Der Schürzenjäger von Venedig

What a treat to see Bob impersonate the greatest of all lovers-Casanova. This is a wonderfully entertaining movie which keeps you amused throughout the entire film.Basil Rathbone as usual up to top form. Did he ever play anything but a scoundrel in all his movies? There are so many highlights it is difficult to choose any favorites,but the best would be at the end of the movie when Hope as Casanova is to be executed and appeals to the movie audience to spare him ,is one of the funniest scenes ever done.Next time you go to the movies take some popcorn with you and we may be able to save Bob from a fate worse than death.

A good all-star cast in a very cute comedy film about, who else, the great lover Casanova! Bob Hope was as cute as can be as Pippo Popolino (aka Casanova's double). Casanova is actually played by the late great Vincent Price who was uncredited. Casanova ended up spending to much of his money and couldn't pay what he owed, so talked Pippo into taking over as himself which leads into some comical moments.

Casting is superb! Bob Hope, Raymond Burr, Vincent Price, Basil Rathbone, John Carradine & Lon Chaney are the real reasons to watch this film. Story is fun, nothing heavy here - just silly comedy. The film is eye-candy in sets and costuming with rich technicolor bringing this out!

9.5/10.

Hope was at his peak when this film was made. It has many of the same elements as his Monsieur Baucaire, a costume drama about a person above his station carrying out an impersonation, getting involved with good looking chicks, fighting comic duels, etc. Hollywood back in the late 40s and early 50s was not above recycling a hit. I love seeing these old films again with the great comedians of those times, Danny Kaye, Red Skelton and, of course, Hope. Their timing and ability to make the corniest gags work still amazes me. Also, this film has so many of the wonderful character actors that made the old studio productions such a treat. These are faces that only the most serious of trivia buffs will recognize and put the names on, but here we have Arnold Moss, Frank Puglia, John Carridine, Lon Chaney Jr., John Hoyt, Primo Carnera, Hugh Marlowe and a very young Raymond Burr. The comparisons by another reviewer with Woody Allen are interesting but, hey! Hope was first.

Haven't seen it in awhile, but recall it as being very quotable in a Monty Python sort of way...

(scene: prison cell) Bob Hope: "What time is it?" Prisoner: "Oh, around 1758."

1953's "Casanova's Big Night" may not have lit up the box office that year, but it's still one of Bob Hope's last truly great comedies, playing on his fast patter and brave coward persona while slyly acknowledging his off screen reputation as a ladies man. As usual, he assembles a fine cast of veteran players, with beautiful teen newcomer Audrey Dalton playing it straight as damsel in distress, Joan Fontaine going for laughs as Bob's leading lady Francesca. Even better for often deprived horror fans is the array of talent lined up to play the villains, apart from Basil Rathbone's triumphant return to Hollywood since retiring from the Sherlock Holmes series a decade earlier. Also back in Tinseltown for the first time since 1946 is John Carradine, whose Foressi is like that of Raymond Burr as Bragadin, a secondary minister to Arnold Moss as the powerful Doge. Curiously unbilled as the actual Casanova is Vincent Price, clean shaven and certainly handsome enough, first taunting Hope's hapless tailor for impersonating him to infiltrate Francesca's bedroom, then needing his assistance to avoid the unpaid bills of grasping creditors. Last but not least is Lon Chaney at the one hour mark, announcing himself as 'Emo, the Murderer from Milan,' who offers an imprisoned Bob an escape from their cell for a simple exchange of clothes (he was prominently featured in Hope's 1946 "My Favorite Brunette"). A pleasant nod to Chaney's Lennie in "Of Mice and Men" arrives when a mouse is found in Emo's pocket, which he promptly disowns: "he must be yours!" Rathbone too enjoys this comic resurgence as Casanova's valet, soon reuniting with Carradine in Danny Kaye's "The Court Jester," proudly displaying his fencing prowess on both occasions.