About Mrs. Leslie

I'd seen this years ago on AMC and remembered little about it, but a revisiting on TCM reveals it to be a surprisingly solid, moving, adult romance. Sure, it's soap opera, and disconcertingly close to "Back Street" (or Capra's "Back Street" ripoff, "Forbidden"), and it's not helped by unexciting cinematography or a soupy, repetitive Victor Young score, like he's trying to be Max Steiner. What lifts it well out of the ordinary are the screenplay and the leads. Ketti Frings was a frequent adapter of literary works (she did the stage drama of "Look Homeward, Angel") who could plumb expertly beneath the surface; her co-screenwriter, Hal Kanter, was more of a sitcom specialist. Together, they probe with remarkable depth this illicit affair between a married industrialist and an unmarried chanteuse. These two behave like grownups, have real conversations on a variety of topics, with a surprising amount of Civil War history, of all things, mixed in, and say unexpected, witty things to each other. Shirley, who's superb, may not be a glamour gal, but it's entirely credible that the handsome Ryan, who underplays effectively, would fall for this intelligent, generous, questioning woman. There's a second couple, Marjie Millar and a not-very-good Alex Nicol, and you may wonder why so much time is being spent on them, but their narrative does complement the first couple nicely, and the other residents of Mrs. Leslie's boarding house provide color and contrast. Soap opera, yes, but I was moved, and ready for a second viewing not long after the first. Too bad Hollywood couldn't find more for the prodigiously gifted Ms. Booth to do, but this is one of her best roles, and you'll long remember her reactions, her delivery, and the way Daniel Mann lovingly lingers on her face.

If people did not accept back street arrangements like Shirley Booth did in About Mrs. Leslie a whole lot of romance novels and soap operas would never be written. In one of her few film appearances Shirley Booth plays Mrs. Leslie who owns a boardinghouse in Los Angeles and deals with the problems of her tenants while thinking back on her wartime romance with what was called then, a dollar a year man.

Her dollar a year man is Robert Ryan whom she met back east when she was singing in some second rate supper club. They more than hit it off and she accepts his proposition for a six week vacation on the southern California coast though her breaking her contract puts her career such as it is in jeopardy.

She only finds out about who this man really is when she sees a newsreel in the theater and finds out that 46 weeks a year he's a business executive and former World War I ace who married a Senator's daughter to advance his career. Ryan regrets this and Booth regrets having to settle for back street status though in the end financially she comes out well.

Combining elements of both Back Street and Maytime, About Mrs. Leslie is a fine film, one which we used to call a woman's picture. Booth made too few feature films for the big screen, but when she got there everyone was a gem.

About Mrs. Leslie is an uncut diamond. It should be broadcast more often.

Though she was known for her many roles on Broadway and an even more famous part on television, Shirley Booth did not seem to build much of a career as a movie star. Maybe this is because she was rather unlike other actresses that were headlining motion pictures in the 1950s. And that's a good thing, really, because for every Marilyn Monroe, it's kind of nice to have a Shirley Booth, who stands out and gives us something decidedly different and special.

In this film, ABOUT MRS. LESLIE, she is paired with Robert Ryan who plays against type as a mysterious magnate. It's fun to watch him make romantic gestures towards Miss Booth's character. Of course, his idea of companionship differs significantly from hers, yet a bond is forged and it is a lasting connection. Booth displays a range of emotions in this film, and she gets the chance to sing. The story of the couple's unusual courtship is told mostly in flashback, with several subplots in the present to balance out the narrative.

First, it must be mentioned that Shirley Booth was a fantastic actress in both film and stage, the latter being her forte. Here was an actress who, despite the fact that she was not Hollywood model material by any means, could run rings around scores of her drop-dead gorgeous contemporaries in the acting department! It's really a pity that she became typecast as "Hazel" in her popular television series, because she could, and did, offer so much more.

That said, now comes the plot of this particular film. A fairly good looking, well to do up and comer in politics, albeit married to someone else, falls in love with Ms. Booth's somewhat frumpy character. Highly unlikely, some people would say, but it happens in this film, and it happens in real life, no matter what the media would have you believe. Robert Ryan rendered a fine performance, and both of them generated the right chemistry. This is where it gets really good. The love that's shared between these two comes across as quite genuine. In fact, it blossoms throughout the film by way of a good plot! No spoiler here! You must see the film in its entirety to understand this.

Yes, the film plays out like a soap opera for the most part, but the idea behind it, the love between these two people, no matter the odds, is very real. There are lots of sub-plots going on throughout, but they all seem to come together perfectly and sensibly in the end. Many facets and foibles of human nature are addressed quite well in the process.

This is a must see, as are all of Shirley Booth's movies, at least in my opinion. It's too bad she didn't make more of them.

This movie was ahead of it's time, but still posturing to the "Code" and Hayes Office. "Mrs. Leslie" knew she was a once a year Date for a married man, in a "Open Marriage". The movie treated her with respect, as a woman, and not a cheap whatever, going to a Motel with a married man. It didn't matter to her the "reasons" that this man craved her companionship once a year. He never gave her the trite, "I'm getting a divorce", or "She doesn't understand me" spiel when he arranged their vacations. He didn't say anything about his wife, i.e. put-downs, horror stories, when he was Mrs. Leslie, either. The only people in the film that treated her like scum were the Lawyer for the Estate, and the neighbor she babysat.