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7,6/10
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IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuBased on actual cases from the San Francisco police files, Lieutenant Guthrie and Inspector Grebb work as a team to track down the criminals.Based on actual cases from the San Francisco police files, Lieutenant Guthrie and Inspector Grebb work as a team to track down the criminals.Based on actual cases from the San Francisco police files, Lieutenant Guthrie and Inspector Grebb work as a team to track down the criminals.
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Growing up in the SF Bay area as a kid in the 50's I always looked forward to San Francisco Beat coming on the tube every Saturday night. All the SF locales such as the Japanese Tea Garden,the old Hall of Justice on Kearny Street, Playland at the Sea. Filmed before the "Manhatanization" of downtown SF when the highest point in the city was Coit Tower on Telegraph Hill. I can't remember any details of the episodes but clearly recall the "feel" of the show which encapsulate everything that was San Francisco just after WWII. Fog horns, sea gulls, the wharf, this show had it all with a real film noir feel. The two detectives would stop at the police call boxes to talk to headquarters.
I remember seeing this show on Friday nights. What I remember best is that they were not kids shows but were still very enjoyable for the whole family. They were very tight half hour shows, in other words, it went by very quick. I wish these shows would be on some cable channel that would show programs of the fifties like this one.
This series is a nostalgic monument to Old San Francisco;i.e., before the development of high rise buildings. One can hear the old fog horns and feel the dampness as Inspector Grebb and the Lt. walk about in Top Coats and Fedoras. They also frequently use the old Police Call Boxes(dedicated phone lines on the street), painted blue of course. After all, portable two-way radios were still less than reliable. The series also makes use of the old Hall of Justice building on Kearney Street. This elaborate old building was torn down to make way for a new hotel. It is a very different city depicted in this series than was shown in "The Streets of San Francisco" or the Harry Callahan/Clint Eastwood movies.
As a young boy,"San Francisco Beat" was my favorite TV show.I loved and still do, any film that uses pre-1970 San Francisco as a background.I still can remember the opening shot at the top of Hyde St. with the O'Farrell,Jones & Hyde cable car going down the hill as the old Ford squad car comes up and turns into Lombard St.Later when the show was renamed "Lineup" the scene was the same except a Dodge was used as the squad car and the cable car had changed to a Powell & Hyde car.Has anybody noticed the view outside their squad room window is not correct?It was impossible to get that view from the old "Hall of Justice".I think that shot was taken from the top of "Nob Hill".It was still a great show.I wish I could see this show again!!!
April, 2009
What I remember most about THE LINEUP is the final roll of credits. You'd see a slow dramatic panorama of San Francisco at that time, mid 1950's, as the theme song pounded over the view. At that time Coit Tower was the tallest point in the skyline. Then you'd hear the voice over express thanks to San Francisco Chief of Police, think it was Tom Cahill at that time--but I also recall that it may have been Patrick Duffy in the earlier days of the series.
My father had a jewelry store on Columbus Ave. in North Beach and the shop flashed by once in a scene from an episode.
Yes, the '49 Ford coming up the street in the opening sequence with Tom Tully driving and Warner Anderson looking out. And that theme song again.
I just watched a part of an episode on You Tube from 1958. But nothing comes up if you type in the series title: But you will get it by typing in "1957 Dodge and 1957 Plymouth." It features Richard Jeckel, Jr., as a kid; and a very young Eli Walach. Good chase scene that shows the Embarcadero under construction; Sutros near Playland; and shots of the bridge.
Dennis Caracciolo April, 2009
What I remember most about THE LINEUP is the final roll of credits. You'd see a slow dramatic panorama of San Francisco at that time, mid 1950's, as the theme song pounded over the view. At that time Coit Tower was the tallest point in the skyline. Then you'd hear the voice over express thanks to San Francisco Chief of Police, think it was Tom Cahill at that time--but I also recall that it may have been Patrick Duffy in the earlier days of the series.
My father had a jewelry store on Columbus Ave. in North Beach and the shop flashed by once in a scene from an episode.
Yes, the '49 Ford coming up the street in the opening sequence with Tom Tully driving and Warner Anderson looking out. And that theme song again.
I just watched a part of an episode on You Tube from 1958. But nothing comes up if you type in the series title: But you will get it by typing in "1957 Dodge and 1957 Plymouth." It features Richard Jeckel, Jr., as a kid; and a very young Eli Walach. Good chase scene that shows the Embarcadero under construction; Sutros near Playland; and shots of the bridge.
Dennis Caracciolo April, 2009
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- WissenswertesThe radio series upon which this series was based was set in an unidentified city, whereas the video incarnation was very definitely set in San Francisco. Warner Anderson and Tom Tully appeared earlier in the 1943 submarine thriller "Destination Tokyo".
- VerbindungenReferenced in I Love Lucy: Lucy Wants to Move to the Country (1957)
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- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- San Francisco Beat
- Drehorte
- Produktionsfirma
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- Laufzeit1 Stunde
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.33 : 1
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By what name was Täter unbekannt (1954) officially released in India in English?
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