances in 1950s Oaters, he got no help either way on this picture. Still, there's Alton's photography of the Glacier National Park to hold the attention, even if the "new" scrubbed up print of the film is far from doing it justice.

That its claim to fame is being the film playing at the theater in Hill Valley in the film Back to the Future, says volumes, this is poor all told, and not even worthy of recommending to those after a time filling Cowboys & Indians no brainer. 3/10

Barbara Stanwyck and Ronald Reagan star together in this tale of the growing state of Montana, becoming a landowner, fighting for land, and making one's dreams into reality. It all sounds rather profound, important, or dramatic, doesn't it? Well, I probably make it sound more so than it really is. This is basically Indians vs. White Man, The Law vs. White Man Selling Ammunition to Indians, Indian Brother vs. Indian Brother, and Stanwyck vs. Reagan. The later sounds more interesting, doesn't it? Well, the viewer is led to believe that Reagan is hired as a gunslinger to get rid of Barbara when she won't leave "her" land, after White Man got Indians to raid her family settlement, which killed her father. They don't know Stanwyck. That only made her more determined to stay, and mad. Watch out! The presence of Stanwyck and Reagan elevates this otherwise generic film, which emphasizes the Indians too much in the first half. It does get better in its last 30 to 40 minutes with Stanwyck declaring war. But, there's too much of everyone's against everyone else and trying to keep up with who's on whose side and who's betraying whom, and the actors portraying the Indians slow down the film with their, to be frank, pretty lame acting. By the end of the film, you'll probably like it on the whole, due to the chemistry and flirting between Barbara and Ronnie and their being on the screen more together near the end of the film. But, you'll also wish they were in other better films than this.