Die gebrochene Lanze

Tracy is a believable cowboy, nicely balanced for handling a bull whip, riding dangerously the hills...

Tracy plays a despot, absolute ruler cattle baron "making the wrong move with the wrong people," using his force to restrain the pollution of his cattle's stream: "The river is on my land. You are on my land. You close this operation down."

His first three sons (Widmark, O'Brien and Holliman) were unanimously disappointing to him... He considered them cattle thieves, treating them harshly, without mercy... Only the fourth son and the youngest one (Robert Wagner) by his present wife, a Comanche woman played by the clever, quick-witted Katy Jurado has his affection and care... The other sons looks only forward to his demise so they may take control over his cattle empire...

Tracy — irritated and frustrated as a father — expends excessive reasons that arouses the sensation of hate provoking avaricious rebellion, and nearly destroys his younger kid Joe...

It was interesting to follow Dmytryk's study of racial prejudice against the Indian wife of a domineering white father... Interesting to compare the rough resilience of Tracy with his character—isolated by mortal danger in "Bad Day at Black Rock," a character enlightened with real feelings specially in guessing the conclusion... Somehow this is missing in Dmytryk's "Broken Lance" where the autocratic father seems so artificial, an unfavorable comment that can be aimed against the movie itself...

Widmark offers a fine performance as the unlikable eldest son, while Robert Wagner and Jean Peters manage the romantic interlude...

The screenplay, based on 1949s "Home of Strangers" wins an Oscar and the fiery-eyed Mexican star Katy Jurado was nominated for best supporting actress...

Filmed in CinemaScope and Technicolor and with great sceneries of the state of Arizona, "Broken Lance" remains a first-rate adult Western...

BROKEN LANCE is a run of the mill Western elevated by Spencer Tracy's unfailingly high acting standards. Screenplay is OK, with an ending that requires much suspension of disbelief, and with a vested anti-racism message which, back in 1954, must have been unusual and even necessary.

Film critic Leonard Maltin sees it as Shakespeare's King Lear in the male version and in the West. He may have a point, though one could argue that the parable of the prodigal son also comes to mind, except that that son is of mixed race (Wagner) who is returning from doing time, and brother Widmark resents him to the point of short-changing him in terms of inheritance.

Widmark begins well enough but gradually goes wide of the mark, and by the end his character is overblown with self-pity, hatred, greed, envy, and many other sins, to the point of trying to shoot his half-brother (the whole sequence is pathetic and lets the film down badly). Needless to say, by comparison Wagner comes across as an angel, not least because he has done three years in jail by taking the blame for a misdeed by his father, Tracy, thereby sparing the latter that time behind bars.

That situation in effect gives Wagner the plum part in the movie but, sadly, apart from the moment when he throws a wad of money into a spitoon, he misses the opportunity. I would have loved to see Marlon Brando in that part.

Katy Jurado, playing Tracy's second wife and the daughter of an Indian chief, is Wagner's mother. Her weak acting is particularly exposed when she comes face to face with Tracy.

The other two brothers hardly have a thing to say, and sound dumb when they open their mouths. Jean Peters is beautiful, which is a plus, but her role is rather limited. The actor who plays her father is convincing, but his part is too short to be noteworthy.

Photography and settings are first class, and give this movie a kind of GONE WITH THE WIND look at times. I have now seen this film some five times, and to me it ends with Tracy's death. The remaining 20+ minutes are painful to watch without him, especially the thoroughly unbelievable sequence where Widmark tries to do Wagner.

This is a western starring Spencer Tracy as the patriarch rancher Matt Devereaux who has four sons. The three sons from Spencer's first marriage are Ben (Richard Widmark), Mike (Hugh O'Brian) and Denny (Earl Holliman). When his first wife dies, Matt marries Katy Jurado, a Native American. They have a twenty five year marriage including Matt's youngest son, Joe (Robert Wagner).

The three older sons are a disappointment to Matt, and the eldest, Ben, hates his father and youngest brother. Matt rules his ranch with a iron fist, and he uses a whip with authority. Many cattle on the ranch have died because the creek water was poisoned by a copper mine. As a result, Matt rides out to the mine with all four of his sons, and together they destroy the mining equipment, injuring some of the miners in the process.

