Der Schürzenjäger von Venedig

1953's "Casanova's Big Night" may not have lit up the box office that year, but it's still one of Bob Hope's last truly great comedies, playing on his fast patter and brave coward persona while slyly acknowledging his off screen reputation as a ladies man. As usual, he assembles a fine cast of veteran players, with beautiful teen newcomer Audrey Dalton playing it straight as damsel in distress, Joan Fontaine going for laughs as Bob's leading lady Francesca. Even better for often deprived horror fans is the array of talent lined up to play the villains, apart from Basil Rathbone's triumphant return to Hollywood since retiring from the Sherlock Holmes series a decade earlier. Also back in Tinseltown for the first time since 1946 is John Carradine, whose Foressi is like that of Raymond Burr as Bragadin, a secondary minister to Arnold Moss as the powerful Doge. Curiously unbilled as the actual Casanova is Vincent Price, clean shaven and certainly handsome enough, first taunting Hope's hapless tailor for impersonating him to infiltrate Francesca's bedroom, then needing his assistance to avoid the unpaid bills of grasping creditors. Last but not least is Lon Chaney at the one hour mark, announcing himself as 'Emo, the Murderer from Milan,' who offers an imprisoned Bob an escape from their cell for a simple exchange of clothes (he was prominently featured in Hope's 1946 "My Favorite Brunette"). A pleasant nod to Chaney's Lennie in "Of Mice and Men" arrives when a mouse is found in Emo's pocket, which he promptly disowns: "he must be yours!" Rathbone too enjoys this comic resurgence as Casanova's valet, soon reuniting with Carradine in Danny Kaye's "The Court Jester," proudly displaying his fencing prowess on both occasions.

Opulent production values, colorful Technicolor, an unusually elaborate plot, and Bob Hope's deliciously anachronistic / contemporary humor (plus some racy jokes for the time - "every man has a Casanova inside him, I speak from experience!") make this one of his best films, among those I have seen so far. The usually refined Joan Fontaine gives possibly her loosest, funniest, sexiest performance; I will be seeking out more of her comedies. Sherlock Holmes.... I mean Basil Rathbone has a sizable role, and an unbilled Vincent Price is great as the "real" Casanova (an unorthodox choice). Quite an ending(s), as well. *** out of 4.

One of Bob Hope's funnier comedies was Casanova's Big Night which finds tailor's apprentice Hope exchanging places with the great Casanova who is played by Vincent Price in an unbilled cameo.

Casanova's been down on his luck lately and he's beating it out of town owing the butcher, baker, and candlestick maker as well as his valet, Basil Rathbone. But after Dutchess Hope Emerson and her son Robert Hutton catch Hope in Casanova's outfit, Rathbone and the creditors decide to let the ruse continue.

Emerson wants to hire the world's greatest lover to seduce her son's intended, Audrey Dalton, because she feels she's a titled goldigger. True, but that's beside the point. The proof will be if the great lover can steal a certain petticoat with a crest embroidered on it.

The Doge of Venice Arnold Moss and his two scheming aides Raymond Burr and John Carradine also have their doubts that Hope might not be the great Casanova. What could ever give them that idea?

By the way Cassanova's Big Night was unusual for Hope in that he went the entire film without one Crosby joke.

The palace intrigue is as thick as a cement pudding, but Hope manages to bumble through it with the help of Joan Fontaine who is one of the creditors. As is the case in all his films, she develops as a soft spot for old ski nose.

Paramount gave Hope an unusually good supporting cast here and they all perform well. Of course fans of the classics might well recognize that the plot was lifted from The Three Musketeers.

But can you imagine the havoc that three Bob Hopes would have caused Venice?

Hope was at his peak when this film was made. It has many of the same elements as his Monsieur Baucaire, a costume drama about a person above his station carrying out an impersonation, getting involved with good looking chicks, fighting comic duels, etc. Hollywood back in the late 40s and early 50s was not above recycling a hit. I love seeing these old films again with the great comedians of those times, Danny Kaye, Red Skelton and, of course, Hope. Their timing and ability to make the corniest gags work still amazes me. Also, this film has so many of the wonderful character actors that made the old studio productions such a treat. These are faces that only the most serious of trivia buffs will recognize and put the names on, but here we have Arnold Moss, Frank Puglia, John Carridine, Lon Chaney Jr., John Hoyt, Primo Carnera, Hugh Marlowe and a very young Raymond Burr. The comparisons by another reviewer with Woody Allen are interesting but, hey! Hope was first.

A good all-star cast in a very cute comedy film about, who else, the great lover Casanova! Bob Hope was as cute as can be as Pippo Popolino (aka Casanova's double). Casanova is actually played by the late great Vincent Price who was uncredited. Casanova ended up spending to much of his money and couldn't pay what he owed, so talked Pippo into taking over as himself which leads into some comical moments.

Casting is superb! Bob Hope, Raymond Burr, Vincent Price, Basil Rathbone, John Carradine & Lon Chaney are the real reasons to watch this film. Story is fun, nothing heavy here - just silly comedy. The film is eye-candy in sets and costuming with rich technicolor bringing this out!

9.5/10.