Kavallerieoffizier ist desertiert und hat sich den Namen eines gefallenen Kommandeurs zugelegt, als er auf einen kläglichen Wagenzug trifft. Da der Treck schon mehrmals von Indianern überfal... Alles lesenKavallerieoffizier ist desertiert und hat sich den Namen eines gefallenen Kommandeurs zugelegt, als er auf einen kläglichen Wagenzug trifft. Da der Treck schon mehrmals von Indianern überfallen wurde, übernimmt Bart selbstlos die Führung.Kavallerieoffizier ist desertiert und hat sich den Namen eines gefallenen Kommandeurs zugelegt, als er auf einen kläglichen Wagenzug trifft. Da der Treck schon mehrmals von Indianern überfallen wurde, übernimmt Bart selbstlos die Führung.
- Regie
- Drehbuch
- Hauptbesetzung
- Cavalry Corporal
- (Nicht genannt)
- Chief Rasacura
- (Nicht genannt)
- Cpl. Demington
- (Nicht genannt)
- Barfly
- (Nicht genannt)
- George Owsley
- (Nicht genannt)
- Tillotson Man
- (Nicht genannt)
- Wagon Train Member
- (Nicht genannt)
- Lem
- (Nicht genannt)
Empfohlene Bewertungen
A great western will have a great lead/s that you can root for or rally against. They hunt down the killer, complete the impossible drive or defend the town/farm/girl etc.
Hayden lacks the charisma (in this film) to make you care about the cause and the supporting cast don't really fill you with a need to want them to get to safety.
You feel indifference.
The film has some good action along with some poor scenarios, the outcome being a sense of ho-hum.
Watch it but be warned it won't stir your emotions :)
Hayden plays a guy named Bart Laish. When the film begins, you learn that Bart is a deserter from the Cavalry and is hiding out west. However, as fate would have it, he comes upon a group of dying soldiers that were attacked by Indians. The dying leader just happens to be Bart's cousin and begs Bart to take his place and assume command of the rest of his outfit--which is a few miles away from this massacre! And, the deserter DOES!!! Later, after proving himself against wave after wave of faceless and stupid natives (who seem to just ride by hoping to get shot), all is forgiven with the US Cavalry and Bart is once again allowed to legally wear the uniform. Talk about impossible and ridiculous! In addition to a ridiculous plot and faceless Indians, it's also one of Hayden's relatively flat performances. I guess the other two were right after all....
By the way, in one scene it's supposed to be at night but it appears to be daylight! Huh?!
The Indians, with Blankets not Covering Up the Fact that They didn't use Saddles, are only On Screen for the Killing, and are Never Shown in Close-Up, making Them Disposable and Less than Human. "You know what Indians do to Women and Children.", is a Line in the Awful Screenplay.
The Battles are Frantic and Bullet Ridden with a few Arrows Flying and couple Landing in the Dust to Justify the Title. Overall, a rushed and Routine, Low-Budget 50's Western (as if We needed more of those in the Decade).
This will be an Embarrassment to Sterling Hayden Fans and despite the occasional good shot of Colorful Scenery, it is easily Forgettable.
Bart Laish (Hayden) is an army deserter, a gambler and a killer, but soon he is going to get a shot at redemption...
It's all very formulaic in plotting, yet there's some thought gone into the screenplay, whilst Selander wastes no chances to keep things brisk by inserting another finely constructed action sequence. Laish (a typically robust Hayden) finds himself in command of a wagon train, with soldiers and civilians, all now looking to him to stave off the wave after wave of Indian attacks, which interestingly sees the Pawnee and the Apache teaming up.
Naturally there's trouble in the camp, not only via some suspicious business men whose motives will reveal a key narrative thrust, but also by way of Gray's Christella Burke. She wanders in from some Estée Lauder advertisement (we don't care, we love 50s Westerns!), and pulses quicken for protagonist and viewers alike. Thematically the narrative is honourable, with decent amounts of angst and tortured heroics. There's some nifty war tactics, plenty of splendid gun play, and of course there's a human redemptive beat pulsing away - just begging to be found?
There's the usual "B" Western issues, such as weakly choreographed fighting between man versus man, dummies being flung over cliffs, and some average acting in support slots (not Lee Van Cleef, though, who is pottering around with menace). However, the Burro Flats location filming is beautifully photographed - in sync with Skiles' genre compliant score, while Hayden does enjoyable stern backed machismo, which plays off of Gray's sensuality perfectly, and Tully does grizzle to actually provide the film's best performance.
One for fans of this era of Western genre film making. Not a waste of time. Good show. 6.5/10
Wusstest du schon
- WissenswertesArrow in the Dust includes numerous wagon train and battle scenes from the 1952 movie Wagons West (1952). The shots of the wagon train going down a steep hill and several of the fighting sequences are obviously matches to the earlier movie. The most noticeable is when one of the pioneers is narrowly missed by an arrow.
- PatzerAbout 45 minutes into the movie Major Pepperis has his pants leg cut off by Stella so that she can bandage his leg. Then he goes to solve a problem with one of the wagons. When he returns his pants leg is un-torn and his leg is not bandaged.
- Zitate
Maj. Andy Pepperis: Gambler, gunfighter and now deserter?
Bart Laish: Yeah
Maj. Andy Pepperis: It looks like you added coward to the list.
- VerbindungenEdited from Wagons West (1952)
- SoundtracksTHE WEARY STRANGER
By Jimmy Wakely
Top-Auswahl
Details
- Laufzeit1 Stunde 19 Minuten
- Seitenverhältnis
- 1.85 : 1