The law comes down hard on Matt for this, and somebody will have to serve jail time. Joe knows that his father would die in prison, so he serves the three year prison term. Ben refuses to go on principle, and Mike and Denny are just plain sniveling weaklings. Joe is released, and there are still problems on the home front. Ben is angry and defiant saying he worked sixteen hours a day since he was ten years old, and Matt suffers a stroke after a nasty fight with him. As a result of his incapacity, Matt signs over a piece of the ranch to each of his sons, and you know that share and share alike is just going to cause more trouble among this incongruent group.

Did I mention there is oil on the land? Who will sell out, and how will this all work out? Watch and find out. Spencer is excellent as Matt Devereaux, and his scenes with Richard Widmark are especially well done. Their arguments as father and eldest son are convincing.

This was the first film Spencer did after leaving MGM and the film is available free to AMAZON PRIME members. I'm bumping this from a 7 to a 6 because for those famililar with Fox classic films you'll probably recognize the plot as a loose western remake of a well known 40s Fox noir. That tended to reduce the suspense for me quite a bit.

Edward Dmytryk was a skilled director. He showed plenty of memorable titles as in "Murder My Sweet" "The Caine Mutiny," "Warlock", "Raintree County"... where he showed narrative skill, a most correct direction of actors and impressive staging.

The one that concerns us: "Broken Lance" is, for our taste, one of his best films. Told from a long flashback that begins after Joe Devereaux returns to his old home after spending three years in prison, the narrative focuses on the eventful life of the landlord Matthew Devereaux (a superb and brilliant Spencer Tracy) and his difficult relationship with his children and unhappy with the environment that surrounds it. Matt is a man who loves nature and respects animals. It is also a just and loving husband with his Indian wife (Katy Jurado's always accurate Oscar nominee for this role), loves much the son she had with her (Joe), but the children of his former wife, now deceased, is intolerant and demanding. Their conflict develops into a crescendo that prevents us from a storm that seems inevitable.

Dmytryk will recreate every nuance of arrogance and the film emerges as a psychological portrait of great importance. Matt is contrasting as day. Defend the Indians and some even work for him. Your home is an earthly paradise and think, clearly, a man of privilege.But as in all light is usually a shade to Matthew is impossible to get along with their children and this makes the paradise into an inferno.

The river that crosses his land is a symbol of the flow of life: sometimes calm... sometimes with rocks impeding the flow. Sometimes of course... and sometimes murky. Remake of "House of Strangers" by Joseph L. Mankiewicz, the story of "Broken Lance" refers to "King Lear" by William Shakespeare and even "The Brothers Karamazov" by Fyodor Dostoevsky. Materials, all of these, essential in the cultural baggage of any human being.

"Broken Lance" can also be made in any list of classic western movies.

Although a remake,this western strongly recalls the story of Joseph and his brothers in Genesis.After all,that's the hero's name ,and his brothers really sell him when they refuse to give more money to the bosses of the copper mine .Leonard Maltin wrote that it owes a deal to "king lear" too,the daughters becoming sons.Richard Widmark is the stand-out and easily outshines the "good" Robert Wagner and his two other brothers who are no more than walk-ons anyway.In his final confrontation with Tracy,he even surpasses the veteran :he succeeds,which is not a small feat, in making us believe that he had a very hard life and that he's not so bad after all.

"Broken lance" ranks among Dmytryk's best works ,more human than "Warlock" and a thousand times better than the latter days ' fiascoes such as "Alvarez Kelly" and the dreadful "Shalako".Released just after the brilliant "Caine mutiny" ,it compares favorably to it,in its own way.The opening is intriguing :we do believe ,for a short while,that Joe (Wagner) is the black sheep of the family ,and then , a long flashback -a device which is rarely used in westerns - brilliantly starting with the patriarch's(Tracy)painting in a deserted house ,tells the whole story.Also unusual is the rather long trial ,a reason for which some will classify the movie as talky,which is unfair,because so many qualities in a western are rare to find.Tracy's death is a real tour de force verging on supernatural.There's also a sensitive wistful performance by Katy Jurado ,as Tracy's second wife .